From Library Journal
According to Burton (French and Francophone literature, Univ. of Sussex), the French Revolution of 1789 established a pattern of Parisian political violence that did not reach its final culmination until the purge of Nazi collaborators in 1945. Burton describes a litany of executions, murders, massacres, and suicides that were the product of the conflict between the "two Frances." For nearly a century and a half, Paris served as a battlefield for the relentless war between monarchists and republicans, Catholics and secularists, Fascists and Socialists. Burton evokes the temper of those vitriolic times through skillful analysis of the works of the Parisian literati, incorporating the writings of Balzac, Hugo, Claudet, Huysmans, Zola, and many others to prove that the storming of the Bastille unleashed a legacy of violent political upheavals. This provocative and original treatise follows the interpretative framework of Burton's Afro-Creole: Power, Opposition, and Play in the Carribbean. The scholarly tone may discourage the general reader, but this unique work is a worthwhile purchase for both academic and public libraries. Jim Doyle, Sara Hightower Regional Lib., Rome, GA |0140291156 Byock, Jesse L. Viking Age Iceland. Penguin. Sept. 2001. 448p. illus. maps. ISBN 0-14-029115-6. pap. $15. HIST ~ Byock (old Norse and medieval Scandinavian, UCLA; Medieval Iceland) here attempts to dispel some popular Viking stereotypes. The image of the Viking as a pitiless destroyer of monasteries and a pillager of towns must be amended, he argues, to include the creation of great literature, a republican form of government, and the mechanisms for conflict resolution. Byock presents the evolution of Viking Iceland from its settlement beginnings, to its flowering as a highly developed legislative body, to its dissolution at the hands of the conquering Norwegians, who imposed a monarchical government in the 1260s. Byock uses Icelandic sagas to illustrate Viking efforts toward a type of conflict resolution that would be least injurious to society as a whole. He also points out the roles that women and Christianity played in the evolution of what was, for a time, a progressive society. This work should appeal to both students and general readers with an interest in Viking-age Europe. Recommended for academic and larger public libraries. Robert James Andrews, Duluth P.L., MN
Copyright 2001 Reed Business Information, Inc.
Review
"Blood in the City presents an enthralling account of the atavistic myths underpinning the series of bloody revolutions that, paradoxically, ended up turning Paris into the crucible of modernity. Through his brilliant analysis of Paris's cultural, political, and literary history, Richard D. E. Burton has created a seamless and gripping narrative that makes compelling sense of a century and a half of Parisian violence."-Mark Ford, Author of Raymond Roussel and the Republic of Dreams
"This astonishing and compelling book is both a graphic study of the many forms and waves of violence that have swept Paris since 1789, and a subtle, imaginative interpretation of the bloody rituals that have marked the long contest between embittered Catholics and anticlericals still deeply marked by France's catholic culture."-Stanley Hoffmann, Harvard University
"Burton evokes the temper of those vitriolic times through skillful analysis of the works of the Parisian literati . . . to prove that the storming of the Bastille unleashed a legacy of violent political upheavals. . . Provocative. . . This unique work is a worthwhile purchase for both academic and public libraries."-Library Journal, August 2001
"An extraordinary recent book is Richard D. E. Burton's Blood in the City, a chilling and erudite study of lynching, execution, suicide and murder in Paris, including events from the decapitation of Louis XVI to the assassination and executions of the postwar épuration."-Edmund White, Times Literary Supplement, December 6, 2002, No. 5201
"The outstanding achievement of this work is that its author revitalizes the Parisian landscape through a highly accessible and well-written account of cultural history. It therefore succeeds both as narrative and as an academic study deserving to feature prominently on the reading list of any student of French cultural history as well as that of any informed visitor to Paris."-Martin Hurcombe, University of Bristol. Journal of the International Society for the Study of European Ideas, 2002
"One of the most engaging features of the book is the way in which it recasts religion as a central interpretative agent of nineteenth-century French history. . . Stimulating and interesting."-Bertrand Taithe, University of Manchester. H-France, February 2002
"An intricate, absorbing, and multi-faceted analysis of the literary, political, and cultural fury that animated Paris during the years of the 19th and 20th centuries. . . . Rewarding to the very last syllable, Blood in the City is a testament to outstanding historical scholarship."-Virginia Quarterly Review, Vol. 78, No. 2
"Without the slightest doubt, this is one of the best and most thoroughly enjoyable books that I have read in a considerable period of time. Burton has, in Blood in the City, provided the thoughtful and curious reader an outstanding read that is well worth the time to peruse it. . . . I enthusiastically recommend this superb book to all students of French history, as well as to the serious tourist who intends to visit Paris. . . . Blood in the City would be an excellent addition to academic libraries, particularly those that support study abroad in Paris, and medium to large libraries."-Eric A. Arnold, Jr., University of Denver. History: Reviews of New Books, Spring 2002, Vol. 30, No. 3