Product Details

• Actors: Alan Ladd, Veronica Lake, William Bendix, Howard Da Silva
• Directors: George Marshall
• Format: Import, PAL
• Subtitles: English
• Region: Region 2 (Read more about DVD formats.)
• Number of discs: 1
• Studio: Universal
• Run Time: 95 minutes
• Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)
• ASIN: B000PST6HU
• Amazon.com Sales Rank: #134,929 in Movies & TV (See Bestsellers in Movies & TV)

Editorial Reviews

Product Description
Great Britain released, PAL/Region 2&4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada. LANGUAGES: English (Dolby Digital 2.0), English (Subtitles), SYNOPSIS: This neat, fast-paced perfectly cast film noir reflects the hard-boiled, grim wit of the author of its screenplay, Raymond Chandler. Johnny Morrison (Alan Ladd) returns from the war to find his wife Helen (Doris Dowling) having a party and in the arms of another man. Johnny and Helen have a terrible fight, and later Helen is found dead. Johnny must prove his innocence and he enlists the aid of Joyce Haywood (Veronica Lake), the ex-wife of Helen's lover. Pursued by the cops, and never sure if he is being set-up for the murder, Johnny finally solves the murder and clears his name. Alan Ladd is at his hard-boiled, no-nonsense best as Johnny and Veronica Lake is, as always, the perfect noir femme-fatale, mysterious and alluring. Nicely directed by George Marshall, the film moves with great pace to an exciting, satisfying conclusion. The screenplay, the only one written by Chandler directly for the screen, was nominated for an Academy Award. SPECIAL FEATURES: Interactive Menu,

Customer Reviews

Most Helpful Customer Reviews

2 of 2 people found the following review helpful:

4.0 out of 5 stars First-rate Alan Ladd and Veronica Lake movie. We need The Blue Dahlia and The Glass Key out on prime Region 1 DVD releases, June 10, 2007

By	C. O. DeRiemer (San Antonio, Texas, USA) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

"Bourbon, straight, with a bourbon chaser." That's Johnny Morrison's drink. Johnny's just been discharged from the Navy, along with two of his pals who were under his command. There's George Copeland (Hugh Beaumont), easy going and loyal, and Buzz Wancheck (William Bendix), big and burly, just as loyal to Johnny as George is, with a metal plate in his head, a variable memory and who sometimes goes into rages.

Johnny leaves his two pals in a Los Angeles hotel and goes to The Cavendish Court in the evening to meet his wife, Helen (Doris Dowling). The Cavendish is a high priced hotel with private bungalows, a careless attitude about parties and an aging security man who doesn't mind taking a few under-the-table dollars for various services. Johnny finds his wife, alright. He learns quickly what her philosophy is. "I take all the drinks I like, any time, any place," Helen Morrison says at one point. "I go where I want to with anybody I want. I just happen to be that kind of a girl." She's giving a drunken party at her bungalow. Before long Johnny sees her being too friendly with Eddie Harwood (Howard De Silva), a well-dressed hood and owner of The Blue Dahlia nightclub. Johnny punches Harwood and leaves in a cold rage. He's picked up by a blonde in a convertible. "You oughta have more sense than to take chances with strangers like this," he tells her. "It's funny," she says, "but practically all the people I know were strangers when I met them." The next morning he hears on the radio that his wife has been murdered with his gun, and he's being hunted by the cops.

What's he going to do? In this first-rate murder mystery, Johnny decides to find the killer himself. His wife might have been a tramp, but she was his wife. Trouble is, there are a lot of possible murderers. And the blonde who picked him up? It turns out she's Joyce Harwood (Veronica Lake), Eddie's estranged wife. Something clicks between them. When she lets him out of the car that night, they talk briefly and then he turns and walks away. "Don't you ever say good night?" she calls out to him. Johnny walks back. "It's goodbye,' he tells her, "and it's hard to say 'goodbye.'" "Why is it?" Joyce asks him. "You've never seen me before tonight." Johnny looks at her. You can see he's regretting ever marrying his wife. ""Every guy's seen you before, somewhere" he tells her. "The trick is to find you."

The Blue Dahlia has a tight, complex script by Raymond Chandler. The direction by George Marshall is efficient and fast-paced. The characters, and the actors who play them, are vivid, especially Bendix. Buzz Wancheck may be loyal to Johnny, but ticking away behind that metal plate in his head is a potential time bomb. Loud, fast music -- monkey music, Buzz calls it -- can trigger ferocious headaches and the kind of anger-fueled rage you don't want to be around. Howard Da Silva was a fine actor and his Eddie Harwood is more than a conventional gangster. He's smooth, ruthless, friendly, smart, corrupt...and he still is carrying at least a small torch for Joyce. Will Wright as "Dad" Newall turns in a great performance as the sleazy, defensive security man at the Cavendish. He's one more of the great character actors people remember by their faces and their performances, but whose name is never remembered.

This was the third of the Alan Ladd/Vernonica Lake vehicles the two made during the Forties, beginning with This Gun for Hire in 1942 and followed by The Glass Key that same year. Although they evidently didn't much care for each other off screen, on screen they generated quite a bit of electricity. Lake in high heels never topped five feet. She usually came across as sexy but no one's fool. They were blond and small. They went well together. In some way no one has been able to define, the camera found a kind of extra dimension with the two. The Blue Dahlia might not quite match their two classic films, This Gun for Hire and The Glass Key, but it still is an effective murder vehicle for two interesting stars. All three films are solid viewing even after 60 years.

Alan Ladd made no bones about being, or wanting to be, an actor. He was an easy-going guy with one ambition, to be a movie star. With This Gun for Hire he made it, and became a major star during the Forties. Even in the Fifties when the good roles were slipping by him he remained an above-the-title star. But why? He was only 5'5", slightly built and he was no actor. He's quoted as saying, "I have the face of an aging choirboy and the build of an undernourished featherweight. If you can figure out my success on the screen you're a better man than I." Here's what that first-rate film critic David Thomson, from his The New Biographical Dictionary of Film, has to say: "Once Ladd had acquired an unsmiling hardness, he was transformed from an extra to a phenomenon. These films are still exciting, and Ladd's calm slender ferocity make it clear that he was the first American actor to show the killer as a cold angel." For those who are only familiar with Ladd through Shane and some of his other Fifties' films, watch the big three he made in the Forties. Only This Gun for Hire is out on a Region 1 DVD, but you can track down VHS tapes of Glass Key and Dahlia.