Life is harsh in close-knit community of Dirrabeg, a community on the Dingle Peninsula facing extinction in the mid-1950's. Many of the young have left for England or America, where there are opportunities and chances for secure lives. Those remaining behind love their land and their independence but fear for the future as the bogs get thin, the yields are poor, and the children have little hope of success. Donal Hallapy, devoted father of a large family, is a bodhran player. He is always in great demand whenever the once-a-year wrendances take place, a day long festival on St Stephen's Day, which can be traced back to pagan times. This paganism, the secret nature of the celebrations, the singing, dancing and drinking that takes place, and the fact that the church has no control over them has made them anathema to "the clan of the round collar," in the person of Canon Tett, an ultraconservative and downright sadistic priest determined to bring the free spirits of Dirrabeg to bay by ending the fun of the wrendances. Wickedly funny and full of insight into age-old conflicts and a lifestyle long passed into memory.
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"Furious, raging, passionate and ! very, very funny." -- Boston Globe "At once a rueful elegy to a vanished spirit and a comic celebration. For those who wear the green, this book will provide a bounty of tears and laughs." -- Publishers Weekly
About the Author
John B. Keane is the author of more than thirty best-selling books and some of Ireland's most perennially popular plays, including The Field, Sive, Sharon's Grave, Many Young Men of Twenty and Big Maggie. He lives in Listowel, Co. Kerry.
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The "clan of the round collar" challenges "wrendance" traditions of rural Irish village.,
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This review is from: Bodhran Makers (Paperback)
With the liveliness of a stepdance and the simplicity of a Dingle Peninsula landscape, Keane introduces us to the harsh life of the close-knit community of Dirrabeg, a community facing extinction in the mid-1950's. Many of the young have left for England or America, where there are opportunities and chances for secure lives. Those remaining behind love their land and their independence but fear for the future as the bogs get thin, the yields are poor, and the children have little hope of success.
For Donal Hallapy, devoted father of a large family, times are very tough. But Donal is a bodhran player, an expert in the ancient drums of his Celtic forebears, a musician in great demand whenever the once-a-year wrendances take place, all-night singing and dancing hooleys which can be traced back to pagan times. This paganism, the secret nature of the celebrations, the drinking that takes place, and the fact that the church has no control over them has made them anathema to "the clan of the round collar," in the person of Canon Tett, an ultraconservative and downright sadistic priest determined to bring the free spirits of Dirrabeg to bay by ending the fun of the wrendances. The prose is straightforward and earthy, the dialogue salty and realistic, and the interactions of the characters so natural that one can share the joys and sorrows, the humor and anger, and the frustrations and all-too-brief personal satisfactions. The natural world, which is exquisitely described, even in its harshness, takes on almost human dimensions, influencing the action directly, while providing a vivid canvas upon which the contest between church and village is played out. The humor is broad, almost slapstick, but tempered by an overarching feeling of melancholy and impending doom. Though some may find the clergy to be caricatures and the message a bit too didactic, Keane provides us a rare glimpse of the last days of a now-vanished world. Mary Whipple
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