David Byrne wrote an article in the New York Times a few years ago which he titled "Why I hate World Music". The gist of the article, as I recall, was that "World Music" is just hopelessly inadequate to describe all the different genres that are lumped in with the term.
Not long ago, he described this album as a Brazilian Zydeco of sorts. But "Brazilian Zydeco" is woefully inadequate to describe the genre, if there is a genre, that this album fits into. To be sure, there are some zydeco references (or are there Forro references in Zydeco?), and maybe it goes without saying that the record has mostly an Afro Brazilian feel. I'm sure my own category as described in the caption of this review is inadequate too.
At any rate, one of the many cool things about Brazilian music is how big name musicians will play on each others' records, record each others' songs, and show up unexpectedly and play live with one another. There's some of that going on here, with giants like Bebel Gilberto helping out, not to mention Mr. Byrne his own big bad self. With his inimitable voice, he gives the Brazilian standard "Asa Branca" a brand new feel, sung in English.
As to the leader of the band, Mauro Refosco has played just about every percussion instrument known to man, and probably a few more, over the years. For Byrne fans, Mauro is the bug eyed guy with the big grin on his face you've seen on stage on Byrne's last few tours, beating the living crap out of everything in sight. Smokey Hormel, of Beck fame, handles the bass and some guitars on Forro in the Dark.
All in all, a great party record. I suspect its intoxicating sounds will be emanating near backyard swimming pools and beach bars from Atlanta to Ipanema to Marbella beginning this summer and for years to come.