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When We Were Beautiful
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At a Glance
Formed:1983 (27 years ago)
Biography
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“It’s an interesting question to ask: Is that a fair dose of motivation or is that a chip on your shoulder?” Jon Bon Jovi posed that question to himself, and it’s worth pondering. You might think that a man whose band has sold more than 120 million records and played before tens of millions of fans in the course of an illustrious 26-year career would be content to rest on his considerable laurels, at least for a while.
You might think that, but you’d be wrong, and the new Bon Jovi album, The Circle, provides irrefutable proof. As its title suggests, The Circle marks a powerful reassertion of… Read more
This biography was provided by the artist or their representative.
“It’s an interesting question to ask: Is that a fair dose of motivation or is that a chip on your shoulder?” Jon Bon Jovi posed that question to himself, and it’s worth pondering. You might think that a man whose band has sold more than 120 million records and played before tens of millions of fans in the course of an illustrious 26-year career would be content to rest on his considerable laurels, at least for a while.
You might think that, but you’d be wrong, and the new Bon Jovi album, The Circle, provides irrefutable proof. As its title suggests, The Circle marks a powerful reassertion of Bon Jovi’s commitment to the hard-hitting, uplifting rock & roll that has been the band’s indelible signature since it began. The band share an abiding bond that informs and defines their music. It is a circle that remains unbroken.
“The album title,” Bon Jovi explains, “has several meanings. Some may say that with this album we have come full circle. Others may see The Circle as never ending. I see it as very hard to get in to and even harder to get out of,” the singer says with a laugh. Having had 5 studio records in this decade, there are songs on each record that represent the world around us. And while they don’t always like what they see, they try hard not to see the cup as half empty. From the new single “We Weren’t Born To Follow” to the powerful “When We Were Beautiful,” the songs are as uplifting and anthemic as anything Bon Jovi and Sambora have ever written.
Another reason for the anthemic sound of THE CIRCLE is the re-emergence of Richie Sambora. “This is meant to be a stadium, turn-the-guitars-back-up record, and that’s a testament to having Richie at my side,” Jon says. “I can’t tell you how much that’s meant. With me and Richie, one and one makes three.
That flame burns at the heart of The Circle. “When We Were Beautiful” shares its title with the superb Bon Jovi documentary by filmmaker Phil Griffin. Like the film, the song is atmospheric and haunting. It opens with a sense of crisis: “The world is cracked/The sky is torn.” Jon Bon Jovi hears the song as a true departure for the band. “That’s a unique song,” he says, “We’ve written hits, but this is something more, this is something different. I didn’t want to sugarcoat things. Those lyrics are factual. As a country and as people, we hit a wall. But the idea is to try to get back to ‘when we were beautiful.’”
The new studio album, The Circle, was produced by John Shanks, who also worked with the band on the two preceding Bon Jovi albums, Lost Highway (2007) and Have a Nice Day (2005). The album has an underlying positive theme that is apparent throughout the songs. Whether it’s questioning your vitality in “Fast Cars,” or asking what the future holds in “Work for the Working Man,” the songs are about the prospect of people having to find new directions in their lives. In these trying times every word relays the truth.
So The Circle, then, like all of Bon Jovi’s best music, stares down the troubles that afflict our lives, and offers a bracing vision for overcoming those obstacles. It’s stirring, and it’s an emotion that, strong as the album is, will find its most convincing expression on the concert stage. And this is why Bon Jovi have managed to play over 2600 concerts to over 34 million fans in over 50 countries. “I can’t believe I’m even saying this, but I can’t wait to go on the road again,” Jon Bon Jovi exclaims.
This biography was provided by the artist or their representative.
Few bands embodied the era of pop-metal like Bon Jovi. By merging Def Leppard's loud but tuneful metal with Bruce Springsteen's working-class sensibilities, the New Jersey-based quintet developed an ingratiatingly melodic and professional variation of hard rock -- one that appealed as much to teenagers as to housewives. Bon Jovi skillfully employed professional songwriters to give their songs, especially their power ballads, an appropriately commercial sheen, inaugurating a trend that dominated mainstream hard rock and metal for the next decade. They also made simple performance videos that… Read more
Few bands embodied the era of pop-metal like Bon Jovi. By merging Def Leppard's loud but tuneful metal with Bruce Springsteen's working-class sensibilities, the New Jersey-based quintet developed an ingratiatingly melodic and professional variation of hard rock -- one that appealed as much to teenagers as to housewives. Bon Jovi skillfully employed professional songwriters to give their songs, especially their power ballads, an appropriately commercial sheen, inaugurating a trend that dominated mainstream hard rock and metal for the next decade. They also made simple performance videos that emphasized lead singer Jon Bon Jovi's photogenic good looks, and these clips helped propel 1986's Slippery When Wet and 1988's New Jersey into multi-platinum status around the world. Both records were criticized for being more pop than metal, as well as being targeted toward teenyboppers, yet the group managed to subtly change its image in the early '90s, moving away from metal and concentrating on straightforward arena rock and big ballads. The shift in style worked, and Bon Jovi was the only American pop-metal band of the '80s to retain a sizable audience throughout the following two decades.
Jon Bongiovi spent most of his adolescence ditching school to play rock & roll, usually in local bands with his friend David Rashbaum. Bongiovi's cousin Tony owned the famous New York recording studio the Power Station, which was where Jon hung out. He was hired as a janitor, and soon he was recording demos at the Power Station with several famous musicians, including members of the E Street Band and Aldo Nova. One of these demos, "Runaway," became a hit on local New Jersey radio, and Bongiovi formed Bon Jovi to support the song, recruiting not only Rashbaum, but also guitarist Dave Sabo, bassist Alec John Such, and drummer Tico Torres. Soon, Bon Jovi was the subject of a major-label bidding war, and the group -- or, according to some reports, just Bongiovi -- signed to Polygram/Mercury in 1983. Upon signing, Jon changed his last name to Bon Jovi in order to de-emphasize his ethnic background, and Rashbaum adopted his middle name, Bryan, as his last name. Before the group entered the studio, Bon Jovi replaced Sabo with Richie Sambora.
Bon Jovi's eponymous debut album was released in 1984, and "Runaway" became a Top 40 hit. Following its success, Tony Bongiovi sued the band, claiming he developed their successful sound; the group settled out of court. The following year, 7800 Fahrenheit was released and went gold. Despite the band's respectable success, Bon Jovi weren't becoming the superstars they had hoped, and they changed their approach for their next album, Slippery When Wet. Hiring professional songwriter Desmond Child as a collaborator, the group wrote 30 songs and auditioned them for local New Jersey and New York teenagers, basing the album's running order on their opinions. After ditching the original cover of a busty woman in a wet T-shirt for the title traced in water on a garbage bag, Slippery When Wet was released in 1986. Supported by several appealing, straightforward videos that showcased the photogenic Jon, the album eventually sold nine million copies in the U.S. alone, helping usher in the era of pop-metal. Two songs, "You Give Love a Bad Name" and "Livin' on a Prayer," reached number one, while "Wanted Dead or Alive" reached the Top Ten, and Bon Jovi were established as superstars.
Bon Jovi replicated the Slippery When Wet formula for 1988's New Jersey, which shot to number one upon its release. New Jersey was only slightly less successful than its predecessor, selling five million copies and generating two number one singles, "Bad Medicine" and "I'll Be There for You," as well as the Top Ten hits "Born to Be My Baby," "Lay Your Hands on Me," and "Living in Sin." In 1989, the band supported Cher, who was then dating Sambora, on her Heart of Stone album, which was recorded while the group was in the midst of an 18-month international tour. Following the completion of that tour, the band went on hiatus. During their time off, Jon Bon Jovi wrote the soundtrack for Young Guns II, which was released in 1990 as the Blaze of Glory album. The record produced two hit singles in the number one title track and the number 12 "Miracle," as well as earning Grammy and Oscar nominations.
The following year, Bon Jovi reunited to record their fifth album, Keep the Faith, which was released in the fall of 1992. While the album didn't match the blockbuster status of its predecessors, largely because musical tastes had shifted in the four years between New Jersey and Keep the Faith, it was nevertheless a big hit, and its more straightforward, anthemic sound produced the hit single "Bed of Roses." A hits collection, Cross Road, followed in 1994, and in the fall of 1995, they released These Days, which proved to be a bigger success in Europe than America. After appearing in the 1996 film Moonlight and Valentino, Jon Bon Jovi released his first official solo album in the summer of 1997.
Three years later, Bon Jovi regrouped and released Crush. "It's My Life" and "Thank You for Loving Me" were a chart hits, and Bon Jovi's star power soared beyond their wildest dreams. Crush eventually went double platinum in the U.S. and sold eight million copies worldwide, but Bon Jovi stayed focus. Within a year they returned with an eighth studio effort, Bounce, which appeared in fall 2002. Tours across the globe as well as dates with the Goo Goo Dolls fared well. In 2003 Bon Jovi re-recorded many of their most well-known songs for the release This Left Feels Right and followed it in 2004 with a DVD companion of the same title. The ambitious 100,000,000 Bon Jovi Fans Can't Be Wrong four-CD/one-DVD box set of rarities arrived later that November, followed by the all-new Have a Nice Day and a greatest-hits anthology called Cross Road in 2005. The band spent the following year in the studio, putting the finishing touches on a collection of pop-infused heartland country anthems. The resulting Lost Highway, which featured duets with LeAnn Rimes and Big & Rich, arrived in the summer of 2007 and grabbed the band a healthy, new country music fan base in the process. Lost Highway's cross-genre formula proved to be quite potent indeed, securing the band its third number one album in the U.S., as well as topping the charts in Japan, Australia, Europe, and Canada. Bon Jovi returned to the rock camp shortly thereafter, though, with the release of The Circle in 2009. ~ Stephen Thomas Erlewine, All Music Guide
Bon Jovi's main success was in the 1980's, the era of pretty-boy pop-rock, big hair and big ballads. Their success has endured into the new millenium, despite changing tastes, thanks to Jon Bon Jovi's keen knack for an anthemic hook.
Jon Bongiovi had started playing music and performing in bands when he was at school. When he left school he worked at his cousin's recording studios and took the opportunity to record some of his own demos. It was when he convinced a local radio station to include the song 'Runaway' on its compilation album of homegrown talent that good things began to happen. Jon… Read more
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Bon Jovi's main success was in the 1980's, the era of pretty-boy pop-rock, big hair and big ballads. Their success has endured into the new millenium, despite changing tastes, thanks to Jon Bon Jovi's keen knack for an anthemic hook.
Jon Bongiovi had started playing music and performing in bands when he was at school. When he left school he worked at his cousin's recording studios and took the opportunity to record some of his own demos. It was when he convinced a local radio station to include the song 'Runaway' on its compilation album of homegrown talent that good things began to happen. Jon pulled a band together (Dave Bryan/Rashbaum (keyboard), Alec Such (bass) Richie Sambora (lead guitar) and Tico Torres (drums)) in order to showcase the songs which were now being eyed by circling record companies.
The result was the debut Bon Jovi which was released in 1984, followed in 1985 by 7800° Fahrenheit, though the second performed less well than the first. However, when the third album Slippery When Wet was released in 1986, the tide turned forever in Bon Jovi's favour. The album sold over 26 million copies worldwide and contained seminal hits "Livin' on a Prayer" and "You Give Love a Bad Name".
Hard on the heels of the success of Slippery... came New Jersey (1988). With this album they proved they were capable of continuing their success. Further well known hits were included such as "Bad Medicine" and "I'll Be There for You". By this time they were headlining at rock festivals and touring extensively. All that touring began to have an effect and by the early 90s the band took a break in order to re-gather their strength and stomach for the job.
Jon, Dave and Richie each undertook solo projects during this time and returned to the studio in 1992, refreshed and ready to record Keep the Faith. It was around this time that Such left, being unofficially replaced by Hugh McDonald.
In 1995 the band released These Days, a slightly darker album that was well received. The album sold well enough, going platinum in the US. At the end of the tour for this album the band took more time out.
2000 saw the release of Crush and, in 2002, Bounce appeared. The band's style was evolving and they managed to maintain their momentum and gain new fans all the time. The This Left Feels Right project was released in 2003 and with this album they took the opportunity to re-work a lot of their old hits in an acoustic vein.
2005 found them releasing their ninth studio album which sold 202,000 copies in its first week alone, a high spot of their career to date. Lost Highway, a more country flavored effort, was released in 2007 and topped the previous best, selling 292,000 copies in the first week.
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