The third novel in the series about Jack Fleming, PI and vampire. In this book in the series, Jack goes searching further for Maureen, and winds up meeting Jonathan Barrett, an almost-200-year-old vampire who has landed a cushy job as a private secretary to a recluse. There are several mysteries surrounding the recluse's family and neighbors. Barrett (who appears as the star in a separate Elrod series) also wants to protect himself, and although he's not evil, his ideas about his own best self-interest conflict with Jack's drive to find out more about Maureen. When we find out some of the solution to the mysteries above, we get an interesting depiction of the fine line between sanity and insanity, expressed in terms before the word sociopath was is everyday vocabulary.
Those who already know that they like vampire novels, anything at all that features a vampire, can skip this review, and likewise, those who hate the whole idea of vampires can skip it. But for those trying to decide whether or not to read more of this genre, or whether the one vampire novel you've already read was a fluke, it may help to have some ways to categorize these novels. Thus: BunRab's Standard Vampire Classification Guide. First, most authors of vampire novels approach from one of the main genres of genre fiction; thus their background may be primarily in romance, or in science fiction/fantasy, or in murder mysteries, or in horror. Second, many vampire novels come in series; knowing whether this is one of a series, and where in the series it falls, may be helpful. Then we have some particular characteristics: - Is the vampire character (or characters) a "good guy" or a "bad guy"? Or are there some of each? - Are there continuing characters besides the vampire, through the series? - Are there other types of supernatural beings besides vampires? - Can the vampire stand daylight under some circumstances, or not stand daylight at all? - Does the vampire have a few other supernatural characteristics, many other supernatural characteristics, or none other than just being a vampire? (E.g., super strength, change into an animal, turn invisible) - Does the vampire have a regular job and place in society, or is being a vampire his or her entire raison d'etre? - Does the vampire literally drink blood, or is there some other (perhaps metaphorical) method of feeding? - Is sex a major plot element, a minor plot element, or nonexistent? - Is the entire vampire feeding act a metaphor for sex, part of a standard sex act, or unrelated to sex? - Is the story set in one historical period, more than one historical period, or entirely in the present day? - Does the story have elements of humor, or is it strictly serious? - Is the writing style good, or is the writing just there to manage to hold together the plot and characters?
P.N. Elrod's series about Jack Fleming is in the hard-boiled detective genre. Fleming is a good guy (although with worries about his own ethics). Fleming is a former journalist (before he died), now working as a sidekick to a private investigator. The series takes place in the Chicago of the '30s, after Al Capone is locked up, but before the Depression ends. Criminal gangs are still a big force in Chicago. Besides Jack and his boss, various criminal mobs, and police both honest and corrupt, are recurring characters in the series. So is Jack's girlfriend, Bobbi, a nightclub singer. Jack drinks blood, but it doesn't have to be human- he uses cows at the Stockyards usually, and likes horses as a treat. He does, however, also drink a little from his girlfriend during sex. Sex is discreet and not too frequent in the series- no explicit details; this is a detective series, not a romance. Jack has a few supernatural powers associated with being a vampire: the usual ones of being stronger and faster than humans, and he also can turn invisible and float through walls. He must sleep during the day, on his native earth - but garlic and crosses don't bother him. There aren't any other kinds of supernatural characters in the series. As befits the detective genre, there is a certain amount of wisecracking in the dialogue; Jack can be a smart-ass sometimes, and the criminals can be inadvertently funny. Overall, the series is a well-done version of the genre, each book being easy to read and most of the characters being well-described and thought out.
