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Boogeyin Swamprock Salsa & Trane
 
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Boogeyin Swamprock Salsa & Trane

A La Carte Brass & PercussionAudio CD
4.5 out of 5 stars  See all reviews (2 customer reviews)


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MP3 Download, 11 Songs, 2009 $8.99  
Audio CD, 2009 --  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song TitleArtist Time Price
listen  1. Papa Was a Rolling StoneA La Carte Brass & Percussion 5:58$0.99 Buy Track
listen  2. TipitinaA La Carte Brass & Percussion 4:12$0.99 Buy Track
listen  3. Mellow SaxophoneA La Carte Brass & Percussion, Chuck Brown 3:14$0.99 Buy Track
listen  4. After the RainA La Carte Brass & Percussion 4:35$0.99 Buy Track
listen  5. Canto Por EleguaA La Carte Brass & Percussion 1:11$0.99 Buy Track
listen  6. SidewinderA La Carte Brass & Percussion 4:34$0.99 Buy Track
listen  7. Calcutta CutieA La Carte Brass & Percussion 6:19$0.99 Buy Track
listen  8. Who Do Da VoodoA La Carte Brass & Percussion 5:05$0.99 Buy Track
listen  9. Blues A La CarteA La Carte Brass & Percussion 8:19$0.99 Buy Track
listen10. Canteloupe IslandA La Carte Brass & Percussion 5:16$0.99 Buy Track
listen11. Theme from 'I Love Lucy'A La Carte Brass & Percussion 2:15$0.99 Buy Track


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Product Details

  • Audio CD (October 13, 2009)
  • Original Release Date: 2009
  • Number of Discs: 1
  • Label: Wild Child Records
  • ASIN: B000005HXX
  • In-Print Editions: MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #427,033 in Music (See Top 100 in Music)

 

Customer Reviews

2 Reviews
5 star:
 (1)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

6 of 6 people found the following review helpful:
5.0 out of 5 stars Flip it flop it, davy crockett!, January 2, 2000
This review is from: Boogeyin Swamprock Salsa & Trane (Audio CD)
Perhaps what makes New Orleans music so remarkable is the preservation of African culture that slavery attempted to eradicate elsewhere in America. In fact, most historians point to that town as the birthplace of 'Jazz,' aka African-American classical music, arguably America's most important contrubution to music.

To me, the best example of the evolution of New Orleans music is the 'Second Line' Brass Band. These bands would accompany funeral parades in a somber manner going TO the funeral, then throw down and party on the way back.

This music is more raw and raucous than Dixieland, with an added funk edge in recent years. The Dirty Dozen are the best of the recent, famous Brass bands, but La Carte should be right up there with them. They've got all the thick, muddy soul gumbo that Dirty Dozen has with a couple of innovations: a Satchmo-influenced singer on a few tracks, afro-cuban percussion in place of the standard snare drums, and more recent soul-jazz material like Herbie's Cantaloupe island and Lee Morgan's SIDEWINDER.

If you enjoy the polished sound of light jazz or new age, this music is not for you.

If, however, you like ANYTHING in the real of soul, jazz, or Dr. John, or if, like me, you can't resist a funky, funky sousaphone (tuba,) buy this record now and get ready to shake what your momma gave ya when it comes.

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1 of 1 people found the following review helpful:
4.0 out of 5 stars Noteworthy!, April 19, 2006
This review is from: Boogeyin Swamprock Salsa & Trane (Audio CD)
Dear prospective listeners (and buyers!), be aware that the "Satchmo-influenced singer" that Jake Pegg of PDX is referring to is none other than the legendary Rock-and-Roll Hall of Famer and Godfather of Go-Go himself...Mr. Chuck Brown of Washington, DC! This CD is a labor of love for indigenous American music, especially of the New Orleans variety. What makes it deliciously ironic is that it was recorded in rural Maryland, and it kicks like a mule with a toothache! Get this, roots people, you won't go wrong...
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