From Publishers Weekly
This riveting group of stories puts the reader into familiar Rendell territory; not just the burgeoning villages of Kingsmarkham and Stowerton that Chief Constable Wexford and his assistant, Mike Burden, call their own, but the territory of the mind. Psychological twists evolve from characters who range from the mildly eccentric ("In All Honesty") to the truly mad ("Shreds and Slivers"). Rendell's deft touch and keen insight (and sometimes wry wit) can wring abject horror from even the smallest vignette. The compulsive shopper of "Clothes" experiences a total emotional collapse. In "Unacceptable Levels," is the caring young woman really trying to kill her lover? The longer title story brings back the uxorious Wexford and the grimly judgmental Burden who solve a bludgeoning death in their usual manner: dogged police work rewarded with a flash of insight. The true gem of the collection is "The Strawberry Tree," a chilling tale filled with foreboding and graced by a final, unexpected redemption. These finely constructed and intense stories will serve Rendell's fans, accustomed to her substantial volumes like last year's Simisola, as a tasty appetizer, heightening their anticipation of the heartier fare to come in her next novel.
Copyright 1996 Reed Business Information, Inc.
Inside or outside the mystery genre, Rendell is one of the finest writers of our time. Her piercing insights into the darkest reaches of the human psyche, her revealing descriptions of human emotions, and her delicate but unrestrained probing into the depths of the human soul elevate her to the very top of her field. In this collection of short stories, Rendell is at her best, using her own quixotic brand of dark humor and an often heartwrenching poignancy to produce 11 minimasterpieces. Whether she's exploring a young woman's deep-rooted need for love and friendship ("The Strawberry Tree" ), the anger brought on when an insecure ego is wounded and exposed ("The Man Who Was the God of Love" ), or the dark shame of unreasonable obsession ("Clothes" ), Rendell is able to expose the humanity (or in some cases, the inhumanity) beneath the everyday facade, allowing her readers to feel not only an empathetic sense of recognition but also a small shock of horror at the thin line that separates "us" from "them." Rendell's prose is simple and straightforward, as devoid of artifice as a woman without makeup. But the effect of her writing is as disturbing and provocative as seeing the modest, rather dull woman next door suddenly appear in tart's clothing, heavily rouged and with blood-red lips. A must-have collection by one of the world's most talented authors.
Emily Melton