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Blood Bargain (Blood Lines, Book 2)
 
 
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Blood Bargain (Blood Lines, Book 2) [Mass Market Paperback]

Maria Lima (Author)
3.8 out of 5 stars  See all reviews (12 customer reviews)

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Book Description

September 29, 2009
Something is not right at Wild Moon Ranch...

Keira Kelly has settled in with handsome Adam Walker, but happy-ever-after is not so easy when your vampire lover seems determined to deny his true nature. With Adam starving himself of blood and growing weak, Keira needs to work out how to persuade him to take care of himself, something she's fi nding diffi cult to do -- even with the advice of her brother Tucker, a millennium-old ex-Viking shapeshifter. And people have started disappearing in the Rio Seco area, making Keira worry about what this could mean, both for her friends in Rio Seco and to the community she and Adam have been creating at the ranch. But her investigation only seems to bring more trouble, especially when a clue leads her to an abandoned cemetery that Keira knew well when she was younger...one that has always been extremely important to her magical family. Evil is defi nitely walking once again in the Texas Hill Country. Can Keira discover where the danger lies...before danger discovers her?


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Editorial Reviews

About the Author

Sometime before the Revolution, Maria Lima was born in Matanzas, Cuba, to a family of voracious readers and would-be writers. After her family emigrated to the United States, Maria discovered the magic of books. She started writing her own stories and has been at it ever since. Her writing turned corporate as she used her journalism degree and cranked out marketing copy, feature stories and book reviews. The fiction muse kept calling and in the spring of 2005, was finally fed as Maria's first published short story, "The Butler Didn't Do It" was published in Chesapeake Crimes I and garnered an Agatha Award nomination for Best Short Story. Maria spends most of her days working as a Senior Web Project Manager in the DC area. Her evenings and weekends are spent writing.

Excerpt. © Reprinted by permission. All rights reserved.

CHAPTER ONE

The sound was more than a thought, less than a whisper.

"Here...come...here..."

I don't know how, but I heard the insistence behind the words and I knew they were meant for me.

"Sis...sis...sis..."

The sound faded, even less distinct than before. I strained to hear more.

"Sisssss..."

The last hissing sibilant was drowned out by the sound of a door shutting upstairs. I heard a shuffle of movement, then muffled steps descending the thickly carpeted staircase.

"Tucker?" My own voice sounded overloud to my ears.

Adam appeared at the bottom of the bedroom staircase holding two open bottles of wine in his left hand, each suspended by the neck. His right hand cradled two wine stems, each two-thirds filled, the red liquid gleaming in the low light.

He was dressed in his usual casual elegance -- black silk dress shirt, sleeves rolled back to reveal muscular forearms, collar open to show a small V of pale skin at the neck, shirt tucked into finely woven custom-tailored black slacks. His feet were bare, owing to his habit of removing his shoes at the front door. Adam told me once he liked to feel the textures of the carpets, the fine grain of the hardwood floors, the cool of the tiles as he walked. Occasionally, he'd spend entire nights free of footwear, even outdoors.

He paused on the final stair, giving me a small nod and a smile, lifting both hands. "I'm sorry I'm a bit later than I intended," he said, stepping down. "Did you -- " Adam stumbled a little; jutting his elbows out, as he tried to regain balance without spilling the wine. He seemed to waver a moment, then stilled and sank slowly to his knees, sitting back on his heels, arms held carefully in front, keeping the bottles and glasses steady.

"Adam!" I scrambled towards him. I'd been reading in bed the past couple of hours, having decided -- since he was working late -- I'd skip my usual meal at the Inn's restaurant, have a snack at the house and curl up with a good book. "Are you okay?"

"I'm fine, Keira. Seem to have slipped on the last step." He turned his head to look at the stair, mouth twisting a little, then he shook his head and with the distinctive liquid grace that vampires have, he rose to his feet, still holding bottles and glasses.

The fall surprised me a little -- it was so unusual for any supernatural to lose balance and slip like that. But it was probably nothing. He was carrying two bottles and two glasses. He'd done a damned good job of keeping them upright, too.

There was no evidence of spillage, except for a single blood-red drop of wine sliding down the side of one glass. We both watched its slow progression as it followed the curve, went down the stem, then slid across the pale skin of the back of Adam's wrist.

He caught my gaze and without a word, extended his wrist to me, the dark drop of clear red poised, shimmering on the pulse point against the outline of blue veins beneath. I reached to cup his hand, two fingers extended underneath the offered wrist, holding it steady.

I held Adam's gaze as I bent my head, inhaling the wine's bouquet, deep notes of darkest red-purple woven through with hints of smoky oak and cedar. The scent of Adam's skin lay beneath, soft spice and coolness, with a hint of nutmeg and --

Something else. My nostrils flared. Mingled with the wine, underneath the liquid -- blood. Not Adam's, not the living rich scent of life, but concentrated, a heavier weight of ironmetalcopper infusing the liquid. The aroma of Adam's own blood lurked under this, beneath his skin, pulsing, heat growing as I drew closer. My own pulse quickened as the scent reached the back of my throat.

This wasn't my wine that spilled, but his. Wine laced with blood extracts. Animal blood, not human, drawn from living donors, the procedure inflicting no more pain than a vet's blood test. Inhaling the rich aroma, I closed my eyes, confused, not certain of his intent.

"Are you sure?" I whispered, opening my eyes to look up at Adam, watching his face.

He held my gaze, expression frozen in a neutrality held by the strongest of wills. A test, then? A challenge? What was he doing?

An eternal heartbeat, two, then the briefest hint of a nod as a word I barely heard escaped his lips. "Yes."

I closed my eyes again, letting myself get lost in the heady scent, then licked the crimson globule from his wrist.

The taste expanded in my mouth, stronger than a single drop should be, dark red oakironblood flavor exploding, catching me off guard. I swallowed and straightened, opening my eyes to look at Adam.

"Not what you were expecting?" He'd dropped tight neutrality for a composed amusement, any hint of emotion still hidden behind the mask.

"Not," I answered, stepping back, letting go his wrist and taking the correct glass from his hand. I had to force myself to imitate his dispassionate detachment. We obviously weren't going where I thought we were with his little display of whatever it was.

I took a sip of my own wine, to mask my confusion. The once heady Torre di Pietra Petite Syrah, a favorite, now tasted flat, less real by comparison. I'd never tasted the special blood-laced wine before. Ever since I'd moved in, our nightly wine had become a ritual; Adam would either return from his office up at the Inn with a couple of bottles, one for each of us, or -- if Adam had elected to stay in and work from home that night -- one of the Inn's waitstaff would deliver the wine. The ritual never varied. The bottles would already be decorked and ready to pour. Adam would pour a glass for me, then one for himself. We'd clink a wordless toast then enjoy, usually sipping in silence.

I'd come to think that Adam drinking his blood wine with me was his way of letting me in, letting me be a part of his life, part of the private side of Adam Walker.

"What was that in aid of?" I asked, finally gaining enough control to speak.

Adam set the wine bottles down on a small table, then took a sip from his own glass before he spoke. "A thought," he said. "Simply that." He sipped again. "You called out for Tucker?" he asked.

Avoiding the subject, Adam Walker? I thought. So that's the way he's playing this. A thought, indeed. More like a whim that turned out to be less whimsical than he'd expected.

"I did," I answered. "Before I heard you upstairs, I was reading and I thought I heard a voice calling me. It said, 'come here,' then I heard it say 'sis.' Tucker wasn't here, was he?"

"He was not."

"I don't think I'd dozed off," I said, "but maybe...no, I'm pretty sure I was awake. Maybe I should call Tucker and see if something's wrong."

Adam's hand on my forearm stopped me. "I wouldn't do that if I were you."

"Why?"

"I don't think your brother would appreciate the interruption."

"I'm sorry -- what?"

Adam's expression, accompanied by the raising of his right eyebrow, could only be called a smirk.

"Interrupt what? You know? How could you possibly know?" My mind zoomed to a place I didn't particularly want to go -- to where my brother and his lover were doing things I wish Adam and I were doing. Except Adam and I hadn't been doing anything in that area for more days than I cared to count, which is one of the reasons I'd been so confused about the whole spilled wine thing.

"Niko is tied to me by blood and bond," he answered. "When you called Tucker's name, I instinctively -- "

"Holy crap, you can read Niko's mind?"

He laughed. "No, not exactly. I can sense many things, strong emotion being the...shall we say, loudest. I don't think either Tucker or Niko would welcome your phone call."

"Huh."

Chalk that up to Vampire Lesson #694. I'd been with Adam for a few months. Some days, I felt as if I knew everything there was to know about him; evidently, this wasn't one of those days.

Of course, learning about each other was par for our particular course. When Adam found out last year that I was as supernatural as he was -- more so, actually, because I'd been born that way -- he'd been as interested in my abilities as I was in his. Problem was, I wasn't sure what those abilities were quite yet. Like a child entering adolescence, I was beginning my own Change, moving into what would eventually be my nature: weather witch, healer, shapeshifter, necromancer. Odds were, since my father and all six of my elder brothers were shifters, I'd be joining them, but that wasn't a given. My own experience so far remained completely out of the realm of the usual. Six months ago, I started having visions and feeling the power surges that heralded Changing -- some twenty years ahead of schedule. My omniscient double-great-granny -- the matriarch of our clan -- figured it out long before I did and sent my brother to watch over me. So far, my body failed to follow any sort of normal pattern. By now, I should be Changed. Six months after onset, I still experienced the odd surge of power, but nothing more. No wonder I was hearing things.

"Okay, I guess I was dreaming," I said. "I doubt my brother is calling for me when he's...busy."

"I'm quite sure of that." Adam smiled and took another sip of his wine as he walked toward the bed. He picked up a copy of this week's edition of the Hill Country News from the nightstand, set the wine down and, as he started reading the paper, unbuttoned and shrugged off his shirt, then climbed onto the bed, the picture of domestic bliss, still reading.

"Hey," I said, walking to the bed, setting my own glass on the other nightstand and crawling across the mattress, settling in at his side. "The night's not all that old yet and I've still got a few hours before I need to meet with the realtor guy about the mortuary sale."

"The estate agent, yes. He sold it quickly, didn't he?" Adam said absently.

"Well, now that Marty's dead and my family's moved, no one really wanted to deal with it. I let the realtor do what he thought was best. It's not like the family needs a funeral home. I sign the final paperwork...


Product Details

  • Mass Market Paperback: 320 pages
  • Publisher: Pocket Books; Reprint edition (September 29, 2009)
  • Language: English
  • ISBN-10: 1439156751
  • ISBN-13: 978-1439156759
  • Product Dimensions: 6.7 x 4.3 x 0.8 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #653,382 in Books (See Top 100 in Books)

More About the Author

Maria Lima is a writing geek with one foot in the real world and the other in the make-believe. Her role models include Tanya Huff, Joss Whedon, Christopher Golden and Charles de Lint amongst many others.

Her love of reading began with discovering Scholastic Books in the first grade, and her love of storytelling from her father's dinnertime tales of derring-do. In this was mixed a love of both fictional and non-fictional worlds, of history and splendor, dragons and them that slayed 'em.

It's no wonder that she grew up composing stories.

Maria's Blood Lines series, set in the Texas Hill Country, is published by Pocket Books. You'll also find her in various genre-based essay anthologies from Smart Pop Books among other collected works. She loves to mix mystery, fantasy and magic in everything she writes.

 

Customer Reviews

12 Reviews
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 (2)
4 star:
 (6)
3 star:
 (4)
2 star:    (0)
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Average Customer Review
3.8 out of 5 stars (12 customer reviews)
 
 
 
 
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7 of 7 people found the following review helpful:
3.0 out of 5 stars Little Advancement in a Good Series, February 9, 2009
By 
Anna Hope (PA United States) - See all my reviews
(VINE VOICE)    (REAL NAME)   
With almost absolutely no romance and very little plot line that actually advances this series Blood Bargain was a bit disappointing after such a good start to the series. The writing is still good, though there's more than a little politics dashed in. I happened to agree with most of it but still didn't think it was always appropriate to the storyline.

Basically Keira Kelly, whose still going though a sluggish change from powerless supernatural to the selection of her defined powers, and her shifter brother spend the whole book traveling around Rio Seco, Texas setting things right even though they aren't usually involved in the situations. No progress is made between Keira and powerful vampire Adam, who plays a weak role in this book.The suspenseful part in the graveyard is very creepy but the end of the book leaves you with a cliffhanger which you partially see way off. Don't get me wrong, I'm not writing this series off at all. But I'm just saying this one was kinda blah and I'm hoping for better things next time, which I'm sure the author will deliver.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars Second in series, January 28, 2009
I very much enjoyed 'Matters of the Blood', the first in this series (in fact an extract from my review is printed in the front of this second book). However I was a little disappointed by Blood Bargain.

There's nothing actually wrong with the story - it's a continuation of the vampire/shapeshifter/sidhe-themed story of Keira Kelly, a woman who has just started her Change and isn't sure yet what her powers will be; will she be a shapeshifter like her father, a sidhe like her mother, or something else altogether? She's living with Adam Walker, chief Vampire and owner of the Wild Moon Ranch, but she's beginning to worry about him. Adam is getting weaker and weaker and insists on surviving on animal, not human, blood.

Keira's thoughts are very much taken with Adam's health and yet she also finds herself investigating the disappearance of a Mexican man several months before, at the behest of his brother. Her searches seem to be uncovering a tale of missing people, and when four young people from the town of Rio Seco go missing, there is far more urgency. Is there some link to the strange angel statue at a cemetery near the Wild Moon Ranch? And could there even be some link to Adam's failing health?

As I was reading this book I had no idea where the plot was actually going. It was certainly not predictable, and the resolution of the mysteries was a bit of a surprise. It was also a slightly unusual read in that the hero of the previous book, Adam, had a minimal part to play in this story; instead, the foil for Keira was her hellhound brother, Tucker. It's also interesting that Keira has not yet come into her powers so, despite being supernatural, there's not a great deal extra she can do over the humans around her.

Although I enjoyed reading this book I felt it somehow didn't have as much as an impact as the previous book and that the plot lacked the ability to really grab my attention. It was well-written, however, and the setting of a small Texas town made a change from the usual big-city vampire tale.

Originally published for Curled Up With A Good Book © Helen Hancox 2009
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1 of 1 people found the following review helpful:
3.0 out of 5 stars Blue State Werewolves vs. Red State Humans, January 4, 2010
This review is from: Blood Bargain (Kindle Edition)
I can't actually pan this book, because it grabed my attention from the beginning, and I had no trouble finishing it. It was a pleasant read. Part of what interested me in the begining was that the protagonist was part faery and part smething else. Also, it was explained that she was at first unwilling to date the vampire because she thought he was human, and she didn't date humans. I kind of like the interaction of different species and magic systems, and I thought this would be an interewsting twist on the vampire romance.
While the book never lost me completely, it didn't quite live up to it's potential. I never got an adequate explanation of what her father's species were supposed to be, or how they differed from the sidhe. (This might have been because I accidentally started the series in the middle). The protagonist's father's species was a bit of a species wide "Mary Sue". They were all strengths and no weaknesses, they accepted all of the values of modern 20th century young liberal New Englanders (acceptance of homosexuality, alternative living situations, the Right to Die, etc.) even though most of them were men raised amidst humans in the middle ages or 19th century, when one would think they would have absorbed some somewhat sexist attitudes. These too perfect "Kellys" are contrasted with stereotypical, sexist, homophobic Texans in a way which is a bit heavy handed. At times it feels like the author is working down a checklist, establishing her acceptance of all of the attitudes of the democratic party. (Gay Rights? Check. Immigration Reform? Check.) I also dislike how vampires were given all of the traditional strengths of vampires without the traditional weaknesses. The vampire love interest almost seems to have turned vegetarian, for goodness sake. (This vampire love interest seemed a bit of a useless putz)
There was a minor subplot involving relatives wanting the main character to have kids, and disliking her relationship with the vampire because "dead men can't have kids". Actually, this plot could have been interesting, except that the protagonist had attitudes that would be perfectly acceptable in the real world, but were a bit problematic in this fantasy context. It is perfectly OK for someone in our world to decide to not have kids because we are in no imminent danger of running out of people. However, the protagonist's mother comes from a Dying Race that presumably may run out of people, and their is a kind of Dynastic political system that makes the protagonist's decision affect people other than her. (Once you create the rules in a fantasy context, it limits what real world issues you can plausibly bring into the story). As a matter of fact, in the scenario they set up, the Star Crossed Lovers decision to shack up seems to affect the lives of a lot of subordinates. When the vampire moved to Texas, he took a horde of vassels with him, uprooting them so he could pursue romance. The heroine also seems to be somewhat callous about the fates of those who are essentially her helpless vassals.
Finally, the ending of the book was not terribly satisfying. I read this kind of book in part for the satisfying "monster slaying" endings, but I am not convinced anything real was accomplished in the end.
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