From Publishers Weekly
Set in various locales ranging from small New England towns to Florida resorts, Midwestern farms to earthquake-ridden California, this haunting collection of stories is told from the points of view of jilted women, widowed wives, bewildered children and grieving men. Characters struggle to deal with the absence of fathers, whether from desertion, natural death or the "gradual dissolving away" of family life. One of the standouts, "Dorothy and Her Friends," takes a bizarre twist as Dorothy, who lives in a Boston apartment with her bitter, religious mother, begins an affair with a traveling evangelist. Deserted by her father at age 12, she now wonders, "What in the world was it that made men leave marriage, abandon family as if the truly important lay somewhere else?" For Dorothy, her father's legacy continues as men enter and leave her life "as swift as rare, intractable birds." Often Wilson simply refers to characters as "the wife" or "the son," emphasizing how family relationships mold their identities. In "Trespass," a divorced architect faces his estranged father's death and the fact that his ex-wife was included in the will, but he was not. "Florida" presents the postdivorce perspective of "lost" fathers like Fowler, who vacations with his fiance and her two daughters in an attempt to mesh splintered families into a new whole. The last image in the final story, "A Day of Splendid Omens," finds a grieving woman cradling her young daughter as she whispers stories about the girl's dead father. The image captures the tone of the entire collection, in which Wilson adeptly illustrates in an unsentimental manner the sometimes devastating powers of family, love and loss.
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Review
"Robley Wilson's mastery of the short-story form is obvious from the first paragraph of his fifth collection, The Book of Lost Fathers... All of Robley Wilson's skill comes to bear in 'Dorothy and Her Friends,' the lone novella in The Book of Lost Fathers... Wilson's sensitivity and probity make this piece as psychologically complex and as well-crafted as the rest of his fine collection." -- Judy Doenges, Washington Post Book World
"This haunting collection of stories is told from the points of view of jilted women, widowed wives, bewildered children and grieving men. Characters struggle to deal with the absence of fathers, whether from desertion, natural death or the 'gradual dissolving away' of family life... The last image in the final story, 'A Day of Splendid Omens,' finds a grieving woman cradling her young daughter as she whispers stories about the girl's dead father. The image captures the tone of the entire collection, in which Wilson adeptly illustrates in an unsentimental manner the sometimes devastating powers of family, love and loss." -- Publishers Weekly
"In all these stories, Wilson exercises a great but quiet skill. His devices are subtle and often startling, and he constructs each story so that the happenstance of an individual life takes on a consuming interest. His unobtrusive craftsmanship draws the reader closer to the characters and to the story itself... Wilson's stories accomplish what they are supposed to -- not the self-reflective showing-off of what the author can do, but the complete involvement of the reader in a true reflection of life." -- Edward Southern, Orlando Sentinel
"[A] highly recommendable collection. No one gets out of these stories without having wisdom stuck to their fingertips... As hard in grim fact as these stories are (and they hang together like a neighborhood), they are nevertheless refreshing. In a time when fiction is increasingly dominated by the fantastic, a solid inquiry into the lives of ordinary folks is gratifying. Wilson's characters live next door; they appear in our bathroom mirrors; they bear the spiritual and physical afflictions we do." -- John Kennedy, Antioch Review