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To the Bone: NEW AND SELECTED POEMS (Illinois Poetry Series)
 
 
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To the Bone: NEW AND SELECTED POEMS (Illinois Poetry Series) [Paperback]

Sydney Lea (Author)

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Editorial Reviews

From Publishers Weekly

This impressive collection begins with 16 new poems, followed by nine to 15 each from five previous books, 1980-1992. A master of narrative and elegy alike, Lea (The Blainville Testament) writes mostly in an everyday voice about ordinary people in common situations. The 400-line title poem, about a wood-cutting accident, limns the narrator's entire small world. Many poems have a slightly dark cast. In an elegy for a friend, he observes on a hospital tray, "...two dark plums/ which precisely matched/ in color and conformation,/ the raccoon rounds/ of valor and of exhaustion/ through which your eyes peered." Lea imagines a life lived backwards, from death to the womb ("The Light Going Down); in "Horn" he envisions his father, even while facing death, summoning his sons, as he did when they were young, home from play as usual to bed or dinner by blowing a conch shell horn, not ringing the strident porch bell. The book's epigraph is taken from the end of the final poem, which celebrates a wedding anniversary and captures a life in scenes, all "...missing something. How could he know you/ would come, and come the day of which he sings?/ Has gone on singing. Will go on to sing." It captures a life in scenes, all to the reader's continuing pleasure.
Copyright 1996 Reed Business Information, Inc.

From Library Journal

The poetic achievement of Lea, former New England Review editor, is difficult to judge. Lea has explored several styles over the past 15 years, and the arrangement of this selection, which begins with the most recent poems, turns to the earliest poems and advances again to poems of the mid-1990s, confounds the search for poetic development. Hunter, woodsman, spokesman for the unlucky, violent, and vile, Lea favors the concrete images of hardscrabble country life, guns, gray snow, and weeds. His practice is wary of self-conscious beauty or lyricism, and his inclination to forgive and even celebrate difficult people or intolerable situations has gradually become a more explicit Christianity, as in "Peaceable Kingdom" or "Friendship." These very qualities, which tend to make his longer poems diffuse or tendentiously uplifting, give some of the shorter works a restrained elegance: "Now,/ despite the persistence of heat and quarrel...such shinings on water/ are fact. Or sublime." For larger poetry collections.?Graham Christian, Andover-Harvard Theological Lib., Cambridge, Mass.
Copyright 1996 Reed Business Information, Inc.

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More About the Author

Sydney Lea is Poet Laureate of Vermont. A recipient of fellowships from the MacArthur, Rockefeller and Fulbright Foundations, Lea founded, and for thirteen years edited, NEW ENGLAND REVIEW. Retired after 43 years of college teaching, he is active in literacy and conservation efforts in northern New England. He has published ten volumes of poetry (most recently SIX SUNDAYS TOWARD A SEVENTH, Wipf & Stock), a novel, and two collections of naturalist essays. A book of memoiristic essays, NOW LOOK, is forthcoming in September 2012 from Skyhorse Publishing, as is A HUNDRED HIMALAYAS,a selection of literary criticism (University of Michigan Press).

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First Sentence:
In memory of Earl Bonness, and for Susan Kennedy, R.N., who did the right thing and I I wanted too to do the right thing for the woman whose husband had left her dirty as hell no car no cash two kids no fuel and wanted as well it being Labor Day to get it done and go home wife sons daughters the first tartness of autumn seeming to tang the mist above our pond and so I hurried Read the first page
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Tough End, Short Jim, The Bald Man, Sanitary Jim, The Crab
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