Blood On The Fields

Wynton Marsalis | Format: MP3 Download

Product Details

• Original Release Date: June 17, 1997
• Number of Discs: 3
• Label: Columbia
• Copyright: (P) 1997 Sony Music Entertainment Inc.
• Total Length: 2:42:20
• Genres:
• ASIN: B0013AYWNM
• Average Customer Review: 3.4 out of 5 stars  See all reviews (15 customer reviews)
• Amazon Best Sellers Rank: #126,296 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Most Helpful Customer Reviews

14 of 17 people found the following review helpful:

5.0 out of 5 stars A True Musical Epic, July 22, 2001

By 

Russell Cashman "Rusty Cashman" (Vista, CA United States) - See all my reviews
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This review is from: Blood on the Fields (3-CD Digipak) (Audio CD)

A truly epic story must have many elements such as tragedy, suspense, humor, psychological and even historical insight. This work has all that and more. The music and lyrics are intellectually and emotionally engaging and are very effectively crafted to help the listener to feel as well as follow the story. However, that does not prevent many of the songs from being catchy or much of the music from being simply delightful. I think the pieces are also composed and arranged to the strengths of the performers. I found Cassandra Wilson's vocals (and the arrangements behind them) to be especially effective. Although some of the most catchy and memorable songs belong to the male vocalists. I suspect that in a hundred years or so this work will stand out as one of the most important musical compositions of the 20th century.

10 of 13 people found the following review helpful:

3.0 out of 5 stars Maybe you had to be there, April 17, 2005

By 

Samuel Chell (Kenosha,, WI United States) - See all my reviews
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This review is from: Blood on the Fields (3-CD Digipak) (Audio CD)

There's much of musical-narrative value to be extracted from any one of the three discs comprising Wynton's ambitious attempt to capture the odyssey of the African-American experience through jazz. And I hear more of Ellington's signature and spirit in this work than in other attempts to invoke the Master's muse. The frequently loose and polyrhythmic textures, the vocal expressiveness of the instrumentalists, the indebtedness of the singers to the instruments of jazz, the narration supplied and dramatized by Wynton himself, the balance between composition and improvisation--all are in abundant evidence throughout this lengthy program.

But having listened attentively to the program once, I doubt it will receive another playing. "Melodrama"-- the combination of music and story--is not an easy form to pull off successfully and, above all, to sustain for upwards of three hours, especially without the aid of visual choreography. After 10-15 minutes the instrumentation and textures become overly familiar, the voices of the principals begin to seem indistinguishable (not helped by the baritone register which Cassandra Wilson shares with the other singers), and the spoken narrative supplied by the band remains informative but at the expense of lightness and life.

My impatience is only increased by the discovery that a similar musical narrative, Duke's scintillating and highly personal (and very underrated) "A Drum Is a Woman," is no longer in print! Maybe it's time to call a moratorium to more latter-day original compositions until we've had time to process the rich legacy that is in danger of being lost.

4 of 6 people found the following review helpful:

4.0 out of 5 stars An excellent piece of work, December 19, 2000

By 

Zzonkmiles - See all my reviews

This review is from: Blood on the Fields (3-CD Digipak) (Audio CD)

This gripping 3-CD masterpiece is perhaps Wynton Marsalis's most stunning album to date. Not only is the execution of the music top notch, but the themes of the songs themselves do a superb job of capturing the very element that was the impetus behind these compositions. For example, it can sometimes be difficult to sit through "Forty Lashes" because Herlin Riley's drumwork is that powerful.

"Blood on the Fields" has a little bit of everything crammed into it. There are blues, ballads, high octane bop, and even dirges. The first two discs are especially strong. Cassandra Wilson, John Hendricks, and Miles Griffin sing passionately. Perhaps the strongest pieces are "You Don't Hear No Drums," "Move Over," "Soul For Sale," and "Plantation Coffle March." On the second disc, "God Don't Like Ugly" reaches a rare level of intensity that is reminiscent of "Holy Ghost" on "In This House, On This Morning."

Wynton does an excellent job of showcasing his compositional genius with this album, and the orchestra does an excellent job showcasing its technical talent. There are some stunning riffs, stratospheric cadences, and light-speed ensemble passages to study.

There are, however, two weaknesses to this otherwise brilliant piece of work. The third disc in particular is not as engaging as the first two are. The songs don't convey the same degree of intensity, and the songs themselves are largely devoid of any real action. The other minor gripe is the reading of the passages between some songs. The passages aren't read in complete unison, so it seems raggedy.

Despite these two issues, the lion's share of the music in this 3-CD set is brilliant, intense, and well-executed. It is definitely deserving of a serious listen, not just for its musical merits, but also for its historical and educational significance.