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Blue Money: Stories
 
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Blue Money: Stories [Paperback]

Susan Hubbard (Author)

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Book Description

March 1999

A union organizer returns to her hometown and her high school sweetheart, only to discover unexpected peril. A middle-aged man walks to meet his wife at work one day and loses her forever. A young writer's stage fright destroys her work and her marriage but offers her a new life. In Blue Money, Susan Hubbard creates a world in which the most ordinary things can be magical, and the most ordinary people can be extraordinary.

"Selling the House" is the enchanting story of Marianne, a young housewife whose life is altered forever by a mysterious stranger. He suddenly appears on her doorstep one morning, offers to buy her home, quotes poetry, and just as suddenly disappears. Marianne soon discovers, however, that the stranger wants more than her house—he wants her. Although she does not accept the man's proposition, Marianne has been changed by it. His words echo throughout her life. "If she sometimes had trouble sleeping, if she spent more time reading poetry or staring out the window . . . well, those were small aberrations in an otherwise quite satisfactory life."

Strangers appear and disappear in Blue Money. Shoes charm and cure. A soiled shirt conjures conscience, and a clean one promises new identity. Hubbard brilliantly weaves these fantastic elements into the fabric of her fiction.

Women's relationships with men—whether they be fathers, lovers, or strangers—are a prominent theme of Hubbard's collection. "What Friends Are For" captures this theme at its most humorous and bizarre in the strange mishaps of two young girls trying to rid their lives of the stepfathers they despise. When their plan fails miserably, the girls are forced to accept the unwanted men, but not without finding brief comfort in the humor of their failure. "Then I start laughing too--a laugh I've never laughed before, like some exotic bird, high and shrill and free—and now [we're] laughing so hard that the voices outside fade away entirely."

Praised by Ploughshares as "an assured storyteller and a complex narrative stylist," Hubbard excels at writing spare yet powerfully evocative prose. Haunting in its suspense and subtle grace, Blue Money celebrates Hubbard's marvelous ability to explore the power of imagination.


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Blue Money: Stories + Now Write!: Fiction Writing Exercises from Today's Best Writers and Teachers


Editorial Reviews

From Publishers Weekly

Devoted to the darker side of interpersonal relations, these 13 stories debunk Rockwellian myths of familial happiness. In "Mrs. Abernathy's Cottage," a young kleptomaniac, Leslie, figures as a surrogate daughter for a crotchety old woman. Pinching her silver spoons even as she politely pours the tea, Leslie intentionally corrupts their friendship and undermines the trust that the vulnerable Mrs. Abernathy places in her. In "Conversations with Men," a union organizer returns to Buffalo in order to salvage her relationship with her ailing father. After that attempt fails, she seeks solace in a father figure whose startling sexual advance leaves her even more disoriented. Despite the sorrows that beset her characters, Hubbard (Walking on Ice) relieves despair with moments of hope. Her characters find redemption in shared laughter or unexpected complicity. Their final words often abound with a complicated, sometimes ironic, optimism: "I'm lucky to be alive"; "I woke up laughing, amazed at my fertility"; "It will grow. It will grow." Unhappiness is, for these characters, an episode, and eerie encounters are containable. So when Marianne in "Selling the House" receives roses that "looked well for nearly two weeks, although they never fully bloomed," one knows that the bouquet augurs a future in which flowers bloom everywhere.
Copyright 1999 Reed Business Information, Inc.

Review

"Susan Hubbard writes with icy precision and a kind of close-focus attention to detail that is too little in evidence these days. In her work, she always gets it right, making the stories a perfect delight to read and the book an object of great satisfaction. A marvelous new collection."—Frederick Barthelme


Product Details


More About the Author

Susan Hubbard is the author of seven books, including the Ethical Vampire Series published by Simon & Schuster: THE SEASON OF RISKS (2010), THE YEAR OF DISAPPEARANCES (2008), and THE SOCIETY OF S (2007). Hubbard's short story collection, BLUE MONEY, won the Janet Heidinger Kakfa Prize for best book of prose by an American woman published in 1999. Her first book, WALKING ON ICE, received the AWP Short Fiction Prize. With Robley Wilson, Hubbard coedited 100% PURE FLORIDA FICTION, an anthology of the best stories set in Florida. Her fiction has appeared in several literary journals and has been translated and published in more than fifteen countries.

Hubbard is a professor of English at the University of Central Florida, where she received the College of Arts & Humanities' Distinguished Researcher Award in 2008. She has won teaching awards from Syracuse University, Cornell University, the University of Central Florida, and the South Atlantic Administrators of Departments of English. She has received writers' residencies at Yaddo, the Virginia Center for the Creative Arts, the Djerassi Resident Artists' Project, and Cill Rialaig. In 2002-03 she served as President of Associated Writers and Writing Programs (AWP). For more information, please visit www.susanhubbard.com
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Reviews:

*NPR called the Ethical Vampire Series"elusive, complex, poetic, and sophisticated."

*The Ft. Myers News-Press
 called THE SOCIETY OF S "...the year's most intriguing fiction debut to date," and in reviewing THE YEAR OF DISAPPEARANCES, noted, "Anyone still lingering under the misconception that academics can't compete in the majors would be well advised to pick up either of Hubbard's novels, which combine the creepiness of Stephen King with the acute social commentary of the Beats, Philip K. Dick and Don De Lillo." May 25, 2008

*The Sacramento Bee summarized THE SOCIETY OF S this way:
"...this beautifully written literary novel works as a touching coming-of-age story about a child in search of her missing mother." June 24, 2007

* New River Voice noted: "Amid the proliferation of new fiction this year, two brightly macabre novels stand out as fine summer reads: Stephen King's DUMA KEY and Susan Hubbard's THE YEAR OF DISAPPEARANCES." -July 14, 2008

* "Hubbard tells a good story and provides some acerbic political satire." --The Rocky Mountain News, July 24, 2008

"With a delicate touch, the talented Hubbard manages to merge environmental concerns with a murder mystery, a coming of age tale with a literary vampire twist." The St. Petersburg Times, May 14, 2008


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