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BlurAudio CD
4.1 out of 5 stars  See all reviews (125 customer reviews)

Price: $7.07 & FREE Shipping on orders over $35. Details
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Image of album by Blur


Image of Blur


Even the best bands, the biggest bands, the most important ones, are cosmic accidents, and a worldbeating career can hinge on a brief encounter. Blur’s story begins at Colchester’s Stanway Comprehensive School in the early ’80s, and a feisty collision between recent East London transplant Damon Albarn and local lad Graham Coxon.
“First impressions of Damon?” ... Read more in Amazon's Blur Store

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Product Details

  • Audio CD (March 11, 1997)
  • Number of Discs: 1
  • Label: Parlophone
  • ASIN: B000000WDA
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (125 customer reviews)
  • Amazon Best Sellers Rank: #30,904 in Music (See Top 100 in Music)

2. SONG 2
4. M.O.R.

Editorial Reviews

Product Description

Blur (1997), the 5th studio album from British pop/rock band Blur, broke wildly with the sounds of their previous album, The Great Escape, whose wild success had catapulted the band to international fame. Feeling that the Britpop mantel painted on them was limiting their creative capacity, Blur went lo-fi and added more alternative rock to their sound, stunning critics and fans alike. What appeared was a mixture of short punk, haunting instrumentals, and eccentric pop which displays the bands penchant, and ability, to buck trends and do so with joy and verve. The lo-fo production lends a very unique sound to the album - a sound which propelled it to the top of the US and UK charts. Best known for the hits, 'Beetlebum' and, 'Song 2,' Blur is a deep, amazing adventure into the minds of its band members, and shouldn't be missed by fans.

By early 1997, British pop had become less a scene than a competition, so with this album, Blur's frontman Damon Albarn basically announced that he was withdrawing from the race, in favor of exploring other kinds of rock he'd been getting into. Most of Blur finds the band discovering the clipped structures and oblique words of American indie rock (the best hook on the album goes "woo-hoo!"), and that's a liberating strategy. Without having to exemplify England's Dreaming, Albarn can be tuneful and playful, and even when he cribs directly from his favorite records ("M.O.R." is pure Bowie, and "You're So Great" tries for Guided by Voices-style non-production), his gift for texture puts his stamp on these songs. --Douglas Wolk

Customer Reviews

Most Helpful Customer Reviews
32 of 35 people found the following review helpful
4.0 out of 5 stars Here's why NOT to buy the Best Of instead... April 26, 2003
Format:Audio CD
For the people who now realize that "Song 2" does not exemplify this band's true sound, this is still an amazing album. Like so many others, I first took note of Blur with that overplayed hit. But, UNlike the majority of buyers, I was still impressed with the CD's diversity and overall hum. A lot of tracks on the album are hidden gems that probably should've been included on the Best Of release. So for the amateur Blur fan, nowadays, it is more beneficial (choice word) to purchase the Best Of instead of this one. Sadly, because of "Song 2", this band has been dubbed by too many a one-hit wonder; and the album has been labeled a poor buy. All the same, this a great CD with more than just one or two good songs. Here's an overview of all the tracks:
1. Beetlebum - 5/5 - there's no question this should've been a big single. In all likelihood, this is the best song on Blur. It has a great beat and keeps you tapping your foot all the way through (it has a similar background to 13's "Coffee And TV").
2. Song 2 - 5/5 - it may be ill-advised to label this as my favorite... and to be honest I really can't say that it is. Nevertheless it's an awesome song that helped me come to like Blur in the first place. Without this track, I would have missed out on something very special.
3. Country Sad Ballad Man - 3.5/5 - the word `country' fits this song pretty well (at first). The beginning has a twang-like feel to it that catches you off guard. It's a weird track, but that's to be taken in a good way.
4. M.O.R. - 4/5 - I really believe this song should've been on the Best Of album. This is very different from the previous three songs; as it has more of the `brit-pop' Blur sound that their fans are used to. It will grow on you over time.
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15 of 15 people found the following review helpful
5.0 out of 5 stars Movin' On From Britpop April 30, 2006
By Ren Lee
Format:Audio CD
My favourite album's tend to be the one's where a successful band leaves behind their signature sound and ventures into new realms that you wouldn't have expected them to and this is no exception. That's not to say that Blur were always the indie pop meets music hall of 'Parklife' and 'The Great Escape', there was definitely evidence of them wanting to be a more challenging band on their second album 'Modern Life Is Rubbish' and prior to becoming Blur their previous incarnation as art punks 'Seymour' showed they were musically more ambitious than any of the Britpop bands of the mid-nineties.

Still, this album shocked the majority of Blur's fanbase and surprised their critics at the time of it's release. Some of the songs have a demo feel to them and the so-called 'Lo-fi' production helps the album to flow well and give it a unique character no matter how diverse each of the songs are from each other.

It's my personal favourite Blur album and was the first that I bought by them. I'd heard the singles 'Parklife', 'Girls And Boys' and 'Country House' along with everyone else in the country at the height of Britpop mania but I wasn't a big fan of indie till 1997, year zero for me in terms of developing my own taste in music beyond my parent's taste's!

So this album truly introduced me to the world of Blur and I revelled in it from start to finish. Graham Coxon instantly became my teenage idol and has inspired me as a guitarist ever since i heard this for the first time. He might disagree but I would say that this is his album more than Damon's even if he only actually wrote just one of the songs (the chirpy acoustic strum of 'You're So Great'). It was Graham who became sick of the Britpop scene they inspired and the member who most fought for a change of direction.
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12 of 13 people found the following review helpful
5.0 out of 5 stars Hasn't left my cd player! February 23, 2006
A Kid's Review
Format:Audio CD
I first discovered Blur through Damon Albarn's side project, Gorillaz. Needless to say, Blur sounded completely different from the "zombie hip-hop" of Gorillaz, but I liked it - a lot. This is the third Blur CD I have, after their greatest hits album and "Parklife."

1. Beetlebum - great song, jams for a bit too long at the end 9/10

2. Song 2 - Whoo-hoo! Like Nirvana on ecstacy. 10/10

3. Country Sad Ballad Man - extremely catchy. One of the more experimental ones - 10/10

4. M.O.R. - kind grows on you after a while, though. 7/10

5. On Your Own - catchy, nothing spectacular. 6/10

6. Theme from Retro - average. This is where I begin to get worried. 5/10

7. You're So Great - YES!!! This song is so great. And the reason it doesn't sound like Damon is because it's sung by Graham Coxon. 10/10

8. Death of a Party - spooky, but extremely beautiful. 9/10

9. CHINESE BOMBS - hated it first listen, got better, not nearly on par with Song 2. 8/10

10. I'M JUST A KILLER FOR YOUR LOVE - great guitar. 9/10

11. LOOK INSIDE AMERICA - very pretty piece. Damon could tone down the vocal gymnastics, though. Sounded like he was warbling in some parts. 9/10

12. STRANGE NEWS FROM ANOTHER STAR- another very pretty song. Probably the calmest one on the CD. 10/10

13. MOVIN' ON - not bad, not memorable - 7/10

14. ESSEX DOGS - personally, I love this one, but it's an acquired taste. 10/10
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Most Recent Customer Reviews
5.0 out of 5 stars Lo-Fi goes to the UK...Pavement meets Bowie as told by Blur
As with many Americans, I first learned about Blur via "Song 2" on the local rock radio station. As with many Americans as well, I am obsessed with British rock. Read more
Published 5 months ago by Jeremy Schep
1.0 out of 5 stars Awful !
This CD came out in 1997 and i had my hands on it in 1999. At the time when i bought the CD i only knew two songs...Beetlebum and Song 2. Read more
Published on October 12, 2012 by Zen
5.0 out of 5 stars Just like high school again
I sold this album when I went away to college, but hearing it again the other day brought back all those loud weekends. I had to get it. Read more
Published on January 2, 2011 by M. R. Nelson
2.0 out of 5 stars Like Radiohead, Except Not Good
This album was on sale for 1 cent, not counting shipping and handling, so I immediately bought it. I, like everyone else, purchased it so that I could get Song 2. Read more
Published on July 31, 2010 by GCamps
4.0 out of 5 stars A different kind of "Blur"
Blur is one of my favorite English bands, and this album was supposedly intended to follow influences of American indie-rock. Read more
Published on October 21, 2009 by ReservedRealist
5.0 out of 5 stars classic
I love a band who works on a challange, even better when they don't need to. Blur's self-titled album could not be a better example. Read more
Published on October 17, 2009 by Bill Your 'Free Form FM Print DJ
2.0 out of 5 stars Exploration Doesn't ALways Meet With Success
I can only compare this one to Parklife and the Great Escape, both of which are driven by the great melodies & tight production. Read more
Published on June 12, 2009 by Peter M. Crockett
2.0 out of 5 stars Dont judge an album via it's singles.
OK I'll admit I bought thier best of album for two reasons, Song 2 and the clever artwork and after a few listens I loved it. Read more
Published on March 23, 2008 by You are reading my username
5.0 out of 5 stars Movin' On...
After the Brit Pop movement got exhausted, bands began to break off and move into very different directions. Read more
Published on June 8, 2006 by JG
5.0 out of 5 stars A little different, but just as good
I read in several places that they were being inspired by Pavement's lo-fi stylings at the time. Now, I don't know if that's true or not, but this album definitely has a different... Read more
Published on January 13, 2006 by Joshua Eyre
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