Amazon.com: Blow: Welcome Every Guest - Songs From Amphion Anglicus: John Blow, David Thomas [bass], Alison Crum, The Consort of Musicke, Frances Kelly, Anthony Rooley, Alan Wilson, Emma Kirkby, Peter Fender: Music

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Blow: Welcome Every Guest - Songs From Amphion Anglicus
 
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Blow: Welcome Every Guest - Songs From Amphion Anglicus

John Blow , David Thomas [bass] , Alison Crum , The Consort of Musicke , Frances Kelly , Anthony Rooley , Alan Wilson , Emma Kirkby , Peter Fender Audio CD
5.0 out of 5 stars  See all reviews (1 customer review)


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Product Details

  • Performer: David Thomas [bass], Alison Crum, The Consort of Musicke, Frances Kelly, Anthony Rooley, et al.
  • Composer: John Blow
  • Audio CD (May 28, 1992)
  • Number of Discs: 1
  • Label: Elektra / Nonesuch
  • ASIN: B000005IYC
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #504,667 in Music (See Top 100 in Music)

 
1. Welcome, welcome, every guest
2. Rise Mighty Monarch
3. Horace to Lydia
4. If Mighty Wealth
5. The self-banish'd (A Minuet)
6. Musick's the Cordial of a Troubled Breast
7. A Ground, A for violins
8. The Bud
9. Sappho to the Goddess of Love, for voice & lute
10. Horace to His Lute
11. Arms He Delights in
12. Employed all the Day

 

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2 of 2 people found the following review helpful:
5.0 out of 5 stars Blow shows himself as a worthy precursor/successor of Purcell, May 26, 2008
By 
scott (Calgary, Canada) - See all my reviews
This review is from: Blow: Welcome Every Guest - Songs From Amphion Anglicus (Audio CD)
John Blow seems to be more famous for his associations with Purcell than for his music. The fact that he was the organist at Westminster Abbey both before and after Purcell is quite unusual, but his fame should more soundly rest on his abilities as a composer, and they are substantial. This recording takes excerpts from his Amphion Anglicus, which is a large set of songs set for one to four voices with and without instrumental accompaniment. I am not sure whether it was intended for amateur/domestic use, but some of these pieces require musicians, especially the singers, of considerable talent.

The Consort of Musicke have limited themselves to two voices, soprano and bass, but have chosen two of the best possible; Emma Kirkby and David Thomas. Obviously, no complaints about them whatsoever. Indeed, they are both sounding at their best here, and their singing could not be improved upon. The instruments are superb too, the interesting thing being that a set of matching 17th century English violins are used.

There are some absolute gems in this collection, and it proves that when Blow was in good form, he was every bit as talented a composer of English song as Purcell. Welcome every guest, Rise mighty moncarch, and my favourite, The Bud are very fine examples of this talent. If only Rooley and his friends had made a complete recording of this publication. What a treasure that would have been. As it is, you would be wise to pick this volume up and enjoy the delights of Mr. Blow.
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