Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.

  • Apple
  • Android
  • Windows Phone
  • Android

To get the free app, enter your email address or mobile phone number.

Buy Used
Used: Acceptable | Details
Sold by ToyBurg
Condition: Used: Acceptable
Comment: Eligible for FREE Super Saving Shipping! Fast Amazon shipping plus a hassle free return policy mean your satisfaction is guaranteed! Good readable copy. Worn edges and covers and may have creases. The cover may have significant wear. There may be page curls. It is possible that there are heavy highlights or writing in this book. All pages are there and otherwise item is in good condition.
Have one to sell? Sell on Amazon
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See this image

Blood's A Rover Hardcover – Deckle Edge, September 22, 2009

3.6 out of 5 stars 133 customer reviews
Book 3 of 3 in the Underworld USA Series

See all 16 formats and editions Hide other formats and editions
New from Used from
"Please retry"
Hardcover, Deckle Edge
"Please retry"
$2.63 $0.01

Featured Literary Fiction
Your Heart Is a Muscle the Size of a Fist
A God in Ruins: A Novel
The Secret Wisdom of the Earth

Editorial Reviews

Amazon.com Review

Amazon Best of the Month, September 2009: James Ellroy's L.A. Quartet novels chronicled a cynic's take on Los Angeles cops and robbers, carving a dark and creepy nook for the author in the world of crime fiction. With Blood's a Rover, Ellroy completes his Underworld USA trilogy, an epic reinvention of American history, politics, and corruption. This book comes out firing: Ellroy's hipster prose--inimitable for its high style and spectacular energy--snaps and surges through more than 600 pages like black electricity, shocking the gentle reader from page one. Opening with a heist scene rendered as coldly violent as anything from Sam Peckinpah's most sociopathic fantasies, the story hurls itself across an improbable crazy quilt plot, including Howard Hughes's Vegas power-play, political abuses and machinations in Hoover's FBI, and the mob's ubiquitous shadow, darkening everything from JFK's assassination to Nixon's 1968 Presidential campaign. Another audacious effort from a one-of-a-kind talent, Blood's a Rover is thrilling and exhausting, a gloriously guilty pleasure. --Jon Foro

From Publishers Weekly

Starred Review. Ellroy concludes the scorching trilogy begun with 1995's American Tabloid with a crushing bravura performance. As ever, his sentences are gems of concision, and his characters—many of whom readers will remember from The Cold Six Thousand and from American history classes—are a motley crew of grotesques often marked by an off-kilter sense of honor: stone bad-asses, in other words, though the women are stronger than the men who push the plot. The violence begins with an unsolved 1964 L.A. armored car heist that will come to have major repercussions later in the novel, as its effects ripple outward from a daring robbery into national and international affairs. There's Howard Hughes's takeover of Las Vegas, helped along by Wayne Tedrow Jr., who's working for the mob. The mob, meanwhile, is scouting casino locations in Central America and the Caribbean, and working to ensure Nixon defeats Humphrey in the 1968 election. Helping out is French-Corsican mercenary Mesplede, who first appeared in Tabloid as the shooter on the grassy knoll and who now takes under his wing Donald Crutchfield, an L.A. peeping Tom/wheelman (based, curiously, on a real-life private eye). Mesplede and Crutchfield eventually set up shop in the Dominican Republic, where the mob begins casino construction and Mesplede and Crutchfield run heroin from Haiti to raise money for their rogue nocturnal assaults on Cuba. In the middle and playing all sides against one another is FBI agent Dwight Holly, who has a direct line to a rapidly deteriorating J. Edgar Hoover (the old girl) and a tormented relationship with left-wing radical Karen Sitakis, and, later, Joan Klein, whose machinations bring the massive plot together and lead to more than one death. Though the book isn't without its faults (Crutchfield discovers a significant plot element because something told him to get out and look; Wayne's late-book transformation is too rushed), it's impossible not to read it with a sense of awe. The violence is as frequent as it is extreme, the treachery is tremendous, and the blending of cold ambition and colder political maneuvering is brazen, all of it filtered through diamond-cut prose. It's a stunning and crazy book that could only have been written by the premier lunatic of American letters. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

This Book Is Bound with "Deckle Edge" Paper
You may have noticed that some of our books are identified as "deckle edge" in the title. Deckle edge books are bound with pages that are made to resemble handmade paper by applying a frayed texture to the edges. Deckle edge is an ornamental feature designed to set certain titles apart from books with machine-cut pages. See a larger image.

Product Details

  • Hardcover: 656 pages
  • Publisher: Knopf; 1 edition (September 22, 2009)
  • Language: English
  • ISBN-10: 0679403930
  • ISBN-13: 978-0679403937
  • Product Dimensions: 6.6 x 1.6 x 9.7 inches
  • Shipping Weight: 2.2 pounds
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (133 customer reviews)
  • Amazon Best Sellers Rank: #150,878 in Books (See Top 100 in Books)

Related Media

More About the Author

James Ellroy was born in Los Angeles in 1948. He is the author of the acclaimed L.A. Qurtet - The Black Dahlia, The Big Nowhere, LA Confidential and White Jazz, as well as the Underworld USA trilogy: American Tabloid, The Cold Six Thousand and Blood's a Rover. He is the author of one work of non-fiction, The Hilliker Curse: My Pursuit of Women. Ellroy lives in Los Angeles.

Customer Reviews

Top Customer Reviews

Format: Hardcover
The Underworld USA trilogy began in 1995 with publication of American Tabloid and covered events in the early sixties. Five years passed before readers could dig into The Cold Six Thousand. Blood's a Rover (title taken from a poem by Houseman) begins shortly after the King and Kennedy assasinations in 1968 and takes us through the Chicago riots and Nixon's elections. Like previous entries, the book delivers an alternate, underground history of the partnership between Hoover's FBI and various criminal elements. Ellroy entices us through the looking glass to demonstrate the impact of that unsavory alliance on modern political history. Characters from previous books abound (Dwight Holley, Wayne Tedrow) as well as public figures both significant (Nixon, Howard Hughes) and obscure (Sal Mineo)

Ellroy's Hoover is not much concerned with organized crime. Instead he is obsessed with student protesters, civil rights demonstrators, non-existant domestic Reds, and any politician he believes to be aligned with these groups. In this dark world, former cop Wayne Tedrow meets with mob heads after a drop off of cash to candidate Nixon and notices on the wall, a photo showing one of the gangsters playing golf with Pope Pius.

The author's style is stacatto, high-adrenaline narrative alternating with newspaper headlines and supposed excerpts from personal journals. A chapter begins: "Dwight read files. A radio spritzed the news. Nixon and Humphrey grubbed for votes and see-sawed poll-wise. Jimmy Ray and Sirhan Sirhan fermented in custody." Using this approach, Ellroy packs a great deal of action and emotional impact into a few paragraphs. Over hundreds of pages, the result can be exhausting.
Read more ›
4 Comments 68 of 76 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Hardcover
First off, I'll admit some bias here. I'm a big Ellroy fan, and American Tabloid is neck-and-neck with Tom Wolfe's Bonfire of the Vanities for my favourite novel of all time. There appear to be a couple of Ellroy haters among the reviewers so far, and fair enough, he's a love-or-hate writer. If you don't like Ellroy, you won't like Blood's a Rover. If, like me, you do like Ellroy, then this book will fulfil yet confound your every expectation.

I won't bother with outlining the plot other than to say it's as tangled and propulsive as you'd expect from Ellroy. What some may want to know is how it compares to American Tabloid and The Cold Six Thousand. It's probably closer in tone to the former, lacking the latter's highly stylised presentation. It's a smoother read, in other words, but still requires some investment on the reader's part. That investment is rewarded many times over, however, and things barrel along at a wonderful page-turning rate.

There are two main distinctions between this and Ellroy's earlier work. The first is his portrayal of women. While there are some recognisable tics, such as the younger male characters' borderline oedipal fixations on older women, and a tendency for those same women to be physically or pschologically scarred, Ellroy this time gives his female characters more room to breathe and develop. They are more than objects of obsession there to torture the male characters.

The other difference is the heart of the piece; one could argue Ellroy's work perhaps lacked emotional depth, but not so with Blood's a Rover. Oddly for an author of his vintage, this is perhaps the most mature book of his career.

It's also his most personal novel since The Black Dahlia.
Read more ›
1 Comment 47 of 54 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Hardcover
In this final installment of the "Underworld U.S.A." trilogy Wayne Tedrow, Dwight Holly and the boys are back carrying out their portion of an American history that might have been. They have their hands in the cover ups of the Robert Kennedy and Martin Luther King assassinations, Howard Hughes' purchase of Vegas casinos, and the mob's Caribbean connections. And that's just for starters.

The plot loosely centers around an armored car heist in Los Angeles involving emeralds and millions of dollars. Holly, L.A. police officer Scotty Bennett, and a young wheelman named Donald "Peeper" Crutchfield are all trying to figure out the robbery (when they are not carrying out CIA directives, mob directives, or trying to figure out the mysterious women in their lives).

I really liked "American Tabloid." I loved "The Cold Six Thousand." I cannot say the same for "Blood's A Rover." This novel just doesn't quite have the energy level of the first two. It is an amazing piece of work, but there is just so much going on and there is just too much repetition. (How many times does the reader have to be told that a character is getting amped up to read through their heist files one more time? My guess is that I saw that scene played out at least a dozen times.)

The characters even seem somewhat repetitious. Despite varying backgrounds and ethnicities, they all have the same amazingly vast vocabularies for people who are essentially self-centered, schemers who are prone to extreme violence.

Really, I wanted to like "Blood's A Rover," but it is just okay. I can only recommend this novel to those who have read AND enjoyed "American Tabloid" and "The Cold Six Thousand."
1 Comment 37 of 44 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Recent Customer Reviews

What Other Items Do Customers Buy After Viewing This Item?