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Blues People: Negro Music in White America
 
 
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Blues People: Negro Music in White America [Paperback]

Leroi Jones (Author)
4.8 out of 5 stars  See all reviews (17 customer reviews)

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Book Description

January 20, 1999
"The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music -- through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music."

So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America -- not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history.


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Editorial Reviews

Review

""Blues People "is not only a fresh, incisively instructive reinterpretation of Negro music in America, but it is also curcially relevant to Negro-White relationships today."--Nat Hentoff""Blues People "is American musical history; it is also American cultural, economic, and even emotional history. It traces not only the development of the Negro music which affected white America, but also the Negro values which affected white America."--"Library Journal"

From the Publisher

This extremely pertinent work will make a valuable addition to the musical and sociological collections of public and academic libraries. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 256 pages
  • Publisher: Harper Perennial; 1 edition (January 20, 1999)
  • Language: English
  • ISBN-10: 068818474X
  • ISBN-13: 978-0688184742
  • Product Dimensions: 8.2 x 5.5 x 0.7 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #16,227 in Books (See Top 100 in Books)

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Customer Reviews

17 Reviews
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Average Customer Review
4.8 out of 5 stars (17 customer reviews)
 
 
 
 
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20 of 21 people found the following review helpful:
5.0 out of 5 stars a classic in every sense of the word, April 13, 2000
By 
T. Bekken (Austmarka Norway) - See all my reviews
(REAL NAME)   
This review is from: Blues People: Negro Music in White America (Paperback)
This book is probably the greatest ever written on the early history of black music in America. With rare clarity and glowing intensity, Baraka traces the evolution of black forms such as blues and jazz back to Africa, and presents the reader with genuine insight into the world of the creators of these important 20th century art forms. The book is as gripping as any novel you will ever read, and also crammed with facts and mindboggling lines of thought. Anybody with even the slightest interest in modern black music needs to read this book, and consider its contents thoroughly.
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13 of 13 people found the following review helpful:
5.0 out of 5 stars The Best Starting Point, August 24, 2005
By 
This review is from: Blues People: Negro Music in White America (Paperback)
I actually purchased the first paperback edition this book a long time ago, and I learned that it had been out of print for quite some time. It was a time when I was a casual listener of blues and jazz, and didn't think about the roots of the music I was listening to. The book was interesting enough, but it didn't have information about more contemporary stuff, as it was printed in 1963.

Recently, I found this book in the upper shelves of my library, having completely forgotten about it in spite of my infatuation with the blues for the better part of the last two decades. It was a most welcome surprise for me, as it contained a compact but comprehensive introduction to the time period from the first Africans came to America to the 1920s when their music was first recorded, and laid the groundwork to how this music evolved in a sociological context. The rural lifestyle, the reflections of the exodus from the south on the music and subsequent refined, urban sound are discussed in this framework.

Although it would not really appeal to the casual reader and listener, "Blues People" is invaluable for the serious blues and jazz fan for setting the music into the general context of social life and external effects that made this music what it is today.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars most "effective" for the "proper" study of Black Music, June 21, 1999
By A Customer
This review is from: Blues People: Negro Music in White America (Paperback)
I used Blues People by Leroi Jones when I designed the History of Black Music courses at Harvard University in September 1970.It is still the most "effective" text in introducing a "proper" study of the Music of Black Americans.
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Inside This Book (learn more)
First Sentence:
When black people got to this country, they were Africans, a foreign people. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
older blues forms, primitive jazz, primitive blues, classic singers, young white musicians, blues people, blues continuum, white jazz musicians, classic blues, cool style, hard bop, progressive jazz
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New Orleans, New York, World War, United States, American Negro, Bessie Smith, The Modern Scene, Charlie Parker, Louis Armstrong, Lester Young, Swing-From Verb, Enter the Middle Class, Jazz Review, Northern Negro, Fletcher Henderson, Kansas City, West African, Jim Crow, King Oliver, Miles Davis, Paul Whiteman, Promised Land, Southern Negro, Benny Goodman, Congo Square
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