Blue Blazes

Sugar Blue | Format: Audio CD

Product Details

• Audio CD (March 8, 1994)
• Number of Discs: 1
• Label: Alligator Records
• ASIN: B000000A0L
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 3.9 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #188,439 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

8 of 9 people found the following review helpful:

5.0 out of 5 stars Awsome Contemporary Harp, June 28, 2001

By 

Alex "Harpskier" (Colorado) - See all my reviews

This review is from: Blue Blazes (Audio CD)

Generally speaking, I am not usually too big on super high speed harpists. Most of those I have heard have very little command of any technique other than speed and even their super fast runs tend to sound too choppy to catch my ear. Sugar Blue is different. Though speed is his main claim to fame, Sugar demonstrates an ability to use octives and some vibrato. Granted, he won't make you forget Sonny Boy, Walter or Wells, but he's got them. His speed is nothing short of astounding. Unlike everyone else who uses super fast runs for effect, Sugar is perfectly fluid and you never hear choppy transitions. On top of this, he is much faster then any of the competition.

Ahem. Now that I'm done catering to harp fanatics I will move on to the real review. This is Sugar's best album thanks to the fact that it is the only one I've heard where he doesn't perform wierd material that makes you raise your eyebrows. The music has a good funky edge to it which, though hardly conventional, is fun to listen to. I find it nice when I want to hear something that just makes me feel good.

Admittedly, the song line up is a bit on the familiar side. "Help Me" is a near omnipresence in a harp player's first CD, and I have heard more versions of "That's All Right" than I care to count. However, these complaints are easily ignored in the face Blue's awsome instrumental prowse and the different spins he puts to the tracks. Personal favorites are the remake of "Miss You" (which I like even better than the Stones' version), a horn enhanced version of Dixon's "Back Door Man," on which Blue plays some of his best harmonica on the CD, and the outstanding original, "Out "Till Dawn," a song which embodies the very essence of cynicism, both in terms of lyrics and also in the guitar riff.

Overall I would reccomend this album, especially is you want to hear speed harp done right. Be a little wary of the follow up, "In Your Eyes," though. While it is even more revolutionary than this one, it is much further removed from tradition, and thus may not appeal to purists.

4 of 4 people found the following review helpful:

4.0 out of 5 stars A talented musician in top form, September 30, 1999

By A Customer

This review is from: Blue Blazes (Audio CD)

Sugar Blue seems to be controversial in some blues circles, perhaps because his playing leaps from traditional blues into jazz and rock and whatever. There is no doubt in my mind that he is a talented blues musician, one of the best harmonica players, with a sound like no other. This album is a good representation of his great talent. Although the energy level never again matches that of the opening number ("I Ain't Got You"), his playing is deft and often amazing throughout, on his versions of blues classics such as "Help Me," and some original tunes. Sugar Blue is only fair as a singer. I was also a little disappointed in the lack of space given to other musicians in the band: the album is all Sugar Blue. If you ever get a chance to hear his music from the 1980s (There is a recording called "Cross Roads" from France, for example), you can hear the fine, jazzy give-and-take that he is capable of with other musicians. Overall, this is fine album for fans of contemporary electric blues.

3 of 3 people found the following review helpful:

3.0 out of 5 stars interesting, December 17, 2005

By 

. (Chicago, IL USA) - See all my reviews
(VINE VOICE)   

This review is from: Blue Blazes (Audio CD)

In a world that craves novelty, Sugar Blue was that new flavor that caught the public's fancy. When controlled by outside forces, such as the Stones on 'Miss you', his chops can be fit into a musical form. On his own, SB seems more interested in dominating the instrument than making sure the music coming out of it is good. When did 'Miss you' come out, 1978?