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A Body Across the Map (Artists and Issues in the Theatre)
 
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A Body Across the Map (Artists and Issues in the Theatre) [Paperback]

Michael Taav (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Product Details

  • Paperback: 121 pages
  • Publisher: Peter Lang Publishing (February 25, 2000)
  • Language: English
  • ISBN-10: 0820444332
  • ISBN-13: 978-0820444338
  • Product Dimensions: 8.8 x 5.7 x 0.5 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #3,538,607 in Books (See Top 100 in Books)

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14 of 14 people found the following review helpful:
5.0 out of 5 stars Insightfully charts the evolution of an artist, March 14, 2000
This review is from: A Body Across the Map (Artists and Issues in the Theatre) (Paperback)
All of the great American playwrights, I find Shepard to be the most elusive. Unlike many of his predecessors, Shepard doesn't connnect all the dots; his characters don't stay put, his plots are slippery, and even his themes are sometimes difficult to pin down. Watching or reading a Shepard play is like living on a fault line--you never know when the ground will give way or where you'll finally end up. Which is why I so appreciated A BODY ACROSS THE MAP. It is cogent, well-written, and clarifies, without over-simplifying--some of the more mysterious aspects of Shepard's work. Also, by examining the father-son conflict in plays written over a twenty year span, it skillfully reveals how Shepard's view of the world, his ideas regarding masculinity, and his perceptions of women have substantially changed. I was particularly impressed by the author's analyses of THE TOOTH OF CRIME, TRUE WEST, and A LIE OF THE MIND.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars A Highly Insightful Commentary, April 11, 2000
By 
Loffler4 (San Francisco) - See all my reviews
This review is from: A Body Across the Map (Artists and Issues in the Theatre) (Paperback)
Being a graduate theatre student, I've read almost all of Shepard's plays and a great deal of Shepard criticism, and consider this book to be among the most insightful. From the title, I expected a narrow examination of character and conflict. But, in fact, the book is much more than that. It also charts--in precise structural and thematic terms--Shepard's metamohposis from a purely instinctual (and "speed"-driven) young playwright to an iconoclastic storyteller in firm control of his craft. This is a book for both those who have only recently discovered Shepard's work and those (like myself) who thought that they had already cracked the code.
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