Customer Reviews

The Blue Idol

5 star:		(6)
4 star:		(1)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

Altan has released their latest CD and it reenforces what all of us know about them. They are simply the best at Irish music period. They eschew all manner of new age, new celtic, new synth dominated dixie chic poptrash and deliver sets of music wherein the remarkable talents of this stunning ensemble display just how well they listen to each other. This is musicians' music: set clearly and squarely in service of the Muse, allowing MUSIC itself to lean over and take them into its confidence. More than once, I have said this is the finest ensemble playing any kind of music since the Miles-Evans-Coltrane... of the 50's.

As with the last release, the CD is strongly song driven, which is a bit of a departure from their earlier cannon. All the same, there are reels, schottisches and slip jigs that confirm just how incredibly this group manages to find and expand upon the nuances inherent in the music. The double fiddle attack of Mairead Ni Mhaonaigh and Ciaran Tourish is the single most formidable line up in Traditional music. While I'm not interested in seeing Tourish in a belly-shirt, he could certainly outmaneuver any celtoid babe strutting instead of playing. Mairead and Ciaran have taken the dynamic Donegal fiddle tradition into this century with a consuming passion and their interaction brings a sense of wonder, especially live. There is no more heartfelt player in Irish music than Dermot Byrne and his box work is impressionistically sensitive throughout this album. Rhythm mates Ciarran Curran and Daithi Sproule and Mark Kelly drive the engine that enables Mairead and Tourish to set fire to everything in sight.

This CD, like the last, is strongly song driven, and they are all quite remarkable. I'm not a big Paul Brady fan, but his appearances on this CD are so well integrated that for once he does not leaden the proceedings, especially on the first tune, a salacious little number about a woman of 24 bedding a boy of 14. The liner notes trace the folksong pedigree of this tale, but, you know, Shane MacGowan could not of come up with a more scandaolus theme, so it is kind of funny to hear Brady sing the part of the father of the bride who arranges this tryst. Elsewhere, Dolly Parton joins Mairead in a seamlessly shared vocal. First time through the CD, I didn't realize it was Parton. This is a natural forum for her and you can tell that she and Mairead are definitely on the same wavelength. Anna Ni Mhaoniagh and Daithi Sproule back up much of the vocal work.
Liam O Flynn lends his remarkable piping at one point, and you are left with the desire to hear more of him with Altan. It works so intensely. James Blennerhasset on bass and Jimmy Higgins on bodhran give the CD "something for the trunk," as they say in hip hop. Donal Lunny fills the middle beautifully with his bouzouki work.
It is a shame there isn't a 4 1/2 star rating you could give it, for this is certainly more than just 4 stars. Altan has in fact recorded the 2 best CDs in all of Irish music, "Harvest Storm" and "Island Angel". In the case of these two recordings, 5 stars is an insult. "The Blue Idol" is a remarkable disc, and a worthy addition to their work. Perhaps in the future there will be a live DVD: this band takes no prisoners in concert, and you get more of a sense of how tightly the hairpin turns are executed when you see them live. Mairead feeds off the energy of a crowd as few other artists have ever managed. She can raise your temperature to boiling with her blistering attack, then send you into the place where the spirits dwell poetically with her haunting voice. Accompanied , and sometimes offset, by Daithi Sproule, it is a remarkable experience. Daithi comes off underutilized in the studio, but live, he is as compelling a singer and as powerful a guitarist as there is in music. I seem to remember an English quartet whose lead guitarist was a bit underutilized. Oh well, all things must pass.
Altan is on tour this Spring in the US. Go! They are not to be missed. Nor is this CD. Live or in the studio, they are as good as it gets.

Altan has never released a less than fully satisfying recording, and in that sense The Blue Idol is entirely predictable. As Altan always does, it wraps the Irish tradition in inventive modern arrangements, without resorting to cloying New Age or sappy pop-fusion sounds. Altan is, instead, a branch from a tree with deep, deep roots.

Even by the standards Altan has set for itself, however, Blue Idol is exceptional. The opener, "Daily Growing" (often recorded as "The Trees They Do Grow High"), is something of a folk standard -- I first heard it on a Judy Collins album in the 1960s, and Collins was hardly the first revival singer to pick it up -- but Altan's version is such a perfect wedding of the erotic and the tragic that it draws the listener in, takes the breath away, and commands the ear and the heart. It's also a pleasure to hear Paul Brady's reedy tenor, now in service to its owner's career as rock singer-songwriter, working in a traditional context again. In "The Pretty Young Girl" Dolly Parton so convincingly assumes the persona of a veteran Altanian that I didn't recognize her until I looked at the liner notes. Which surely says a whole lot, all of it favorable, about both her and the band. "Uncle Rat" is a rarity, a non-American variant of the famous children's song "Froggie Went A-Courting," recorded by everybody from Burl Ives to Bob Dylan. Mairead Ni Mhaonaigh's vocals, always an object of wonder, are as welcome as always; I am especially enamored of her handling of "The Sea-Apprentice Boy." The jigs and reels are, of course, well chosen and brilliantly performed.

It all raises the unsettling question of how a band so good could keep getting better. Here's to a long, long life and the even greater music -- though the mind boggles at the very concept -- to come.

I've collected all of Altan's CD's and "The Blue Idol" is by far the most graceful, the "prettiest" of them all. Some music impresses by it's brute force or by it's passion and intensity, like a drag racer opening the throttle and exploding down the track. The Blue Idol is like watching Formula One driver Michael Schumacher move 800 Horsepower around a twisting, curving race track like a ballet dancer. There is power and intensity here, but it's precisely and expertly driven.

And what a lovely surprise to hear Dolly Parton on track four; it's a beautiful affair.

This CD is a treasure that you'll not want to pass up.

A longtime fan of Altan, I am very pleased with new CD. The band seems only to grow stonger and more confident with each new outing. Their live shows become more intimate and spontaneous. I especially enjoyed "Daily Growing", "Pretty Young Girl" and all the reel and jig sets. This is an excellent CD for fans of Irish or Celtic music.

I have been anxiously awaiting the release of this album. I wondered if Altan could continue to produce music at the level of its prior releases. I was not disappointed, nor will you be dissappointed if you buy this album. How Altan can consistently produce such wonderful music is a miracle. They have been by far the best traditional Irish band for some years now, and they only seem to be getting better. We should all thank them for enriching our lives.

Thanks to all participating musicians for this superb album.
Listening to these tunes with closed eyes gives us the feeling as if we are sitting inside "Cul A Dun" in Teelin, Co.Donegal !
Especially Mairead's voice and her fiddleplay and Dermot's relaxed boxplaying is full of harmony. Nothing could be better!
( Except the next album...maybe ).

I'm really torn on this CD... it starts off with three of the most beautiful peices of music I've ever heard. And then what? Nothing... this CD is a perfect mix of the best and the most cliche and boring. Tracks 1,2,3, and 7 are beautiful and unique, while tracks 5,6,8 and 9 are makes of tunes that have been played by practically every Celtic band, whether Irish or Scottish, thats out there. And there is nothing about these later mentioned tracks that distinguishes them from the ordinary. So what this CD does is leave me skipping tracks. I do think though, that the good tracks alone are worth buying the whole CD, however boring the other tracks are. Altan is a respectable artist, but I can think of many other artists, better, and more complete in their goodness. If you don't mind the lack of vocals, Lunasa is one of the best Irish bands you can hear. Your money would be better spent on "Otherworld" by the aforementioned band.

a perfect cross-breed between melody-celtic-and-new age. Their best yet!