Blood from a Stone [Import] [Paperback]

Donna Leon (Author)

Product Details

• Paperback: 320 pages
• Publisher: William Heinemann; Airside/australia/new Zealand/south Africa Ed edition (March 3, 2005)
• Language: English
• ISBN-10: 0434013099
• ISBN-13: 978-0434013098
• Product Dimensions: 8.3 x 5.3 x 1 inches
• Shipping Weight: 11.4 ounces
• Average Customer Review: 3.8 out of 5 stars  See all reviews (31 customer reviews)
• Amazon Best Sellers Rank: #8,699,890 in Books (See Top 100 in Books)

More About the Author

A New Yorker of Irish/Spanish descent, Donna Leon first went to Italy in 1965, returning regularly over the next decade or so while pursuing a career as an academic in the States and then later in Iran, China and finally Saudi Arabia. Leon has received both the CWA Macallon Silver Dagger for Fiction and the German Corrine Prize for her novels featuring Commisario Guido Brunetti. She lives in Venice.

Customer Reviews

Most Helpful Customer Reviews

40 of 42 people found the following review helpful:

5.0 out of 5 stars Leon draws 'Blood from a Stone' in expert fashion!, March 24, 2005

By 

Billy J. Hobbs "Bill Hobbs" (Tyler, TX USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Blood from a Stone: A Commissario Guido Brunetti Mystery (Hardcover)

Another episode in Donna Leon's Commissario Guido Brunetti series cannot come too soon! In this, the 14th book, Leon's inimitable policeman is once agan, well, inimitable. It

was a dark, icy and anything sleepy wintry night in Venice, when suddenly five shots ring out, or so it goes. However, Leon's "Blood from a Stone" is anything but simple or trite.

A young African man, a "vu compra" (one of the illegal immigrants known as "venditore ambulante," who sell counterfeit designer luggage in the local squares) is shot dead by two

men. It is so professionally done that when Brunetti arrives on the scene, there is little wonder that little or no evidence, save the dead body, remains. What does remain, however, is enough to trigger Brunetti's suspicion that this is no ordinary shooting and that darker, more sinister, even evil, forces lie simply beneath the surface.

Thus, armed with his usual loyal team members (Signorina Ellatra and Sgt. Vianello,among others), Brunetti once again sets out to solve this case and once again he meets head on the opposition from his own superiors. By now, of course, Brunetti knows that

there is a much bigger picture here and to tread lightly is an undestatement. Still, with his usual tenacity, teamed up with his own unique code of ethics ("for an Italian law officer"),

he begins the investigation, which, as Leon usually does, leads us into waters where no angels (or sensible police chiefs) would dare to tread. "Blood from a Stone" looks into a red-hot international political picture, one very real and seems to know no boundaries, or even depths to which it extends. These socially significant issues generally transcend into Brunetti's personal life, his wife (an academician and healthy liberal in her own right at a Venezian university) and two children. It is perhaps this familial inclusion that makes Leon's Brunetti a more humane, compassionate individual, one whom any ready can

readily respect and admire.

Leon's prose seems to capture the tone and atmosphere of the "pearl of the Adriatic" perfectly. "Opposite them a small group was gathered around three buskers, two violinists and a cellist, who were playing a piece that sounded both baroque and out of tune." Venice, Leon's home of record now, has a special appeal to Leon and as an American ex-patriot she seems content not only to expound on its beauty and pluses, but to address

those areas, especially the corruption, that she feels need addressing. "The Paganelli(Brunetti observes) was a narrow hotel, slipped in, like an architectural dash separating

two capital letters, between the Danieli and the Savoia & Jolanda."

As in her other books, Leon makes no effort to hide her criticism of local (and national) graft and corruption, which seem to permeate all levels and all classes. Each of her books tends to concernate, but not exclusively, on a major issue, whether it be political, religious, social, economic, or human rights. Leon's prose reflects a depth of understanding of these issues that perhaps many of the other police procedural authors avoid (with the exception, perhaps of P.D. James, Ruth Rendell, and Martha Grimes, at times). Not that a novelist has any obligation to go after social injustices, for, after all, one characteristic of fiction is merely to entertain and there are many, many fine novels which do so.

But "Blood from a Stone" certainly is one of Leon's best, a great sign that her series is not

weakening or running out of steam. Here's to future Brunetti episodes!

17 of 19 people found the following review helpful:

4.0 out of 5 stars 4 1/2 stars: an excellent and lyrical read, April 3, 2005

By 

tregatt (Portland, Oregon) - See all my reviews

This review is from: Blood from a Stone: A Commissario Guido Brunetti Mystery (Hardcover)

Reading Donna Leon's Commissario Guido Brunetti is always a treat for me, and this latest Brunetti installment proved to be as engrossing and as enjoyable as previous books in the series. But truth be told, the mystery took a while to unfold, and unwound at a much slower rate than previous mysteries. On the other hand, this difference still not affect the overall lyricism or grace of the book. Commissario Brunetti is still a policeman whose main objective is to do his job well, honestly and fairly, in spite of the corruption around him. In this case, "Blood From a Stone," Brunetti tries to discover why a Senegalese street peddler, a vu cumpra, was professionally shot down in public. Because the man was, in all probability, an illegal immigrant, the police have little to no knowledge of who he was or why he was killed; and because of his illegal status, the likelihood of someone coming forward to identify him and provide vital details is next to nil. Frustrated but undaunted, Brunetti and his faithful colleagues (Vianello & Signorina Elettra) plod on, using whatever useful contacts they have to learn more about the Senegalese immigrants, and why someone would want to kill one of them. But even before they can get very far in their investigations, they're warned off by Vice-Questore Patta (Brunetti's boss the bane of his life). Patta intimates that they'd all be better off if Brunetti backs off. And while Brunetti is not a big fan of Patta's, he cannot help but wonder who could scare or influence Patta enough to ensure that he warned Brunetti off. Irreggardless of Patta's warning, Brunetti presses on, only to make a discovery among the dead man's things that really puts the fat on the fire...

In spite of the sedate pacing, "Blood From a Stone" was still a fantastic read. Donna Leon is a masterful storyteller. Competently, she sets the stage -- the Christmas season in Venice, the cold, the tourists, the vu compra and the invisible life they seem to lead -- and then, brilliantly, without lecturing, she makes political point, fusing it to the novel and making it the focal point of the book. But everything is gracefully done, making this incredibly engaging novel a very riveting read. And at the heart of everything, is the series' moral and stalwart hero, Commissario Guido Brunetti, a man whose need to discover the truth and punish the guilty, is what makes this series (and this book, in particular) so very compelling and enjoyable. All in all an excellent read, not to be missed.

17 of 20 people found the following review helpful:

5.0 out of 5 stars Another Commissario Brunetti Winner, March 24, 2005

By 

Carlo Vennarucci (Berkeley, California) - See all my reviews

This review is from: Blood from a Stone: A Commissario Guido Brunetti Mystery (Hardcover)

Donna Leon's 14th Guido Brunetti mystery novel explores contemporary issues in Italy and the magical city of Venice. She skillfully uses her good Commissario, his family, and his colleagues to make political and social statements about Italy and global problems.

The story begins with the execution-style murder of an illegal African street vendor in a busy Venetian campo while he was attempting to sell his fake designer handbags to a group of American tourists. (An African street seller is called a vú cumprá, which is an Italian slang term for you wanna buy? -- the official and more PC Italian term is extracomunitario.) Commissario Brunetti, called to investigate the killing, realizes just how little he knows about these illegal street sellers -- where they're from, how they got to Italy, where they live, how they survive. With the help of his loyal sidekick Vianello, and the stunning, computer savvy Signorina Elettra, he gets a foothold on the case when he locates where the victim lived. He finds some critical evidence in the vú cumprá's apartment, but doesn't report it because he doesn't trust it in the hands of the police hierarchy. Just when he is making progress on the case, Vice Questore Patta, Brunetti's annoying, slow-witted boss, orders him to stop the investigation which has been taken over by not one but two Italian ministries in Rome. Naturally, Brunetti, determined to find out what is behind all this intrigue, disobeys and has to tap into his connected and powerful father-in-law, Count Falier, in his search for answers.

The book is set at Christmas time in Venice. Leon describes the seasonal festivities in marvelous detail. As always, Brunetti's wife Paola and kids Chiara and Raffi get a fair amount of stage time. We join them for gourmet lunches and dinners, go Christmas shopping with them, and witness major disagreements between mother and daughter. Leon is sympathetic to the plight of the vú cumprá and to the misfortunes of Africa. As usual, American tourists and the corrupt Italian bureaucracy come under here critical gaze.

In Blood from a Stone, we are introduced to some interesting characters -- Claudio Stein, who was close to Brunetti's father during and after World War II; Don Alvise, a socially active ex-priest who left the church because of disagreements on giving assistance to African immigrants; Renato Sandrini, a resentful criminal defense attorney who owes Brunetti some favors and is married to the daughter of a local mafia don; and, Azir Mahani, an Iranian immigrant teenager who is Chiara's new friend.

This book is a must read. Donna Leon is such a marvelous writer.