Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.
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Inside This Book
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First Sentence:
(The bluesman Big Bill Broonzy sings: I worked on a levee camp and the extra gangs too Black man is a boy, I don't care what he can do. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
expressive cultural theory, commercial deportation, pregeneric myth, black blues life, governing statements, blues matrix, black phallus, vernacular level, coon show, fictive discourse, new black middle class, zero image, expressive culture, black poetry, suffering absence, citations refer, incestuous act Key Phrases - Capitalized Phrases (CAPs): (learn more)
Black Aesthetic, Richard Wright, Ralph Ellison, Plantation Tradition, Matty Lou, Olaudah Equiano, United States, New World, New York, Big Boy, Black Arts, Black Power, Integrationist Poetics, Their Eyes Were Watching God, The Man Who Lived Underground, Berry Hamilton, Frederick Douglass, New Jerusalem, West Indian, Linda Brent, Old South, Colonel Lloyd, Maurice Oakley, New England, Stephen Henderson New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
(The bluesman Big Bill Broonzy sings: I worked on a levee camp and the extra gangs too Black man is a boy, I don't care what he can do. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
expressive cultural theory, commercial deportation, pregeneric myth, black blues life, governing statements, blues matrix, black phallus, vernacular level, coon show, fictive discourse, new black middle class, zero image, expressive culture, black poetry, suffering absence, citations refer, incestuous act Key Phrases - Capitalized Phrases (CAPs): (learn more)
Black Aesthetic, Richard Wright, Ralph Ellison, Plantation Tradition, Matty Lou, Olaudah Equiano, United States, New World, New York, Big Boy, Black Arts, Black Power, Integrationist Poetics, Their Eyes Were Watching God, The Man Who Lived Underground, Berry Hamilton, Frederick Douglass, New Jerusalem, West Indian, Linda Brent, Old South, Colonel Lloyd, Maurice Oakley, New England, Stephen Henderson New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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This book cites 100
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100
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- Invisible Man by Ralph Ellison on 12 pages
- The Sport of the Gods by Paul Laurence Dunbar on 11 pages
- The Black Aesthetic by Addison Gayle on 7 pages
- Their Eyes Were Watching God by Zora Neale Hurston on 6 pages
- Shadow and Act by Ralph Ellison on 4 pages
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- Essentially Speaking: Feminism, Nature and Difference by Diana Fuss on page 17, page 94, and Back Matter
- Interpreting Popular Music by David Brackett on page 116, Back Matter (1), and Back Matter (2)
- Race and the Foundations of Knowledge: Cultural Amnesia in the Academy by Joseph Young in Front Matter, and page 44
- Ralph Ellison and the Raft of Hope: A Political Companion to Invisible Man by Lucas E. Morel on page 52, and Back Matter
- African-British Writings in the Eighteenth Century: The Politics of Race and Reason (Contributions to the Study of World Literature) by Helena Woodard on page 132, and Back Matter
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