5.0 out of 5 stars
Acoustic guitar duets shine, May 31, 2009
Sandy Rothman and Steve Pottier share lead in this meticulously thoughtful set of bluegrass guitar duets. Backup work is as tasteful as the inventive leads are, and the two clearly respect the music and each other's contributions to this inventive collection. The playing is as fresh today as it was on the 1991 recording date. Because this is the duo's only recorded material, it is clear the recording session is as rare as it is excellent.
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5.0 out of 5 stars
Excellent CD for Picker or Non-Picker!, February 9, 2004
This album is simply great! It offers an opportunity to hear two very talented gentlemen in a setting that allows focus on them and their instruments. Whether you use it for instructional purposes or entertainment or both, you can't go wrong. This is a must-have CD for the acoustic, bluegrass or folk/gospel fan. Everyone needs to hear this one.
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5.0 out of 5 stars
Very enjoyable for background, critical listening, learning, August 14, 2003
Although this recording was put to tape eleven years ago, it remains one of the most fun recordings in my meager collection. The tunes are all familiar standards but what makes this CD unique is that it is primarily two guitars taking turns on these songs, trading licks and styles on every cut. The first song, for example, is a great jamming tune called "Little Annie". The
original tune is a Stephen Foster composition titled "Gentle Annie" and was adapted by A.P. Carter. In the liner notes, Steve Pottier mentions a vocal version of the song done by Vern Williams which inspired him to do the tune. (Interestingly, Vern Williams version can be found on the on the album "Hand-Picked: 25 years of Rounder Bluegrass" under the tiltle "When Springtime Comes Again".)
Although this is not a learning or practice tape, I highly recommend this album as fun way to learn new tunes and licks. There are no vocals- this recording is strictly instrumental. The styles range from fiddle tunes to gospel, Jimmy Rodgers to the aforementioned Stephen Foster, bluesy to folksy- but all picked with taste and variety. Their sources of inspiration mentioned in the liner notes, among others, are Clarence White, Doc Watson, and Larry Sparks. In the notes for Flop-Eared Mule Pottier mentions getting "in a few Django-by-way-Clarence licks". Can't beat that for versatility.
Pottier and Rothman are Bay Area musicians who have been active in bluegrass since the 1960s but this is their first collaboration. Sandy Rothman played with Bill Monroe's Bluegrass Boys in the 60s and around that same time got to know Clarence White and became familiar with the intricacies of White's revolutionary bluegrass stylings. Both Pottier and Rothman have separately played in several Bay Area bands. Steve Pottier contributes a regular column to Flatpicking Guitar Magazine.
My interest in this recording is primarily as a guitarist- it's fun to play along and try to learn new licks, but more times than not I'll put the CD in the player simply to listen to it. It is highly enjoyable for background and/or critical listening. (Alan Troupe, reviewer, Nwbluegrass Yahoogroup)
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