A great actor can bring us to tears without saying a word. What makes the actor great? Total Physical Awareness - it's what every actor needs to seize the creative moment and steal the show. Veteran acting trainer David Zinder has spent a career helping actors at all stages of their careers fine-tune their stage presence and harness their talent through a unique series of exercises that hone the actor's fundamental expressive tools - the body , the voice and the imagination . Drawing upon the proven methods of David Zinder's workshops and acting classes, Body Voice Imagination teaches a set of skills so that the actor can be ready to perform at his or her highest level of creativity. Organized with a practitioners' theoretical and aesthetic concerns in mind, the exercises in this volume build on the link between technique and inspiration, providing a practical overview of Zinder's "Logic of Training" that lends from the bases of physical awareness, to advanced non-vocal and vocal imagery improvisations, to the fundamentals of the Chekhov school of acting. Body Voice Imagination communicates the joy and passion that motivate our geniuses of the stage, and reveals the secret behind their success. The beginning actor will find here the tools to prepare for a life on stage, and the experienced performer will appreciate techniques that will turn good performances into great ones.
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Book Description
Editorial Reviews
Review
avid Zinder's long experience as a trainer of actors is distilled into this very useful, often wise, crystal clear book. The exercises are helpful for all levels of actors, from beginners to professionals. Richard Schechner Tisch School of the Arts, New York University.
David Zinder¹s book Body Voice Imagination is a generous take-you-by-the hand guide to daily training for actors, directors and teachers. Insightful, unpretentious and thorough, Zinder conveys his own journey of discovery as he lays out a path for realizing creative potential. -Anne Bogart, Author of 'A Director Prepares'.
Expanding upon the seminal approach of Michael Chekhov to exciting, this very well organized, progressive workbook for the integrated development of the actor's body, voice, and imagination, will be of great use as a sourcebook for teachers of acting -Phillip Zarrilli.
Expanding upon the seminal approach of Michael Chekhov to acting, this very well organized, progressive workbook for the integrated development of the actor's body, voice, and imagination, will be of great use as a sourcebook for teachers of acting. -Phillip Zarrilli.
David Zinder's long experience as a trainer of actors is distilled into this very useful, often wise, crystal clear book. The exercises are helpful for all levels of actors, from beginners to professionals. Richard Schechner Tisch School of the Arts, New York University.
David Zinder¹s book Body Voice Imagination is a generous take-you-by-the hand guide to daily training for actors, directors and teachers. Insightful, unpretentious and thorough, Zinder conveys his own journey of discovery as he lays out a path for realizing creative potential. -Anne Bogart, Author of 'A Director Prepares'.
Expanding upon the seminal approach of Michael Chekhov to exciting, this very well organized, progressive workbook for the integrated development of the actor's body, voice, and imagination, will be of great use as a sourcebook for teachers of acting -Phillip Zarrilli.
Expanding upon the seminal approach of Michael Chekhov to acting, this very well organized, progressive workbook for the integrated development of the actor's body, voice, and imagination, will be of great use as a sourcebook for teachers of acting. -Phillip Zarrilli.
David Zinder's long experience as a trainer of actors is distilled into this very useful, often wise, crystal clear book. The exercises are helpful for all levels of actors, from beginners to professionals. Richard Schechner Tisch School of the Arts, New York University.
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This review is from: Body Voice Imagination: A Training for the Actor (Theatre Arts (Routledge Paperback)) (Paperback)
it came with pen marks all through it which was not mentioned. Quality was less than advertised.The book has some interesting ideas for physical and body/mind training.
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Inside This Book
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First Sentence:
Training, in any form it may take, is based on the understanding that the basic elements of the actor's creative individuality can be trained in preparation for the actor's work on all other elements of the theater such as character, scene, and text. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
unseeing partner, performative expressivity, statue exercise, imagination training, remind the actors, improvisation technique, creative organism, good improviser, actors spread, mirror exercise, physical precision, mirror circle, effective detail, seeing partners, performative expression, physical awareness, psychological gesture, critique session, creative instrument, vocal energy, creative cycle, contact improvisation, creative moment, abstract movement Key Phrases - Capitalized Phrases (CAPs): (learn more)
Working Center, Michael Chekhov, Actor's Catechism, Rope Dance, Partner Exercises, Eugenio Barba, Touch Awareness, Energy Circle, Energy Exchange, Voice Precision, Changing Mirrors, Image Dance, Mini-Maxi Pacing, Three-Way Blind, Walking Variations, Mini-Maxi Walk, Peter Brook, Random Talk, Rudolf Steiner, Moving Poetry, Smile Factor, Crazy Names, Creative Limits, Emphasis Body, Free Play New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Training, in any form it may take, is based on the understanding that the basic elements of the actor's creative individuality can be trained in preparation for the actor's work on all other elements of the theater such as character, scene, and text. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
unseeing partner, performative expressivity, statue exercise, imagination training, remind the actors, improvisation technique, creative organism, good improviser, actors spread, mirror exercise, physical precision, mirror circle, effective detail, seeing partners, performative expression, physical awareness, psychological gesture, critique session, creative instrument, vocal energy, creative cycle, contact improvisation, creative moment, abstract movement Key Phrases - Capitalized Phrases (CAPs): (learn more)
Working Center, Michael Chekhov, Actor's Catechism, Rope Dance, Partner Exercises, Eugenio Barba, Touch Awareness, Energy Circle, Energy Exchange, Voice Precision, Changing Mirrors, Image Dance, Mini-Maxi Pacing, Three-Way Blind, Walking Variations, Mini-Maxi Walk, Peter Brook, Random Talk, Rudolf Steiner, Moving Poetry, Smile Factor, Crazy Names, Creative Limits, Emphasis Body, Free Play New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 21
books:
See all 21 books this book cites
- Free Play: Improvisation in Life and Art by Stephen Nachmanovitch on 4 pages
- Improvisation for the Theater 3E: A Handbook of Teaching and Directing Techniques (Drama and Performance Studies) by Viola Spolin on page 89, page 197, and Back Matter
- Speech and Drama by Rudolf Steiner on page 149, page 230, and Back Matter
- The Invisible Actor (Theatre Arts (Routledge Paperback)) by Yoshi Oida on page 26, and Back Matter
- The Paper Canoe: A Guide to Theatre Anthropology by Eugenio Barba on page 18, and Back Matter
See all 21 books this book cites
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