The Blue Jay's Dance: A Birth Year [Paperback]

Louise Erdrich (Author)

Book Description

Publication Date: March 1, 1996

In The Blue Jay's Dance,Louise Erdrich's first major work of nonfiction, she brilliantly and poignantly examines the joys and frustrations, the compromises and the insights, the difficult struggles and profound emotional satisfactions she experienced in the course of one twelve month period--from a winter pregnancy through a spring and summer of new motherhood to fall a return to writing. In exquisitely lyrical prose, Erdrich illuminates afresh the large and small events that mothers--parents--everywhere will recognize and appreciate.

Editorial Reviews

Amazon.com Review

Mothers often cling to single moments, small gestures, and specific memories in order to grasp all that happens in the first blurry year of a baby's life. In The Blue Jay's Dance, writer Louise Erdrich has assembled a photo album of snapshots such as these: the days and images that collectively define the passion, ambivalence, yearnings, and satisfactions of carrying, birthing, and nurturing a baby. "Any sublime effort has its dark moments," says Erdrich, referring to a rather bleak snapshot of mother isolation. "Perhaps, if anything, the meaning in this book for others may be this: Here is a job in which it is not unusual to be, at the same instant, wildly joyous and profoundly stressed." The Blue Jay's Dance is a fresh and masterful book that avoids all the sticky clichés while still managing to articulate the depths of mother-baby love.

From Publishers Weekly

Erdrich, who has published poetry and critically acclaimed novels (Love Medicine, The Beet Queen), here describes her experience with giving birth and the joyful year of mothering that follows. The baby whose arrival she chronicles is the youngest of her three daughters but is also a composite of the biological children among the family's six. A keen observer of nature, Erdrich also movingly evokes wild-animal life and the seasonal changes that take place outside the secluded New Hampshire home of Erdrich and her husband, writer Michael Dorris. Although her mystical side is evident in her descriptions of the natural world and in her account of the strong bond she formed with her new baby, she also looks at life with refreshing common sense. She dismisses the "pseudo spiritual advice" that refers to intense labor pain as "discomfort" and admits to occasionally feeling resentment at her baby's screams. Erdrich lightens her prose with several recipes that she and her husband prepare together, as well as a menu for an all-licorice dinner. An enchanting, lyrical rendering of a "mother's vision."
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 240 pages
• Publisher: Harper Perennial (March 1, 1996)
• Language: English
• ISBN-10: 0060927011
• ISBN-13: 978-0060927011
• Product Dimensions: 8.2 x 5.3 x 0.7 inches
• Shipping Weight: 6.4 ounces
• Average Customer Review: 4.5 out of 5 stars  See all reviews (11 customer reviews)
• Amazon Best Sellers Rank: #916,353 in Books (See Top 100 in Books)

More About the Author

Louise Erdrich is the author of twelve novels as well as volumes of poetry, children's books, and a memoir of early motherhood. Her debut novel, Love Medicine, won the National Book Critics Circle Award. The Last Report on the Miracles at Little No Horse was a finalist for the National Book Award. Her most recent novel, The Plague of Doves, a New York Times bestseller, received the highest praise from Philip Roth, who wrote, "Louise Erdrich's imaginative freedom has reached its zenith--The Plague of Doves is her dazzling masterpiece." Louise Erdrich lives in Minnesota with her daughters and is the owner of Birchbark Books, a small independent bookstore.

Customer Reviews

Most Helpful Customer Reviews

31 of 33 people found the following review helpful:

5.0 out of 5 stars insightful, spiritual (non-denominational) and helpful, August 19, 2000

By 

"r-jay" (Boston, MA USA) - See all my reviews

This review is from: The Blue Jay's Dance: A Birth Year (Paperback)

It seems that a week doesn't go by when I see a woman on the subway or in a coffee shop reading a book from the What to Expect When You're Expecting series. Those detailed tombs of writing seem to be sent to people planning or in the process of rearing children as if by storks. (I've even heard of some workplaces keeping the book What to Expect... in the human resources supply closet, to be given as a gift when a woman announces she's pregnant.) However, upon reading some chapters from those books and informal discussions with mothers, a theme that reoccurs is that some women will explicitly instruct others not to read those books. Why? Not because they don't contain a plethora of knowledge but precisely because they do. That is, these can wind up really scaring a parent-to-be because they contain all the zillions of possible physical and emotional things that can go wrong during pregnancy and the first years. I think everyone can agree that raising the anxiety level, especially of a woman during pregnancy, is quite a less than desirable outcome.

What if there was a book that spoke honestly about the experiences of pregnancy and childbirth and, more importantly, treated these experiences as natural events rather than listing all the possible things to be feared? Better yet, what if there was a book that did all those things and spoke of the spiritual aspects of pregnancy and children, in a gentle and non-denominational way? Well, a book with all those features and more is available in this book.

Erdrich is of Native American ancestry and a writer by profession. Her background is rich with symbolism and spiritualism and is wonderful at weaving her story into the passage of seasons. At times I felt I was really looking through her eyes in the room where she wrote, looking out at a large picture window in her remote rural home. She saw the lives of various wildlife, from all types of birds to deer to wild dogs, intertwine with the passage of time from the beginnings of her pregnancy through the first year of her daughter's life. This book seems to be very realistic primarily because it does not compartmentalize pregnancy or infancy; Erdrich does not shy away from concurrent events in her life including changes in relationship with her husband, observations of nature, memories from her own childhood and recipes she craves during pregnancy or for their nurturing powers.

In more popular baby manual-type books, the subjects of actual labor, sleep deprivation, nurturing "instincts," and patience are sometimes glossed-over or described in such a way to possibly make a parent feel guilty for not automatically possessing certain qualities. This is yet another way that Erdrich's book masterfully succeeds as she lovingly and with understanding tackles these and other important subjects. She describes with humor and passion of a "no-sleep week" by stating how she wanted to call 911 Emergency because her baby wouldn't sleep. She describes the situation: "It happens to be a long crying bout, nothing wrong physically, just growth, maybe teeth. Why knows? Sometimes babies just cry and cry... in my office, with her in the crib next to the desk, I break through a level of sleep-deprived frustration so intense I think I'll burst, into a dimension of surprising calm," (71).

Erdrich speaks of the "tender and grueling task of rearing a newborn," (6) with such a fullness and richness of spirit that I cannot help but be moved by her descriptions. I highly recommend this book not only to anyone personally considering parenting but also to educators and anyone interested in the mutual development of a parent and an infant. I think it could also serve as an excellent supplement for all students in any Infancy and Child Development course. The best summary for her book is by Erdrich herself. In the introduction she states: "These pages are a personal search and an extended wondering at life's complexity. This is a book of conflict, a book of babyhood, a book about luck, cats, a writing life, wild places in the world, and my husband's cooking. It is a book about he vitality between mothers and infants, that passionate bond into which we pour the direct expression of our being," (5).

9 of 9 people found the following review helpful:

5.0 out of 5 stars This is an amazing book!, May 23, 2000

By A Customer

This review is from: The Blue Jay's Dance: A Birth Year (Paperback)

I loved this book when I first read it before my daughter was born. Re-reading it now, as a new mother, I find it even more remarkable. Louise Erdrich has perfectly captured both the frustration and surpassing joy of life with a new baby. The book is also a beautiful nature narrative, with observations on the changing of the seasons interwoven with the story of a child's first year. Highly recommended!

11 of 12 people found the following review helpful:

5.0 out of 5 stars Is this just a woman's book?, November 18, 1998

By 

[e-mail], Randi Quanbeck (Minneapolis, MN USA) - See all my reviews

This review is from: The Blue Jay's Dance: A Birth Year (Paperback)

The Blue Jay's Dance, by Louise Erdrich is not a book solely for women, though I believe that primarily women will be drawn to read it. The story of a birth year is much more interesting to women than it is to men. Men are more likely to read about other kinds of heroism. My experience has taught me that the heroism of birth doesn't interest men much, nor do tales of the enduring devotion of motherhood. However, this is a book that I think men should read and could read with as much interest and a feeling of comradery as any war novel. Men like to solve problems and to build things. So do women. This book is about building a family and about solving the problems that arise everyday in the heat of battle. Erdrich centers her book on the strength, courage, stamina, and sheer artful intelligence that she is able to draw on to get through her childbearing years. She draws from a vast crows of living beings: grandparents, parents, birds, foxes, cats, flowers, spiders, and food. She uses everything she observes in her world to learn from and to use as friends to help guide her in her journey. Nothing is touched without being turned over at least once for investigation. Is this useful for me? Will it help me? What does it teach me? She is searching for paradigms that she can associate with her interior world and she finds many. The tone of this book is soft, lulling, cooing like a lullaby. We feel like babies rocking in the arms of its author. And this is where the book hits a center for both men and women. A mother's loving, patient, caring arms are important in helping to develop the emotional and spiritual life of a child. She gives us a mirror in which we can recapture our soul. The Ojibwe word is wabimujichagwan, or "looking at your soul." She guides us into a way of finding our boundaries for ourselves. Through her words she does for the reader what a mother does for an infant. She is "helping to form a spiritual soul self" through the concentrated "love gazes" that comprise her descriptions and observations of the dance of life. My sense is that Erdrich would like to heal everyone with this book. She reaches out to whisper in our ear that everything will be fine. She worries about our mental health, our physical well-being, our emotional selves, and our capacity for enjoying life. But it all seems to take its toll on her and she is not always up to the task. Through the pages of this book, Erdrich discovers her own inner strength and is able to "outwalk her loss"--any loss--like the mallard duck, who, despite being raped and bloodied by her attackers, walks on with a "little force field around her, a frail armor of determinations." I don't know a man alive who could resist such a brave tale.