Most Helpful Customer Reviews
17 of 19 people found the following review helpful:
5.0 out of 5 stars
An overlooked film of Audrey Hepburn, November 8, 1999
After "Charade" and "Wait until Dark", this is her third thriller. Overall, it is an engaging story that combines elements of both "Charade" and "Wait until Dark." Audrey Hepburn, an heiress of her family corporation, is in danger of being killed by someone from the highest echelons of the company, on the same fashion as Regina Lampert was on the run. The denouement rings similar to the desesperation endured by Sussie Hendrix in the dark. In his second teaming with Audrey, Terrence young must have been tempted to reenact such a successful experience. This thriller also has comedy and romance. Notice the chubby, disheveled, old inspector talking to the big magnetic-tape computer, and Omar Sharif as a bumbling unfaithul husband. Of course, the romance is portrayed by Audrey in her unique way that one feels that she is really in love, and all that is expressed in a brief romantic scene where she says "isn't it plain to the naked eye that I am in love with you." Ben Gazzara, as her romantic interest, was just solid, and very deceiving until the end. With a colorful international cast, including James mason, Irene Papas, Romy Schneider among others and magnificent locations in New York, London, Paris, Rome, Munich, and the hauntingly beautiful island of Sardinia, this film is a must for a suspense lover. Although it does not feature the catching soundtrack of Mancini, the wistful, haunting melody by Enrico Morricone is remarkable. This movie had a bad review, probably because the story is based on a Sidney Sheldon's potboiler that every critic associated with something below a soap opera. I didn't know who Sheldon was and I just judge the movie according to what I saw, and it is not what the critics have said. Also part of the harsh treatment was that Audrey appeared in a picture that had censorable sex scenes. However, they are collateral and Audrey had no involvement at all. Besides, those scenes are nothing according to modern standards of hollywood. Although "Charade" and "Wait Until Dark" were her best thrillers, this movie is still a must see along with "Robin and Marian." Both are evidence that her acting charm was still alive in her later years. The film "They All Laughed" was very weak in story and direction, not just because she had a very little screen time.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
7 of 7 people found the following review helpful:
3.0 out of 5 stars
Unparalleled Garbage, August 21, 2000
This film was, with out a doubt, disappointing. I only bothered to watch it for Audrey Hepburn's performance, one of her last. Whilst Audrey was amazing in her role of an heiress marked by a mad man, I think lesser of the rest of the cast - not to mention the script. Taken from an already trashy (but surprisingly sophisticated) novel by Sidney Sheldon, the film lack any real emotion or plot discretion. Truth be told, Audrey hated this movie just as much. She signed on, but later regretted it once she saw how awful it really was. She tried to get out, but the contract she signed bound her to the project. It's easy to see where her disgust fell. Boring characters, slow pace, unnecesary and multiple nude scenes, production of snuff films and one hell of a dormant antagonist, the film has very little to offer when compared to... any other movie really. I suppose that the only good excuse you have to see this film is if you are either an Audrey Hepburn or Ben Gazzara fan, as both shine brightly in this film.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
14 of 17 people found the following review helpful:
4.0 out of 5 stars
Chic cast with dark secrets in Audrey Hepburn shock-drama, July 28, 2002
I had the good fortune as a teenager to sit through "Bloodline" each day or night for the week it ran in Freeport, Illinois. Later, when I ran away to NYC, I watched it again on my first little screen in a tiny, sloped theater-in-a-complex. I scoured Central Park for one of the scenes shot there against a graffiti-dusted bridge. Ahh... It was my last fix for a while on what chic is, what perserverance, trust and fabulous Parisian locales can do for a lost soul... Then I ran away to France. It would a few more years before I made it to Paris, but when I did I searched out Hotel de Crillion, Maxim's, Notre Dame. The Sydney Sheldon book was a bore compared to the film. Seeing these great international actors together -- Romy "Shrew in Silk" Schneider and Irene "Show me your back!" Papas, for example -- gave me a great shot of what it must be like to tread life's waters in Gucci and Bulgari (back when Gucci didn't seem so silly (watch out! is Chanel next?)) This film, about the Roffe Pharmaceutical heiress (Audrey Hepburn)tagged for murder because she won't go public with the stock market, has a great soundtrack, with lovely resolution, and if you can get the album or CD you'll catch a funky tune not used in the film. All those bits of different languages, different people: "Kennst du dieser Mann?" "They make cheese!" "Poland? This time of year?". What about that tacky snuff-murder sidebar (Roffe's film stock is being used to discredit the company)? You have to admit that that bald man is a hotty. I am in a whirl of support for this little picture and I'd see it again and again. Sometimes the best teachers in life are lurking in the cinema. It's not just about art! Look at Audrey's friendship with her Dad's aide, Beatrice Straight. What about that "senseless" death when Audrey goes back to get earrings? The cool unfolding opening credits and shocking change in music? And I could write a book on all that absolutely fabulous Givenchy clothing!!! The velvet applique and crystal-studded gown she wears to meet Gazzara (another hotty) at the "Guess who?" restaurant? How about the OD green wool cape as she meets about a new formula that can save Roffe? How about her chic sweater and cords as she crawls across the imbricated roof of that villa in Sardinia? Reprising the Jewish ghetto in Cracow? Horses and syringes? The ubiquitous tied-up silk robe Audrey wears? Count me in! This was one of her best "adult" roles. She got a million bucks to do it, it gave her family even more security, and I say she infused the project with inestimable elan. It is a satisfying and slightly sickening love story. Long live Audrey Hepburn! (May she rest in peace.)
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
|
|
Most Recent Customer Reviews
|
