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The Book of Saladin: A Novel
 
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The Book of Saladin: A Novel [Paperback]

Tariq Ali (Author)
4.5 out of 5 stars  See all reviews (22 customer reviews)

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Book Description

The Islam Quintet October 1999

Tariq Ali's second novel in The Islam Quintet is a rich and teeming chronicle set in twelfth-century Cairo, Damascus and Jerusalem.

The Book of Saladin is the fictional memoir of Saladin, the Kurdish liberator of Jerusalem, as dictated to a Jewish scribe, Ibn Yakub. Saladin grants Ibn Yakub permission to talk to his wife and retainers so that he might present a full portrait in the Sultan's memoirs. A series of interconnected stories follows, tales brimming over with warmth, earthy humor and passions in which ideals clash with realities and dreams are confounded by desires.

At the heart of the novel is an affecting love affair between the Sultan's favored wife, Jamila, and the beautiful Halina, a later addition to the harem. The novel charts the rise of Saladin as Sultan of Egypt and Syria and follows him as he prepares, in alliance with his Jewish and Christian subjects, to take Jerusalem back from the Crusaders. This is a medieval story, but much of it will be uncannily familiar to those who follow events in contemporary Cairo, Damascus, and Baghdad. Betrayed hopes, disillusioned soldiers and unrealistic alliances form the backdrop to The Book of Saladin.

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Editorial Reviews

Amazon.com Review

Tariq Ali has been a British national treasure for almost five decades. Revolutionary, writer, broadcaster, filmmaker, polemicist--fighter in the street--and general all-round trouble-maker (in the nicest possible sense), he's been them all, and usually at the same time. Since 1990 Ali has also worked in fiction, firstly with Redemption, and now with a planned quartet of historical novels, of which The Book of Saladin is the second. (The first was the award-winning Shadows of the Pomegranate Tree.)

Ali's passion for life, and his humor, are found all over this latest work, which is set in the 12th century--with eerily prescient echoes of modern times. It shows us the conflict between Christian and Islamic civilizations set to a sometimes bawdy, sometimes brutal background where all of life is in flux. As in his previous novel, Ali shows the depth and breadth of his learning and humanity on every page. Like his central character, Saladin, or Salah-al-Din (the Kurdish liberator of Jerusalem), he has been a fighter of many causes, a maker of alliances, who has made an impact on the world around him. Unlike his hero, Tariq Ali has never been a Sultan, or a warrior, except a class one, of course. But between them--Ali and his warrior king--readers can discover much of both history and contemporary life in the melting pot of world religion. --Robin Hunt, Amazon.co.uk --This text refers to the Hardcover edition.

From Publishers Weekly

A very different novel from Fear of Mirrors reviewed above, Ali's earthy, lusty saga about the fall of Jerusalem to Muslim forces in 1187 rewrites Eurocentric history by focusing on the historical figure Salah al-Din (better known as Saladin), the Kurdish upstart who used his position as sultan of Egypt and Syria to retake the Holy City from Crusaders. Through Saladin's confidences told to a fictive character?Isaac ibn Yahub, his Jewish scribe, who narrates the story?we not only learn of the sultan's marital woes (his favorite wife is having a lesbian affair with another concubine), we also view the Crusades from a non-Christian point of view. In this fiercely lyrical second installment of a projected tetralogy (following Shadows of the Pomegranate Tree), Ali exposes deep wounds between Christian, Muslim and Jewish civilizations that have yet to heal. A digressive arabesque weaving tales of political intrigue, gay and straight love, betrayal, cross-dressing, rape, assassination and crimes of passion, his tale ripples with implicit parallels to our age: Saladin prepares for "the mother of all battles"; his army wages a holy war to liberate Palestine; the Muslim nations are bitterly divided into mutually hostile factions. Some may feel Ali takes liberties too freely, as when Ibn Yahub walks in on his adulterous wife having sex with Maimonides, the celebrated Jewish philosopher; yet, throughout, the main characters sustain a fruitful dialogue on life after death, history, the oppression of women and the nature of spiritual and romantic love.
Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 280 pages
  • Publisher: Verso (October 1999)
  • Language: English
  • ISBN-10: 1859842313
  • ISBN-13: 978-1859842317
  • Product Dimensions: 7.5 x 5.3 x 1.1 inches
  • Shipping Weight: 14.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Best Sellers Rank: #66,686 in Books (See Top 100 in Books)

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Customer Reviews

22 Reviews
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Average Customer Review
4.5 out of 5 stars (22 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

35 of 35 people found the following review helpful:
5.0 out of 5 stars A Superb Piece of Work, September 4, 2005
By 
3rdeadly3rd (Brisbane, Queensland Australia) - See all my reviews
This review is from: The Book of Saladin: A Novel (Paperback)
Tariq Ali's "The Book of Saladin" is the second in his "quintet" about Islam. Don't let that put you off, though, as there is no set order to read the series in - no characters carry over from one book to the next and the continuity throughout is in fact the relationship between Islam and other religions during times of upheaval.

As the name suggests, "The Book of Saladin" is about that famous adversary of the Crusaders, the Kurdish Yusuf Salah-ad-din Ibn Ayyub who founded the Ayyubid dynasty of Egypt. The basis of this novel is that Saladin has hired a Jewish writer to record his life and times as he leads the battle to re-take Jerusalem from the "Franj" (Crusaders, one of the many Arabic words used in the book and explained in the glossary).
The reader is therefore treated to a series of stories-within-stories, and knowing Ali's sense of humour (he is an electric public speaker) the parallel to the "Arabian Nights" is probably more than a fortuitous coincidence. Our narrator leads his own life over the years of his acquaintance with Saladin, along with its attendant highs and lows while recording Saladin's memories and hearing stories from his loyal retainers and members of his harem. All of these strands combine and separate in various ways to create a narrative experience quite hard to describe in words.
While the novel ends on a somewhat pessimistic note, this is probably only to be expected, as this was hardly a glorious time for either side involved in the conflict.

While certain characters - particularly Maimonides, who makes a cameo appearance - suffer from being relatively two-dimensional, the central characters are all eminently believable. In the case of Saladin, this is quite a feat as the volume of ink devoted to him over the centuries is quite spectacular and separating the man from the myth is a difficult task. The reader will almost certainly find themselves cheering when the Sultan wins a victory, whether on the battlefield or in the court chambers.

Ali's eye for detail is also deployed to great effect here. Ayyubid Cairo is evoked lovingly, as are the other locations which play important roles in the plot. Similarly, while the court intrigues of the time are confusing at best, Ali makes a noble attempt at simplifying things for the casual reader without an interest in the politics of the time. The frequent use of Arabic terms for events and places can be disconcerting to the reader with no background in the history of the region, however the glossary will help to overcome that - and the terms become easy to understand soon enough.
His sense of humour, too, plays an important part in this novel. Ali has a particular fondness for what can sometimes be described as "dirty jokes", as his description of Richard I of England clearly demonstrates. His dialogue between a heretical (Cathar, I believe) crusader and Saladin is hilarious, even to the extent of offensive comments being made in perfect Latin.

In short, this is a book which can be heartily recommended. For newcomers to Ali's writings, this is as good a place to start as any - possibly better than some other offerings, at that. This is also a great demonstration of "how the other half lives", in that the humanity of the "saracens" during the crusades is often overlooked. Knowledge of that humanity is, in my opinion, something we need now more than ever.
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20 of 21 people found the following review helpful:
4.0 out of 5 stars A superb historical fiction, February 12, 2001
Amazon Verified Purchase(What's this?)
This review is from: The Book of Saladin: A Novel (Paperback)
Tariq Ali's "The Book of Saladin" is a rich and teeming chronicle set in the twelfth-century Cairo, Damascus and Jerusalem. The Book of Saladin is a fictional memoir of Saladin, the Kurdish liberator he Muslim leader during the Crusades, was one of the best known figures of the Middle Ages. The West accepted him as a worthy opponent; Islam was indebted to him for the recovery of Jerusalem. Ali brilliantly weaves a fiction tale around the historical figure Saladin.

Saladin grants permission to Ibn Yakub, his jewish scribe to walk to his wife and retainers so that he may portray a complete picture of his memories. A series of interconnected stories follow, tale brimming over with warmth, earthly humour and passions in which ideals clash with realities and dreams are confounded by desires. At the heart of the novel is an affecting love affair between the Sultans favorite wife, Jamila and the beautiful Halima.

The novel charts the course of Saladin as Sultan of Egypt and Syria and follows him as he prepares in alliance with his Jewish and Christian subjects to take Jerusalem back from the Crusaders.

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9 of 9 people found the following review helpful:
5.0 out of 5 stars A powerful work of historical fiction., March 2, 1999
By A Customer
This is a satisfying novel, told, despite its exotic settings, in sparse prose carrying a ring of authenticity reminiscent at times of Naguib Mahfouz. The book deals in complex and subtle people who question the nature of the relationship between body and soul and ponder the purposes of war, not in easy steretypes or generalisations, even in an area which has been traditionally replete with them. It is illuminationg to have the Saladin story told by a writer who has immersed himself in the 'other side'. Tariq Ali's novel creates an authentic-seeming court, full of intrigue, dominated by a man who is charismatic yet not a hero of romance, a rather hesitant, limping figure, a Sultan whose preferred diet is soup and beans. In Saladin's entourage are strong and intelligent women, the Sultana Jamila and her female lover, and their story is interwoven with that of the Sultan's public life. It may be controversial to assign such dominance to the women in a harem, but these are characters in a convincing story with a reality beyond that of historical cliche.
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