Blue Dream

Fiona Joy Hawkins | Format: Audio CD

Product Details

• Audio CD (January 26, 2010)
• Original Release Date: 2010
• Number of Discs: 1
• Label: Little Harley
• ASIN: B001JTTZ5W
• In-Print Editions: Audio CD
• Average Customer Review: 4.0 out of 5 stars  See all reviews (8 customer reviews)
• Amazon Best Sellers Rank: #16,816 in Music (See Top 100 in Music)

Track Listings

1. Freedom

2. Feeling Sunshine

3. From the Outside

4. Sapphire Interlude

5. Standing Up

6. Blue Dream

7. Lilac Interlude

8. Contemplating

9. Sunrise at Ularu

10. Samite's Interlude

11. Song Phonique

12. Indigo Dream Interlude

13. The Void

14. Turquoise Interlude

15. Voice of Angels

16. Cobalt Interlude

17. Prelude to a Painting

18. The Midnight Interlude

19. Moving On

20. Somewhere

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

5.0 out of 5 stars Stellar!, November 26, 2008

By 

Kathy Parsons (Florence, OR United States) - See all my reviews
(TOP 1000 REVIEWER)    (VINE VOICE)   

This review is from: Blue Dream (Audio CD)

"Blue Dream" is Fiona Joy Hawkins' anxiously-anticipated new release. Recorded and produced by Will Ackerman at his Imaginary Road Studios and performed on the studio's legendary Steinway B grand piano, Hawkins is supported by a dizzying array of musical talent. I love her previous two albums, "Ice" and "Angel Above My Piano," but "Blue Dream" is stunning. Calling the musical style "World Fusion Piano," the music ranges from quiet and dreamy piano to full orchestrations. Instrumentation includes Didjeribone, a variety of percussion instruments, flugel horn, mandolin, voices, and many conventional instruments as well. Many of the tracks have vocals, but most are wordless. Those with lyrics are sung in either Gaelic or Luganda (from Uganda). There is a total of twenty-two tracks, but the longer pieces are connected by "Interludes" and other shorter pieces, creating a single (68-minute) suite of music. Hawkins says: "'Blue Dream' is autobiographical and the most personal piece of music I have yet written." Quoting Will Ackerman: "'Blue Dream' began as the most ambitious project of my entire career and resulted in one of the most remarkable collaborations this genre has ever known." This is a powerful statement coming from the founder of Windham Hill, who has worked with many of the world's finest musicians and composers over the past thirty-five years. 2008 has been an incredible year for new music, but I would expect "Blue Dream" to top many music charts and "Favorites" lists for the year; it will certainly be on mine!

"Blue Dream" has no weak points at all. It begins with "Freedom," a prelude for voice (Noah Wilding) and piano that sets the tone of the album - very fluid, ethereal, and soft-spoken. "Feeling Sunshine" reflects Hawkins' Australian heritage with the sound of Didjeribone (an adaptation of the traditional Didgeridoo). One of the more energetic pieces on the album, it exudes fun and happiness. "From the Outside" is a beautifully flowing ensemble piece that includes piano, vocals, English horn, and acoustic stringed instruments. Since this album is autobiographical, it seems logical that themes from some of Hawkins' best-known pieces would flow in and out of the music. Bits of "Flight of the Albatross" are discernible in this piece and "Sapphire Interlude," which follows. "Standing Up" is much darker and more intensely emotional. Some passages are solo piano and others are more orchestrated - a knockout! The title track is breathtaking in its simplicity and emotional depth - piano, cello, and keyboard are achingly beautiful. Irish folk-singer Luka Bloom appears on "Contemplating," blending haunting vocals with Noah Wilding. "Samite's Interlude" features Samite Mulondo in a piece of African origin and influence. "The Void" is more classical in styling, with piano, cello, and keyboard - very still yet intense. "Turquoise Interlude" was composed by Philip Aaberg, one of my all-time favorite artists - very ambient and floating. Hawkins is also a visual artist, so "Prelude to a Painting" reflects that part of her life with a gentle duet for piano and acoustic guitar (Ackerman). "Somewhere" brings the dream to an end very quietly and gently with piano, cello, keyboard and didgeridoo. What an incredible musical experience this album is!!! I give it my highest recommendation!

2 of 2 people found the following review helpful:

5.0 out of 5 stars SmoothJazz.com Review, April 30, 2009

By 

Sandy Shore (Monterey, CA) - See all my reviews

This review is from: Blue Dream (Audio CD)

I listened to this beautiful album frequently while I was at sea sailing around South America. It brought me both peace and comfort... as well as depth and profound inspiration. BLUE DREAM is a 70-minute suite of piano music written by Australia's Fiona Joy Hawkins and produced by Grammy Award-winning artist and founder of Windham Hill Records, Will Ackerman. His credentials alone should have you hitting the buy button. Recorded at Imaginary Road Studios on a Steinway B featuring special guest Luka Bloom, the artist's musical style is described as "World Fusion Piano" and it is truly alluring and captivating. The mood on BLUE DREAM ranges from vibrant to sensual to haunting... Hawkins' stellar musical vision on this project is worthy of great praise. She wowed us with her 2007 release ICE - Piano Slightly Chilled, and with BLUE DREAM Fiona Joy Hawkins enters the realm of masterful. The most compelling thing about this project is its almost gravity-defying continuity as it moves through 22 tracks, all of them with unique ideas and styles, yet all blending flawlessly. BLUE DREAM is aptly titled and highly recommended for your personal Time Outs.

1 of 1 people found the following review helpful:

1.0 out of 5 stars Boring, November 28, 2011

By 

J. Thompson "Whatever's cool with me." - See all my reviews
(REAL NAME)   

This review is from: Blue Dream (Audio CD)

Wow. This disc's sleeve has so many splashy things on it, such as "Produced by Grammy Award Winner Will Ackerman" and "Guest Performance by Luka Bloom" to gushing quotes from T-Bone Wolk and Bob Ludwig that you get the feeling you should really, really love it before hearing a note. So why, then, is it so damn ho-hum? Ah, maybe because Hawkins is another in a long line of pianists who crank out faceless albums in which to listen while you do other things, like sit in a dentist's office or work the Sunday crossword puzzle. Listeners are also told that this is "WORLD FUSION PIANO." That doesn't really mean anything other than Hawkins is employing other artists to throw some "non-traditional" sounds into her mix. No, this isn't Richard Clayderman, but it's about as captivating. And at 22 tracks it's nothing short of ego overkill. Definitely for a certain type of audience. Could possibly be good to put your newborn babies to sleep at night.