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Blubberland: The Dangers of Happiness
 
 
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Blubberland: The Dangers of Happiness [Paperback]

Elizabeth Farrelly (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

March 31, 2008

A leading critic examines the connections between obesity and architecture, unchecked sprawl and unchecked appetites, and other forms of insatiability that are hurting our planet and bodies.


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Editorial Reviews

Review

Elizabeth Farrelly is one of Australia's liveliest and most provocative writers on architecture and the environment. The winner of the CICA International Critics' Award, the Pascall Prize for Critical Writing, and the Marion Mahony Griffin Award, she is a columnist for the Sydney Morning Herald, a commentator on Australian television and radio, and Adjunct Associate Professor of Architecture at the University of Sydney.

About the Author

Elizabeth Farrelly is one of Australia's liveliest and most provocative writers on architecture and the environment. The winner of the CICA International Critics' Award, the Pascall Prize for Critical Writing, and the Marion Mahony Griffin Award, she is a columnist for the Sydney Morning Herald, a commentator on Australian television and radio, and Adjunct Associate Professor of Architecture at the University of Sydney.

Product Details

  • Paperback: 219 pages
  • Publisher: MIT Press; 1ST edition (March 31, 2008)
  • Language: English
  • ISBN-10: 0262562367
  • ISBN-13: 978-0262562362
  • Product Dimensions: 9.1 x 6 x 0.7 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,115,397 in Books (See Top 100 in Books)

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Average Customer Review
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8 of 9 people found the following review helpful:
5.0 out of 5 stars Down in Blubberland, March 4, 2008
This review is from: Blubberland: The Dangers of Happiness (Paperback)
This is the first book by an architect that I've enjoyed reading. There are two reasons Blubberland is so good:

One, it's about the philosophy of excess as much as biology and psychology. The second reason the book is fascinating are the examples taken from Farrelly's society (Australia, both white and Aboriginal). Stories and examples that are so culture-specific emphasize the universality of the problems the book deals with.

Farrelly quotes thinkers from Immanuel Kant ("the beautiful is the symbol of the morally good") to Lily Tomlin ("the thing about the rat race is, even if you win, you're still a rat"). The book is very funny and very serious.

Probably more than anything else, Farrelly talks about the concepts of Truth and Beauty.

I think Truth and Beauty (along with Love) should be synonyms. We shouldn't try to define these things so precisely that it's even POSSIBLE to distinguish them from each other.

A lot of our problems come from our primate nature, which evolved to put us on a " 'hedonic treadmill,' a constant round of wanting and getting, fuelled by dissatisfaction and disappointment."

Farrelly agrees with economist Fred Hirsch, that we suffer from "the 'tyranny of small decisions.' " Too much choice.

Perhaps our main fault is our self-absorption. (But are we biologically capable of being any other way?) Farrelly points out that "extreme fear of death, and the longing for it, are generally regarded as classic narcissistic traits." Maybe that's why (at least in the U.S) we have both color-coded terror alerts and apocalyptic fantasies on TV and in the movies.

We want to live AND we want to die. And we're doing a good job of ensuring the later on a planetary scale.

So, can we climb out of the narcissistic pit we've dug for ourselves? Farrelly quotes Iris Murdoch: "Love is the extremely difficult realization that something other than oneself is real." Back to those three ideas again - - Truth, Beauty, and Love.

I also found what Farrelly said about art thought-provoking. She mentions the subject of the documentary film Who the #$&% Is Jackson Pollock? (Documentary), and discusses how art has changed since conceptual (as opposed to realistic or descriptive) art became the dominant form in the West. Warhol vs. Carravagio, to use two painters Farrelly mentions.

Finally, Farrelly can't avoid the conclusion that Beauty doesn't necessarily come from Freedom. "The sad and prickly truth is that cities cannot be effectively planned, much less made beautiful, by democratic government."

"From Mykonos to Paris, beautiful, traditional towns . . . were produced under condtions that we would consider intolerably oppressive, with little or no personal choice . . . as to material, style, colour or decoration."

At the conclusion of Blubberland, Elizabeth Farrelly writes her own apocalyptic scenario, leaving the ending open. It all depends on whether we can learn "to transcend our primate selves and find some more altruistic mode" of being.










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5 of 6 people found the following review helpful:
5.0 out of 5 stars this book is genius, March 19, 2008
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This review is from: Blubberland: The Dangers of Happiness (Paperback)
this book is genius. materialism is what is killing us. has been for so long. she so succinctly put into words what i have so often felt is wrong with the world. this book is so necessary and screams THE TRUTH. Better than a gazillion self-help books on how to be happy. like the music from Tommy, these pricey deals don't teach us, their freedom doesn't reach us, enlightenment escapes us. this book is a treasure. thank you so much for writing this down in your intelligent and witty way. Clancy OHaraSeamus and Emer
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