The movie also considers that bombing (the term of choice for graffiti painters), once deemed a subversive act, has inevitably been co-opted over the last decade or so, its influences turning up in video games and marketing campaigns, and the work itself mounted on gallery walls. But if the artists shown here making magic with spray paint are any indication, graffiti will never go out of style. It will continue to move with the times; with luck, the filmmakers there to document it will do it the justice that this one does. --New York Times
Genuinely global, multicultural, and multilingual in its urban perspectives, this lively documentary features graffiti artists talking about their work and illustrates their discourse with images shot in Philadelphia, New York, Los Angeles, Berlin, Hamburg, Amsterdam, Paris, Barcelona, Cape Town, Sao Paolo, Tijuana, and Tokyo. Filmmaker Jon Reiss also occasionally gives voice to people trying to eradicate graffiti. The relentless quick cutting and pop soundtrack are counterbalanced by the artists' personalities and sociopolitical credos. Unlike Michael Glawogger's more visionary Megacities (1998), this offers neither city symphonies nor overarching theses, but as the title suggests, the theme of rebellion predominates --Chicago Reader
The Bronx subway "bombers" of the '70s had no idea they'd inspire an international movement, but overseas taggers took the spray paint and ran with it. In this graffiti doc, due in theaters and on DVD in May, Blek Le Rat stencils rodents along Parisian curbs; São Paulo artist Zezao "fat-caps" surreal mindscapes onto sewage tunnels; and Tokyo mom Belx2 splatters walls with little girl pictograms. --Wired
BOMB IT is a wild ride into the heart of the global graffiti culture where the love of art and ego clashes explosively with law and order. On top of a fresh soundtrack of punk, hip-hop and funk, this high-octane film explores the many manifestations of "bombing."