Blood & Feathers: Live at the Cafe Carlyle

Ute Lemper | Format: Audio CD

Product Details

• Audio CD (June 7, 2005)
• Number of Discs: 1
• Label: Drg
• ASIN: B0009J4OBS
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (7 customer reviews)
• Amazon Best Sellers Rank: #262,343 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

Blood and Feathers was Ute Lemper's 2005 cabaret show at New York's Café Carlyle. It's a partial survey of her career, nodding to, among other things, her affinity with Kurt Weill ("Pirate Jenny") and her Sally Bowles role in (a Cabaret medley). She incorporates more Weill ("Bilbao Song," "Moon Over Alabama") into a "Moon Medley" that includes Van Morrison's "Moon Dance," Sting's "Moon Over Bourbon Street," Joni Mitchell's "Moon at the Window," the standard "It's Only a Paper Moon," and Tom Waits's "Grapefruit Moon." Lemper also tosses in Sondheim's "The Ladies Who Lunch" and a tribute to fellow German chanteuses Marlene Dietrich and Edith Piaf, and even delivers some of her patter in German and French. To call it an eclectic mix would be an understatement, and she's brash, she's bold, and she leaves it all out there--not your normal honey-voiced cabaret singer. But that also means Blood and Feathers isn't like the last hundred smooth, generic-sounding cabaret recordings you've heard. That's definitely a good thing. --David Horiuchi

Customer Reviews

Most Helpful Customer Reviews

10 of 10 people found the following review helpful:

5.0 out of 5 stars Weill, Ebb, and Van Morrison, oh my! Buy it NOW!, November 3, 2005

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B. Marold "Bruce W. Marold" (Bethlehem, PA United States) - See all my reviews
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This review is from: Blood & Feathers: Live at the Cafe Carlyle (Audio CD)

`blood & feathers', a recording of a live Ute Lemper performance at New York City's Café Carlyle is easily one of Fraulein Lemper's most enjoyable albums, a fact over which I could not be more happy, as Ms. Lemper has been my favorite vocalist for the last several years, ever since Barbra Streisand went into semi-retirement and stopped doing `interesting' material on which she based her early career.

I am always just a bit apprehensive of `Live' and `Best of' albums, especially for performers of whom I own a large selection of their recordings. There is always the risk that the albums will simply repeat material I already own. While about half of the material on this album does appear on other Lemper albums, the mix of musical numbers with on-stage commentary and juxtapositions between songs make the whole album a totally new and totally pleasant experience for Lemper fans.

Aside from Lemper's great vocal skills, the most amazing thing about the recording of the stage performance is Lemper's flawless American accent or, to our ears, the total lack of any accent, in spite of the fact that she is a native of Germany, has worked most of her life in Europe, and switches effortlessly between French, German, and English lyrics. Her impeccable English lyrics are not simply the result of excellent mimicry.

Even seemingly tired material is given a new live such as the old chestnut, `Pirate Jenny' from `The Threepenny Opera' is done half in German and half in English with some improvisation on some of the best known lyrics.

The centerpiece of the set is the `Moon Medley' consisting of Brecht and Weill's `Bilbao Song', Van Morrison's `Moondance', Sting's `Moon over Bourbon Street', Brecht and Weill's `Moon of Alabama', Joni Mitchell's `Moon at the Window', Arlen and Harburg's `It's Only a Paper Moon', and Tom Waits' `Grapefruit Moon'. It's such a major part of the set that it's odd the album isn't named `Moon Songs'.

The final track is a `Cararet medley' dedicated to songwriter Fred Ebb, a collaborator on Cabaret and Chicago. The dedication give a great thumbnail sketch of Lemper's career and great stage presence, where she speaks with an assumed Sally Bowles accent which sounds like it grew up in darkest Brooklyn. That is, until she jumps into the German opening to `Mack the Knife'.

Buy this even if you have every other Lemper album ever pressed!

9 of 9 people found the following review helpful:

5.0 out of 5 stars Ute Goes For the Jugular, June 9, 2005

By 

Bettyboy72 "Thom" (Buffalo, New York United States) - See all my reviews

This review is from: Blood & Feathers: Live at the Cafe Carlyle (Audio CD)

As I've said in past reviews, Ute Lemper is not always an easy listen, but well worth the effort. On her latest disc, "Blood and Feathers" Ute captures herself live at the Cafe Carlyle. On one of the liner notes written by a critic, he states how refreshing it is to see a woman perform who isn't pandering to the audience, but allowing you to witness her authenticity. So is the case with Ute this time around. Her song selection is all over the place, but each version she makes her own. I continue to love that she is not belting out better known standards to please the masses. She picks unique songs and sings and speaks in several languages on the CD. She maintains her consistency. I imagine she does the same show all over the world, not "Americanizing" it for NYC. I've seen Ute live several times and while her witty banter is intact on the disc, what I longed for was her mannerisms, her coy smile, expressive eyes and movement, and her glamourous vamping. Fortunately for all of us, the DVD is only a few weeks away. Ute fans enjoy this sassy disc. Bon Appetit!

6 of 6 people found the following review helpful:

5.0 out of 5 stars it's the performance!!, June 24, 2005

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tompan "tompanus" (CARLSBAD, CA United States) - See all my reviews

This review is from: Blood & Feathers: Live at the Cafe Carlyle (Audio CD)

This is a live recording that really comes alive with repeated listenings. It's not a ho-hum performance by any means, but an experience as Ute engages the audience and gives them her all.

The Moon Medley has moments ...and sustained moments of shear brilliance. Her selection and reading of songs from different eras brings it all together.

The Cabaret Medley is virtuosity by the singer who has much to draw on and shows her command of singing by inserting others' songs into it besides just a run-through of Kander & Ebb.

It's so wonderful to experience a singer like Ute Lemper who takes risks, has a commanding presence, gives it her all, and without pretentions.