Blues Run the Game

Jackson C. Frank | Format: Audio CD

Product Details

• Audio CD (October 21, 2003)
• Original Release Date: 2000
• Number of Discs: 2
• Label: Sbme Castle Us
• ASIN: B0000D9PLJ
• Also Available in: Audio CD  |  MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (15 customer reviews)
• Amazon Best Sellers Rank: #435,318 in Music (See Top 100 in Music)

Editorial Reviews

Jackson C. Frank, Blues Run the Game --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Most Helpful Customer Reviews

39 of 39 people found the following review helpful:

5.0 out of 5 stars Virtually All of Jackson C. Frank's Recordings, June 8, 2007

By 

Steve Vrana (Aurora, NE) - See all my reviews
(TOP 1000 REVIEWER)    (HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: Blues Run the Game (Audio CD)

Until the release of Sanctuary Records TROUBADOURS OF FOLK in 2003, I was only aware of Jackson C. Frank as the composer of "Blues Run the Game." That British folk anthology included his original rendition of the song along with the traditional "Kimbie." His performances on that album led me to this 2003 reissue by Sanctuary Records of Frank's 1965 debut along with thirty-three bonus tracks.
The album's liner notes reveal one of the most tragic figures of the British folk movement--perhaps in all of music. An American, Frank was born in Buffalo, New York, in 1943. While in grade school, there was a furnace explosion in the music room. Most of his classmates were killed. Frank spent seven months in the hospital recovering from his burns. The physical and psychological toll of those injuries would remain with him the rest of his life. While recuperating he learned to play guitar. In 1960 he recorded seven songs at a cost of $7 for an envisioned album he hoped to title PEACHES & CRUST. [They are among the bonus tracks (disc-2, 16-22) salvaged from a 78 rpm disc.] In the early Sixties, Frank hung out with future Steppenwolf frontman John Kay. In 1964, Frank received a $110,500 pay-out from the insurance company resulting from the fire. By 1965, Frank left for the burgeoning folk scene in England. His debut album was produced by fellow American Paul Simon in less than 3 hours. In 1967, Frank returned to the States, began working for a Woodstock newspaper and got married. By 1969, his marriage had fallen apart, his infant son died, attempts to return to music were unsuccessful. By the Eighties, Frank was in and out of mental hospitals and living on the street where a drive-by shooting cost him his left eye. [Looking at the photos in the accompanying booklet, it's hard to believe that the man in the later photos is the same person.] He returned to the studio one last time in 1994, but never completed a follow-up to his 1965 album. He died in 1999.

What Sanctuary Records has done for this reissue is to gather together in one collection everything Frank ever recorded. [The only material missing are the songs he recorded for John Peel's Radio 1 show in 1968, but these tapes--if they still exist--have yet to be found.]

So here's what you get:

CD-1
Tracks 1-10: The original 1965 album of nine originals and one traditional song ("Kimbie"). The best known of these is "Blues Run the Game." It has been covered by Sandy Denny, Nick Drake, Bert Jansch, John Renbourn and most recently by Counting Crows. Most of the songs are moody, and introspective. The lone exception is the jaunty "Just Like Anything." But it's hard not to listen to these songs without being aware of the tragedies that followed. In the opening verse of "Dialogue," he sings "I want to be alone/I need to touch each stone/Face the grave that I have grown/I want to be alone."

Tracks 11-12: The single version of "Blues Run the Game" in a slightly livelier rendition (with a second guitar--probably Al Stewart), along with the non-album b-side "Can't Get Away From My Love."

Tracks 13-17: Five tracks from a 1975 studio session. Previously inlcuded as bonus tracks on an earlier reissue. Frank's guitar playing is still excellent, but his voice has taken on a heavier timbre.

Tracks 18-20: Three newly discovered tracks from the same 1975 session.

Track 21: Also from 1975, but at 35-seconds, it's little more than a snippet.

CD-2

Tracks 1-6: These are his final studio recordings from 1994. Frank's voice has taken on a world-weary tone, but it only adds to the emotional level of these songs. Frank is still capable of creating haunting music.

Tracks 7-15: These are home recordings from 1997. The quality is marginal, but they still show a man whose muse had not abandoned him.

Tracks 16-22: These seven tracks were recorded when Franks was 17 and in his words "began collecting old Civil War songs with a passion." There is a lot of surface noise on these recordings, but they give us a glimpse of the artist during his formative years.

For anyone with more than a casual interest in the British folk scene of the 1960's, this is required listening. HIGHLY RECOMMENDED

24 of 24 people found the following review helpful:

5.0 out of 5 stars Definitive Version Of A Classic British Folk Album, March 6, 2004

By 

Steve Vrana (Aurora, NE) - See all my reviews
(TOP 1000 REVIEWER)    (HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: Blues Run the Game (Audio CD)

Until the release of Sanctuary Records TROUBADOURS OF FOLK last year, I was only aware of Jackson C. Frank as the composer of "Blues Run the Game." That British folk anthology included his original rendition of the song along with the traditional "Kimbie." His performances on that album led me to this 2003 reissue by Sanctuary Records of Frank's 1965 debut along with thirty-three bonus tracks.

The album's liner notes reveal one of the most tragic figures of the British folk movement--perhaps in all of music. An American, Frank was born in Buffalo, New York, in 1943. While in grade school, there was a furnace explosion in the music room. Most of his classmates were killed. Frank spent seven months in the hospital recovering from his burns. The physical and psychological toll of those injuries would remain with him the rest of his life. While recuperating he learned to play guitar. In 1960 he recorded seven songs at a cost of $7 for an envisioned album he hoped to title PEACHES & CRUST. [They are among the bonus tracks (disc-2, 16-22) salvaged from a 78 rpm disc.] In the early Sixties, Frank hung out with future Steppenwolf frontman John Kay. In 1964, Frank received a $110,500 pay-out from the insurance company resulting from the fire. By 1965, Frank left for the burgeoning folk scene in England. His debut album was produced by fellow American Paul Simon in less than 3 hours. In 1967, Frank returned to the States, began working for a Woodstock newspaper and got married. By 1969, his marriage had fallen apart, his infant son died, attempts to return to music were unsuccessful. By the Eighties, Frank was in and out of mental hospitals and living on the street where a drive-by shooting cost him his left eye. [Looking at the photos in the accompanying booklet, it's hard to believe that the man in the later photos is the same person.] He returned to the studio one last time in 1994, but never completed a follow-up to his 1965 album. He died in 1999.

What Sanctuary Records has done for this reissue is to gather together in one collection everything Frank ever recorded. [The only material missing are the songs he recorded for John Peel's Radio 1 show in 1968, but these tapes--if they still exist--have yet to be found.]

So here's what you get:

CD-1
Tracks 1-10: The original 1965 album of nine originals and one traditional song ("Kimbie"). The best known of these is "Blues Run the Game." It has been covered by Sandy Denny, Nick Drake, Bert Jansch, John Renbourn and most recently by Counting Crows. Most of the songs are moody, and introspective. The lone exception is the jaunty "Just Like Anything." But it's hard not to listen to these songs without being aware of the tragedies that followed. In the opening verse of "Dialogue," he sings "I want to be alone/I need to touch each stone/Face the grave that I have grown/I want to be alone."

Tracks 11-12: The single version of "Blues Run the Game" in a slightly livelier rendition (with a second guitar--probably Al Stewart), along with the non-album b-side "Can't Get Away From My Love."

Tracks 13-17: Five tracks from a 1975 studio session. Previously inlcuded as bonus tracks on an earlier reissue. Frank's guitar playing is still excellent, but his voice has taken on a heavier timbre.

Tracks 18-20: Three newly discovered tracks from the same 1975 session.

Track 21: Also from 1975, but at 35-seconds, it's little more than a snippet.

CD-2

Tracks 1-6: These are his final studio recordings from 1994. Frank's voice has taken on a world-weary tone, but it only adds to the emotional level of these songs. Frank is still capable of creating haunting music.

Tracks 7-15: These are home recordings from 1997. The quality is marginal, but they still show a man whose muse had not abandoned him.

Tracks 16-22: These seven tracks were recorded when Franks was 17 and in his words "began collecting old Civil War songs with a passion." There is a lot of surface noise on these recordings, but they give us a glimpse of the artist during his formative years.

For anyone with more than a casual interest in the British folk scene of the 1960's, this is required listening. HIGHLY RECOMMENDED

15 of 16 people found the following review helpful:

5.0 out of 5 stars Pearl In The Snow, February 20, 2004

By 

K. H. Orton (New York, NY USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Blues Run the Game (Audio CD)

This guy is a must for fans of Nick Drake. Get this record and be introduced to one of Drake's major influences---Jackson C. Frank.

Frank left a signifigant impact not only on Drake, but on the entire "60's" British Folk scene. Bert Jansch, Meic Stevens,John Martyn, Fairport Convention, and Paul Simon just to name a few. Infact, as you'll no doubt read in the liner notes, it was Paul Simon who coaxed Frank into the studio to record much of the material you'll hear.

Regrettably, Frank like so many quote "cult" songwriters has remained virtually unknown. Even though he made quite a sensation on the British folk scene, certain elements led to his obscurity. But get the album and read the whole sad story yourself.

The record starts with what should have become a classic---"Blues Run The Game". It's just one of those perfect songs, a sweet epistle to futility. It became an English Folk staple, covered most memorably by Burt Jansch & Nick Drake. With just the sparse setting of Frank's acoustic guitar, alot of the tunes sound pretty but are fraught with the same dark meloncholy found in Drake's PINK MOON. For instance the song "Dialogue" features the lines: "I want to be alone/ I want to touch each stone/Face the grave I have grown".

"Here Come The Blues" & "Milk & Honey" should also be classics but unless you're aquainted with the THE TAMWORTH SESSIONS (an import collection of rare Nick Drake bedroom demos) this is the only place you're likely to hear them.

Another thing that makes this collection priceless is the inclusion of a 2nd disc featuring work recorded shortly before Frank's death in 1999. After all the homelessness & hospitalization, that magic is still there. His voice is a little gruffer & sometimes the sound quality isn't all that pristine but songs like, "October", "Spectre" & "Mystery" live up to their titles.

On the whole this is beautiful stuff. A bit Folksy, a bit Bluesy, and downright haunting. Definitely recommended for fans of Leonard Cohen, Fred Neil, Simon & Garfunkle & the aformentioned,Drake. A real find. A pearl in the snow.