"In an unforeseeable counterpoint to Heraclitus dictum No man steps in the same river twice, Peter Markus offers the opposite wisdom: the river is always the same river, and we who step in it become the river, become the same. Only an innocent eye can see the river so. Only an innocent eye can see that in its muddy depths the river hides a secret whose nature is to be continually revealed. Here, in this river-world, where every character with a name is named Bob, where men turn into fish, where fish turn into men, where magic works darkly in the mud, where boys turn into their fathers, where dreams reveal the world, where the stars swim in the sky s river, where hands are covered in fish scales, where the river sings to us of our origins and of our ends, to see is to baptize the mind in the river. Markus world is not old because it never ceased living in wonder. It is a mythic world and ever-new. When Markus sings his voice is chorus. Melville s Ahab is in there. So is Hawthorne. So are the Brothers Grimm. So are Faulkner and Jung. But those voices return to, and harmonize with, some deeper, more sonorous Anonymity, that bodiless voice which utters every story, whose voice is itself a river, and who chooses, among countless thousands, one humble mouth to sing its story through. That voice is spoken for us by Peter Markus. And this novel is one of those songs." Dan Beachy-Quick
Bob, or Man on Boat
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"With spare but magical language, Peter Markus weaves a tale with the currents of a river, a family saga that spins through both the depths and the shallows. In Bob, or Man on Boat, recollections rise from the muddy river bed to be illuminated by starshine on the surface, only to be lost once more in the river mists that mingle with the wind-scattered ashes of a dead man, and finally, to sink again to the bottom. Like the voice of the narrator, Markus uses words that skip across the surface like a stone , but take the reader to the depths of longing and loss, myth and memory." --Pamela Ryder
"Markus has a remarkable ability to strip life down to its basics, to the point where the metaphors we manufacture as the looking-glass for our existence end up standing in for existence itself. Fish, mud, night and river come to stand in place of family connections as fathers and sons, by giving themselves to fishing, give themselves over to a lone search and to loss. --Brian Evenson
Peter Markus, who wrote of brotherhood with rare wisdom and purity of style in the linked stories of The Singing Fish, now trains his extraordinary powers on the heartaching relationship between fathers and sons with even more enchanting results. Bob, or Man on Boat is a marvel of thrillingly limpid prose a profound and unforgettable first novel. --Gary Lutz
"Markus has a remarkable ability to strip life down to its basics, to the point where the metaphors we manufacture as the looking-glass for our existence end up standing in for existence itself. Fish, mud, night and river come to stand in place of family connections as fathers and sons, by giving themselves to fishing, give themselves over to a lone search and to loss. --Brian Evenson
Peter Markus, who wrote of brotherhood with rare wisdom and purity of style in the linked stories of The Singing Fish, now trains his extraordinary powers on the heartaching relationship between fathers and sons with even more enchanting results. Bob, or Man on Boat is a marvel of thrillingly limpid prose a profound and unforgettable first novel. --Gary Lutz
About the Author
Peter Markus is the author of three short books of short-short fiction, Good, Brother (AWOL Press/reissued by Calamari Press), The Moon is a Lighthouse (New Michigan Press), and The Singing Fish (Calamari Press). His work has been published in a number of anthologies, including New Sudden Fiction (Norton), Fiction Gallery (Bloomsbury), Sudden Stories (Mammoth Books), and PP/FF: An Anthology (Starcherone Books). His stories have appeared widely in such journals as Black Warrior Review, Chicago Review, Massachusetts Review, Northwest Review, New Orleans Review, Quarterly West, 3rd Bed, Denver Quarterly, Third Coast, Willow Springs, Seattle Review, Post Road, New York Tyrant, Sleeping Fish, Verse, Another Chicago Magazine, Unsaid, Dislocate, among many others. He lives in Trenton, Michigan, with his wife and two kids and is the Senior Writer with the InsideOut Literary Arts Project of Detroit.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
A Whale of a Fish Story, and Hold the Calamari, Please,
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This review is from: Bob, or Man on Boat: A Novel (Paperback)
One of the best fish fictions I have read in a while, added to the List of Great Fishy Swim Literature: The Book of Jonah, Moby-Dick, Trout Fishing in America, Luchessi and the Whale, The Old Man and the Sea, and a variety of Raymond Caver stories and poems that deal with fish. What is it with fish and American letters? Recommended for all who love fish in their fiction and kitchen.
5.0 out of 5 stars
Unique and fun read,
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This review is from: Bob, or Man on Boat: A Novel (Paperback)
I thoroughly enjoyed reading this book. I'm not going to try very hard at describing the way it was written, but it worked for me and for this story, in my opinion. The flow, repetition, sparseness, and vagueness at times all contributed to the overall story. It was nicely done.
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