In her most ambitious work to date, Joyce Carol Oates boldly reimagines the inner, poetic, and spiritual life of Norma Jeane Baker -- the child, the woman, the fated celebrity and idolized blonde the world came to know as Marilyn Monroe. In a voice startlingly intimate and rich, Norma Jeane tells her own story of an emblematic American artist -- intensely conflicted and driven -- who had lost her way. A powerful portrait of Hollywood's myth and an extraordinary woman's heartbreaking reality, Blonde is a sweeping epic that pays tribute to the elusive magic and devastation behind the creation of the great twentieth-century American star.
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Editorial Reviews
Amazon.com Review
Penzler Pick, April 2000: It is surprising and shocking to realize that Joyce Carol Oates, one of the great writers living today, has never made The New York Times bestseller list (at least not in recent memory). Far less talented (and less famous) authors have made it while she, in all likelihood not caring much, has been shut out. That could easily change with her new novel, Blonde, which may be the masterpiece of a staggeringly distinguished career.
This 700-plus-page tome is based on the life of (you guessed it) Marilyn Monroe. In fictional form, with names changed (husband Joe DiMaggio is referred to as "The Ex-Athlete," Arthur Miller as "The Playwright," John F. Kennedy as "The President," for example), this may be the most accurate and compelling portrait of this beautiful and complex woman that one is ever likely to read.
But why discuss it on the mystery page, you might well be asking yourself. It was the author's intent to structure the book as a mystery, and of course she succeeds, as she seems to succeed at everything she attempts in the world of letters. And there is a murder, apparently arranged by a secret government bureau (FBI? CIA?), although that could be the victim's hallucination. Of course, it could also be both real and hallucinated (remember, even paranoids have enemies).
If you like biographies, you'll like Blonde. If you like novels, you'll like Blonde. If you like mysteries, you'll like Blonde. And if you fear that more than 700 pages by one of the greatest of living literary lions might be tough slogging, here's a little excerpt from the chapter titled "The President's Pimp:"
Sure he was a pimp.But not just any pimp. Not him!
He was a pimp par excellence. A pimp nonpareil. A pimp sui generis. A pimp with a wardrobe, and a pimp with style. A pimp with a classy Brit accent. Posterity would honor him as the President's Pimp.
A man of pride and stature: the President's Pimp.
At Rancho Mirage in Palm Springs in March 1962 there was the President poking him in the ribs with a low whistle. "That blonde. That's Marilyn Monroe?"
He told the President yes it was. Monroe, a friend of his. Luscious, eh? But a little crazy.
Thoughtfully, the President asked, "Have I dated her yet?"
Nothing inaccessible about Joyce Carol Oates, especially in this most readable and relentlessly fascinating study of the lovely woman with whom the whole country was at least a little in love. --Otto Penzler --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Dramatic, provocative and unsettlingly suggestive, Blonde is as much a bombshell as its protagonist, the legendary Marilyn Monroe. Writing in highly charged, impressionistic prose, Oates creates a striking and poignant portrait of the mythic star and the society that made and failed her. In a five-part narrative corresponding to the stages of Monroe's life, Oates renders the squalid circumstances of Norma Jeane's upbringing: the damage inflicted by a psychotic mother and the absence of an unknown (and perpetually yearned for) father, and the desolation of four years in an orphanage and betrayal in a foster home. She reviews the young Monroe's rocky road to stardom, involving sexual favors to studio chiefs who thought her sluttish, untalented and stupid, while they reaped millions from her movies; she conveys the essence of Monroe's three marriages and credibly establishes Monroe's insatiable need for security and love. To a remarkable extent, she captures Monroe's breathy voice and vulnerable stutter, and the almost schizoid personality that produced her mercurial behavior. (Emotionally volatile, fey, self-absorbed, and frightened, Monroe could also be tough, outspoken, vulgar--her notorious perfectionism a shield against the ridicule and failure that Oates claims she continually feared.) As Oates demonstrated early in her career in Them, and in many books since, she has an impressive ability to empathize with people in the underclass, and her nuanced portrait of "MM" carries psychological truth. Oates sees Monroe as doomed from the beginning by heredity and fate, and hurried to her death by a combination of cynical Hollywood exploitation, dependence on drugs and flawed choices of lovers and mates: JFK's cruel manipulation and shadowy intervention is the final blow to her fragile ego and her very existence. It is no surprise when, at the end, Oates subscribes to a controversial theory about Monroe's demise. Meanwhile, she draws a sharp-eyed picture of Hollywood during the 1940s and '50s; introduces a cast of movie-town personalities, from actors and agents to producers, directors and studio heads; creates intriguing character sketches of Joe DiMaggio and Arthur Miller; and conveys a nation's fascination with a cultural icon. The inevitable drawbacks in a book of this sort--deliberate omission of events, imaginative reconstruction of public and other events from Monroe's point of view--are problematical but not crucial. In an author's note, Oates declares that her novel "is not intended as a historic document." Yet she illuminates the source of her subject's long emotional torment as few factual biographies ever do. 100,000 first printing; major ad/promo; Literary Guild alternate; simultaneous Harper Audio; 5-city author tour. (Apr.)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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More About the Author
Joyce Carol Oates is the author of more than 70 books, including novels, short story collections, poetry volumes, plays, essays, and criticism, including the national bestsellers We Were the Mulvaneys and Blonde. Among her many honors are the PEN/Malamud Award for Excellence in Short Fiction and the National Book Award. Oates is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University, and has been a member of the American Academy of Arts and Letters since 1978.
Customer Reviews
Most Helpful Customer Reviews
54 of 57 people found the following review helpful
By Karen Tims
Format:Paperback
I was never a Marilyn Monroe fan. I would never even watch a movie of hers. I didn't want to jump on what I thought was a bandwagon of people who loved her because she was so tragic. I was never interested in the dumb blonde sexpot thing. I've always preferred the more exotic Joan Crawford or Rita Hayworth. I knew Monroe's story but it never became personal for me. It never spoke to me.
Oates' words spoke to me. I have a love/hate relationship with her work. I like it but it often annoys me. I also said the first couple of pages had me thinking I'd never get through the book. Well, after that I never wanted to put it down. I was totally engrossed for all 738 pages. I often read several books at once. In this case, I wasn't interested in reading books that I had just gotten in from my favorite authors. There was just no comparison.
Oates breaks some "rules". She throws in dialogue imagined and real. Sometimes, you're not sure who the story teller is. You have to "listen" as it unfolds. Sometimes, the story is told as poetry. Sometimes a chapter is a page long. A great thing about this is... she doesn't do anything to the point where it's annoying. For example, sentences without verbs--which I always notice and it personally drives me nuts. She does it sometimes, but not on every page. She does it enough that it's needed and not jarring.
If Oates wants you to feel like the character-- frightened, sad, confused, numb, glad, she weaves her words so that the experience of reading enables that feeling. You don't just view it as an outsider, you are a participant.
I could relate to the character personally. I understand being smart and wanting to be smarter and reading all you can to know as much as everyone else but always feeling inferior, always sounding like the airhead. I can grasp that, hold it in my hand and KNOW that experience. I understand being able to read philosophers and have great opinions but never being able to verbally express myself about any of it in any kind of coherent manner.
Also, she portrays Monroe as multidimensional. Lost people often don't know who they are. None of us are always one thing, are we? We are often contradictions of ourselves.
I always thought Monroe played herself. I didn't consider that maybe the dumb blonde was a brilliant talent, something she gave them, almost like a joke or a slap in the face. I also understand being able to use that, to fool people with it, allowing it to be an advantage and then being able to offer a beautiful surprise for anyone who is special, more deserving.
I've ordered all of Monroe's movies. I've got some catching up to do.
I HIGHLY recommend this book.
Oates' words spoke to me. I have a love/hate relationship with her work. I like it but it often annoys me. I also said the first couple of pages had me thinking I'd never get through the book. Well, after that I never wanted to put it down. I was totally engrossed for all 738 pages. I often read several books at once. In this case, I wasn't interested in reading books that I had just gotten in from my favorite authors. There was just no comparison.
Oates breaks some "rules". She throws in dialogue imagined and real. Sometimes, you're not sure who the story teller is. You have to "listen" as it unfolds. Sometimes, the story is told as poetry. Sometimes a chapter is a page long. A great thing about this is... she doesn't do anything to the point where it's annoying. For example, sentences without verbs--which I always notice and it personally drives me nuts. She does it sometimes, but not on every page. She does it enough that it's needed and not jarring.
If Oates wants you to feel like the character-- frightened, sad, confused, numb, glad, she weaves her words so that the experience of reading enables that feeling. You don't just view it as an outsider, you are a participant.
I could relate to the character personally. I understand being smart and wanting to be smarter and reading all you can to know as much as everyone else but always feeling inferior, always sounding like the airhead. I can grasp that, hold it in my hand and KNOW that experience. I understand being able to read philosophers and have great opinions but never being able to verbally express myself about any of it in any kind of coherent manner.
Also, she portrays Monroe as multidimensional. Lost people often don't know who they are. None of us are always one thing, are we? We are often contradictions of ourselves.
I always thought Monroe played herself. I didn't consider that maybe the dumb blonde was a brilliant talent, something she gave them, almost like a joke or a slap in the face. I also understand being able to use that, to fool people with it, allowing it to be an advantage and then being able to offer a beautiful surprise for anyone who is special, more deserving.
I've ordered all of Monroe's movies. I've got some catching up to do.
I HIGHLY recommend this book.
30 of 32 people found the following review helpful
Format:Hardcover
Marilyn Monroe died when I was in my late teens. It has always intrigued me why her legend lives on and on in a world where beautiful blondes are as plentiful and ephemeral as butterflies. What was it about Marilyn Monroe that has inspired the books, the songs, the photographic retrospectives decades after she's been gone? Having just finished "Blonde" by Joyce Carol Oates, I think I know.
From her first to her last breath, the fictionalized life of Norma Jeane Baker exudes tragedy. Her childhood is brutal, puberty puts her at risk, her early marriage is a fiasco, her treatment by her agent, her photographer, and the studio bosses unpardonably exploitive. When she finally achieves fame, Norma Jeane is too fragile and broken to savor it. She becomes her insecurities. Even those who love her and wish her well (husband playwright Arthur Miller) can't save her. She can only bring them down in her self destructive nose dive. If there is any truth to her treatment by President John Kennedy, he was the most dispicable of all. Oates never uses the image of a candle in the wind made famous by Elton John, but the metaphor works. Norma Jeane, aka Marilyn Monroe, never ceases to be a fascinating case study. Towards the end the writing gets a little sloppy and the reader grows impatient for the author to get on with the end, which one knows will be horrible, and yet when it happens it will break your heart . You are sorry the book has ended because you can never get too much of the central character, her amazing life story and the stormy times in which she lived.
34 of 37 people found the following review helpful
Format:Paperback
I come to you PURE. A reader of Joyce Carol Oates, but never a reader of any biography pertaining to Marilyn Monroe.
I enjoy reading a book review that gets to the heart of the matter. The heart of Joyce Carol Oate's marvelous novel is Norma Jeane Baker and the wonderful illusion that she created for all to enjoy, Marilyn Monroe. If you're like me and never read a biography on the illustrious Marilyn Monroe, start with this novel. The author does an amazing job of making it appear factual and breathing life into both Norma Jeane and her good friend Marilyn.
JCO starts with a BANG! beginning when Norma Jeane was a little girl in the care of her grandmother, Della. Poor Norma Jeane is whisked away from Della by her mother, Gladys, then her life sort of goes to pieces. Gladys and Norma shared a few good times or at least that's how Norma Jeane tries to keep to the story so that she can survive her life but eventually Norma ends up in the orphanage and then at around age 12 or so, becomes a foster child of a pathetic couple, only then to find herself a child bride and then the novel really takes off! All that I've said is far condensed; JCO does a much better job of filling you in on the details, and there are many!
I was sad, fascinated and impressed by Norma Jeane's talents and I'm not talking about the gifts she was naturally blessed with, though she was quite blessed and certainly used it all to her advantage. What really stood out in the book was that Norma Jeane was intelligent, shrewd, witty, a genius in her own right, yet, she couldn't see it. She knew it lived inside of her but she didn't believe that other people knew it, so tormented was she. Becoming Marilyn Monroe could be such a tough job, a job that Norma wanted to abandon, but it would be hard to fight the force that she, herself had masterminded. Many times, Norma Jeane Baker would lose herself and live Marilyn's life when the film wasn't rolling. She'd self-medicate and drink and pop more pills and do acts that were expected of Marilyn that even Marilyn didn't have to do, but such the poeple pleaser was Marilyn, she'd do the deeds anyway, no matter how self-destructive. My head would spin at times and I felt that I was popping pills, probably JCO's intention. Sometimes, I became Norma's husbands (Bucky, Ex-Athlete and Playwright) and I was exasperated with her self-loathing and neediness, not thinking, but then thinking, hey, this woman has a problem.
Other times, I became her co-stars and wanted to quit the films because I just couldn't take Marilyn or Norma Jeane's self-indulgences, her sickness! Despite it all, I continued to turn those pages. I was committed to Norma's and Marilyn's world, JCO's intention, I'm sure. Then, I thought: Where is JCO's National Book Award for this exceptional piece of work that must have made her half crazy to write. Where was the award? I had to research who won that year, making a promise to read the winner and find out WHY JCO did not get the prize for this novel, that to date, as far as I'm concerned, is her masterpiece.
Thanks to JCO, I've viewed many a Marilyn Monroe movie and I've got a couple of biographies lined up- but I thank her for sharing the secret. When I watch Marilyn Monroe, I smile, knowing that I'm really watching Norma Jeane, the Creator.
I enjoy reading a book review that gets to the heart of the matter. The heart of Joyce Carol Oate's marvelous novel is Norma Jeane Baker and the wonderful illusion that she created for all to enjoy, Marilyn Monroe. If you're like me and never read a biography on the illustrious Marilyn Monroe, start with this novel. The author does an amazing job of making it appear factual and breathing life into both Norma Jeane and her good friend Marilyn.
JCO starts with a BANG! beginning when Norma Jeane was a little girl in the care of her grandmother, Della. Poor Norma Jeane is whisked away from Della by her mother, Gladys, then her life sort of goes to pieces. Gladys and Norma shared a few good times or at least that's how Norma Jeane tries to keep to the story so that she can survive her life but eventually Norma ends up in the orphanage and then at around age 12 or so, becomes a foster child of a pathetic couple, only then to find herself a child bride and then the novel really takes off! All that I've said is far condensed; JCO does a much better job of filling you in on the details, and there are many!
I was sad, fascinated and impressed by Norma Jeane's talents and I'm not talking about the gifts she was naturally blessed with, though she was quite blessed and certainly used it all to her advantage. What really stood out in the book was that Norma Jeane was intelligent, shrewd, witty, a genius in her own right, yet, she couldn't see it. She knew it lived inside of her but she didn't believe that other people knew it, so tormented was she. Becoming Marilyn Monroe could be such a tough job, a job that Norma wanted to abandon, but it would be hard to fight the force that she, herself had masterminded. Many times, Norma Jeane Baker would lose herself and live Marilyn's life when the film wasn't rolling. She'd self-medicate and drink and pop more pills and do acts that were expected of Marilyn that even Marilyn didn't have to do, but such the poeple pleaser was Marilyn, she'd do the deeds anyway, no matter how self-destructive. My head would spin at times and I felt that I was popping pills, probably JCO's intention. Sometimes, I became Norma's husbands (Bucky, Ex-Athlete and Playwright) and I was exasperated with her self-loathing and neediness, not thinking, but then thinking, hey, this woman has a problem.
Other times, I became her co-stars and wanted to quit the films because I just couldn't take Marilyn or Norma Jeane's self-indulgences, her sickness! Despite it all, I continued to turn those pages. I was committed to Norma's and Marilyn's world, JCO's intention, I'm sure. Then, I thought: Where is JCO's National Book Award for this exceptional piece of work that must have made her half crazy to write. Where was the award? I had to research who won that year, making a promise to read the winner and find out WHY JCO did not get the prize for this novel, that to date, as far as I'm concerned, is her masterpiece.
Thanks to JCO, I've viewed many a Marilyn Monroe movie and I've got a couple of biographies lined up- but I thank her for sharing the secret. When I watch Marilyn Monroe, I smile, knowing that I'm really watching Norma Jeane, the Creator.
Most Recent Customer Reviews
2.0 out of 5 stars
Very, very graphic!
I have always loved Joyce Carol Oates and she does tend to write that way. But I had to quit reading this one half way through, it was just too much for me. Read more
Published 6 days ago by Linda McClellan
3.0 out of 5 stars
Book was good, but pages were missing
Interesting take on Marilyn's life and demons, although a bit lengthy. However, I was disappointed to find that pages 565 to 598 were completely missing from the book.
Published 1 month ago by Rhonda Rawson
5.0 out of 5 stars
Great Read!
Great for readers here!! This is the book, and
anyone who enjoys reading about Marilyn, should
get allot out of this book..
anyone who enjoys reading about Marilyn, should
get allot out of this book..
Published 1 month ago by Marnie Schram
5.0 out of 5 stars
JCO's Masterpiece
This is my favorite JCO book. If a novel could be a masterful impressionistic painting, this is what it would read like. Blonde is lovely and lyrical from first word to last. Read more
Published 2 months ago by Maryka Biaggio
5.0 out of 5 stars
Very interesting reading....
Almost hard to believe that this is meant to be fiction....really shows how the system used and abused this talented young lady.
Published 3 months ago by J. Burgett
5.0 out of 5 stars
Doesn't get better than JCO
A fabulous read if you enjoy stories about the dark underbelly of Hollywood, specifically the history of Marilyn Monroe. Read more
Published 4 months ago by Anna Louisa Ferrara
5.0 out of 5 stars
Marilyn!
Engrossing. I couldn't put it down and I was sorry when it was over. Marilyn was one of the last of the real stars of the movie business.
Published 5 months ago by Gloria Barrack
1.0 out of 5 stars
NOT Marilyn Monroe's Biography
I bought this book because of positive reviews, I should have read negative reviews also. The one star reviewers nailed the problems with this book, I can only pile on with more... Read more
Published 6 months ago by R. Martenis
3.0 out of 5 stars
Interesting fiction.
This is a really great novel, as long as you're not looking for anything super accurate about Marilyn Monroe (who the book is ostensibly about). Read more
Published 8 months ago by Rowan Cota
5.0 out of 5 stars
On being "blonde" - Blonde:A Novel - Joyce Carol Oates
It is 2012 and Blonde was written 12 years ago. Why am I so late in coming to it? Simple: years ago, I decided that although I admired Joyce Carol Oates's genius, she made me too... Read more
Published 12 months ago by Maxine A. Hartley
Citations (learn more)
This book cites 90
books:
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- To the Actor by Michael Chekhov on 5 pages
- The Time Machine by H. G. Wells on 4 pages
- The Time Machine by H. G. Wells on 4 pages
- Science and Health with Key to the Scriptures (Authorized, Trade Ed.) by Mary Baker Eddy on 4 pages
- The Time Machine and The War of the Worlds (Fawcett Premier Book) by H.G. Wells on 4 pages
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