Blues And The Abstract Truth

Oliver Nelson | Format: Vinyl

Product Details

• Vinyl (August 15, 1995)
• Number of Discs: 1
• Label: Grp Records
• ASIN: B000003N7D
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.9 out of 5 stars  See all reviews (42 customer reviews)
• Amazon Best Sellers Rank: #1,091,414 in Music (See Top 100 in Music)

Track Listings

1. Stolen Moments [Live]

2. Hoe-Down

3. Cascades

4. Yearnin'

5. Butch and Butch

6. Teenie's Blues

Editorial Reviews

Amazon.com

Oliver Nelson had recorded several sessions for Prestige when the fledgling Impulse! label gave him the opportunity to make this septet date in 1961. The result was a rare marriage between an arranger-composer's conception and the ideal collection of musicians to execute it. The material is all based somehow on the blues, but Nelson's structural and harmonic extensions make it highly varied, suggesting ballads, hoedowns, and swing. The band is one of those groupings that seem only to have been possible around 1960, a roster so strong that the leader's name was actually listed fourth on the cover. Nelson shares the solo space with trumpeter Freddie Hubbard, alto saxophonist and flutist Eric Dolphy, and pianist Bill Evans, while bassist Paul Chambers and drummer Roy Haynes contribute support and baritone saxophonist George Barrow adds depth. In stark contrast to Dolphy's brilliant, convulsive explosions, Nelson's tenor solos are intriguingly minimalist, emphasizing a tight vibrato and unusual note choices. It's not quite Kind of Blue (nothing is), but Blues and the Abstract Truth is an essential recording, one that helped define the shape of jazz in the '60s. --Stuart Broomer

Product Description

Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing. Universal. 2008. --This text refers to the Audio CD edition.

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Customer Reviews

Most Helpful Customer Reviews

52 of 52 people found the following review helpful:

5.0 out of 5 stars Not to be missed, February 25, 2000

By 

Tyler Smith (Denver, CO United States) - See all my reviews
(REAL NAME)   

This review is from: The Blues and the Abstract Truth (Audio CD)

This is one of those jazz recordings that managed to capture lightning -- that is to say, recording magic -- in a bottle. Its pacing is perfect, its arrangements sublime, and the first-rate players, all of whom would be worth listening to on their worst day, offer inspired work.

Nelson, a fine tenor player in his own right, is surrounded by extraordinary talent: Eric Dolphy, Bill Evans, Freddie Hubbard, Roy Haynes. But this is Nelson's album: not only does he play beautifully himself, he contributed the compositions and the arrangements, all of which have a note-perfect quality that could only be achieved by an artist in absolute command of his material.

Each tune is a joy in its own right, but the highlight for me (just ahead of the joyful "Hoedown") is "Stolen Moments," which has rightfully become a jazz standard. It's a tune that never fails to remind me of the difference between a true jazz composition and a blowing session. In the latter, solos are taken for their own sake. In "Stolen Moments," the solos are flawless, but each player extends on the previous statement. For example, the transition chord that Bill Evans plays between Oliver Nelson's solo and his own is a perfect reply that shows how carefully he was listening to Oliver's playing. The communication deepens the pleasure of listening to the performance.

Like Miles' "Kind of Blue" and a handful of other jazz albums, "Blues and the Abstract Truth" could be put into a vault for listeners a thousand years hence to find. I'm sure they'd be just as impressed as the rest of us have been.

25 of 25 people found the following review helpful:

5.0 out of 5 stars All star jazz cast, March 2, 2004

By 

Enrique Torres "Rico" (San Diegotitlan, Califas) - See all my reviews
(VINE VOICE)   

This review is from: The Blues and the Abstract Truth (Audio CD)

Never heard this disc before? Not sure if it would be for you? Read all the customer reviews here and you'll notice several things , with the exception of one four star rating all the others have given it five stars and praise as one of the all time best studio recordings in the field of jazz. Look at the personnel. It is a who's who of the best and leaders in their own right but on this occasion they were under the guidance of Oliver Nelson who writes all the compositions, arranges the music and oh, by the way , plays alto and tenor saxophone on this disc. The music is complex and for musicians who understand the time measurements and even those like myself who are less versed in the structure of music, the music is arranged in simply iiresistible melodies. For those of us who don't understand musical structure but appreciate beautiful harmony it just sounds tight. The structure with each song is one that changes with different harmonic progressions interlaced with outstanding solos by the giants on their perspective instruments, Freddie Hubbard on trumpet, Bil Evans on piano, Paul Chambers on bass, Eric Dolphy on alto saxophone and flute, Roy Haynes on drums and additional saxophone work by George Barrow on barritone and Oliver Neslson on alto and tenor saxophone. This is jazz as it was intended to be in 1961; pure , unadulterated, deep but accessible soulful instumentals based on the blues structure but totally original. Some others have suggested this to be the proverbial desert island music. It definitely ranks way up there on a short list of jazz discs that don't come around very often and as near to perfection as possible. Again look at the contributors that made this possible , produced by Creed Taylor(not to be confused with Cecil Taylor, except by me:) and engineered by the one man team of Rudy Van Gelder just polish up the all star cast. Of all the songs my absolute fave is "Stolen Moments" that is introduced by Hubbards soft, soulful eloquent trumpet that lays the foundation for a trip down a very cool passage into Dolphy's fine flute work and Nelson's sax that is methodically accentuated by the thumping bass line of Chambers for a swinging introduction to the piano of Evans and the beginning to one of the best jazz discs of all time. If you are into jazz then you know how good this disc is, it is nearly flawless in all regards. If you are learning about jazz, go back to 1961 to experience this classic. A worthwhile addition to any collection of music and essential for jazz collections this disc is highly recommended.

11 of 11 people found the following review helpful:

5.0 out of 5 stars Tremendous album, September 5, 2005

By 

Bomojaz (South Central PA, USA) - See all my reviews

This review is from: The Blues and the Abstract Truth (Audio CD)

One of those albums that over time has entered the legendary category - very much a landmark recording. STOLEN MOMENTS has not only become a jazz standard, but this initial recording of the tune is a masterpiece. Everything and everyone on it just clicks perfectly: Dolphy's solo on flute absolutely demands the listener's attention. And the other tunes are almost just as good, especially HOE-DOWN and CASCADES, both taken up tempo. The album was like a gust of fresh air when it first came out on LP in 1961, and it still sounds fresh today. One of those must-have CDs.