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106 of 109 people found the following review helpful:
5.0 out of 5 stars
Cast your Eyes on the Ocean, June 2, 2001
This review is from: The Book of Secrets (Audio CD)
Loreena McKennitt is a singer songwriter who defies generalizations. While primarily in the Celtic tradition, she is always pushing the borders. Sometimes traditional and sometimes completely inventive she is capable of perpetual surprises. "The Book of Secrets" is a musical journey through the relatives and contemporaries of the Celtic tradition. She mixes themes from Europe and Near East with the rhythmic and instrumental approaches of the Celtic world. The effect is hypnotic. The eerie and contemplative 'Prologue' shifts to the strong melodic work of 'The Mummers' Dance' recalling ancient spring rituals of rebirth. 'Skellig' has an almost Renaissance flavor as it voices the contemplative farewell song of an Italian monk. 'Marco Polo' echoes Oriental touches with Sufi melodies, capturing the ecstatic nature of that tradition perfectly. The, in an almost magical transition McKennitt switches to one of my favorites, 'The Highwayman.' This is a resetting of an Alfred Noyes poem, a dramatic stories of sacrifice and vengeance over melodic fiddle work and dancing drums. 'La Serenissima' is a return to the medieval contemplative, playing harp and fiddle against each other. 'Night Ride Across the Caucasus' uses Asiatic styling over the pulsing beat of horses in motion to recall the spiritual journey of the alchemist and the quest of the mystic. 'Dante's Prayer,' the final song of the album, is another personal favorite. Occasioned by a trip across the Russian Steppes it opens with an echo of Russian Orthodox melody and then shifts to a melodic, contemporary sound as McKennitt voice sings a beautiful plaint that echoes the love songs of Sufi poetry, whose object is the Beloved, the divine. "Cast your eyes on the ocean, Cast your soul to the sea," she sings, "When the dark night seems endless, Please remember me." Recording quality is immaculate, with a fine atmospheric aura. McKennit's voice is soft and full, possibly the best I've ever hear hit. Her skill as a lyricist is every bit as good as her musical talents. This is an extraordinary album which will provide countless hours of pleasure and thought. Enjoy.
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122 of 131 people found the following review helpful:
5.0 out of 5 stars
An evocative musical quest., July 18, 2001
This review is from: The Book of Secrets (Audio CD)
Ah, what a wonderful album. Loreena McKennitt's voice is a marvel, synthesizing the superhuman accuracy and strength of operatic soprano with the rich narrative quality of folk singers. Her skill as a composer is likewise impressive, as she stacks ethnic influences on a foundation of tried-and-true Celtic resources that makes for beautiful and compelling songcraft. The pristine recording quality heightens the album's mystique, making every instrument perfectly clear in even the broadest arrangement. And isn't that voice beautiful? Each song tells its own story, but the beautiful, exotic soundscapes lend themselves very much to the listener's imagination. "Marco Polo" might evoke images of Oriental landscapes, while "Skellig" generates lamenting -- and somewhat romantic -- imagery. If the gorgeous and elegiac "Dante's Prayer" doesn't give you goosebumps, you must be a zombie. Especially noteworthy is the tragic ballad "The Highwayman" set to music. This ten-minute piece seems a bit repetitive for the first few listens, although you'll later find that the immaculately crafted composition subtly builds in intensity, adding the presence of stronger percussion and a more desperate, emotional flavor. I can't explain it, but "Night Ride Across the Caucasus" means a lot to me deep down. It must be something in the heavenly poetry, the exquisite melodies, or the stunning vocals. The chorus really is the best thing ever...well, almost! And she sings like an angel, doesn't she? Additionally, this CD features a great set of liner notes that sports little bits from McKennitt's journals, highlighting some of the influences for these songs, which I found very interesting. Some of those ethnic touches are hard to put your finger on, so having it pointed out helps. Great cover art too...really sets the tone for the album, I think. And her voice sure is gorgeous, isn't it?
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44 of 44 people found the following review helpful:
5.0 out of 5 stars
Inspirational and Deeply Calming, February 9, 2007
Who would not want to read a book of secrets...Except, this is one you listen to. "The journey not the destination, becomes a source of wonder." Loreena McKennitt spent a few years thinking about Celtic nomadic ways. She wondered if this need arose from an insatiable curiosity. She set off to travel to Rome and ended up in Istanbul. She set off for Japan and ended up on a train across Siberia. The CD booklet, is interesting to read as you listen and reveals her sources of inspiration. Of course after reading the booklet, you might feel compelled to go off on your own journey The songs on this album are all a reflection of Loreena's knowledge of the world. She seems to be seeking, exploring possibilities and expressing what she has captured. 1. Prologue - inspired by "From The Holy Mountain" by William Dalrymple. There is a certain emptiness and remorse woven into this piece. Maybe a longing for what could have been. You can almost imagine monks traveling from monastery to monastery to collect ancient wisdom. 2. The Mummers' Dance - Loreena incorporated the chorus of a traditional mumming song and her words take on new meaning when you realize that mumming involves a group of performers who dress up in masks and clothes bedecked with ribbons and carrying branches of greenery. This "mumming" has its roots in tree worshiping, which will make you consider why you bring a tree in at Christmas time, at least it is worth considering. Although I think people are more interested in worshipping materialism at the malls. 3. Skellig - this song becomes almost hypnotic as it seems to spin in circles or maybe it is more like the flicker of a candle that grows brighter as you approach it on a dark night. 4. Marco Polo - Loreena has interwoven an authentic Sulfi melody at the beginning and middle of this piece. It is rather intoxicating. 5. The Highwayman - friends suggested setting Alfred Noyes' poem "The Highwayman" to music. While in the studio, Loreena imagined the sound of horses galloping down a moonlit lane. Best to listen to this song while reading the lyrics, which are included and paint a tragic tale even more dramatically in song. 6. La Serenissima - Delicate and haunting. 7. Night Ride Across the Caucasus - the notes explain how people are affected by music and either hear the spiritual meaning or the material sound. "In the velvet of the darkness By the silhouette of silent trees They are watching, they are waiting They are witnessing life's mysteries." 8. Dante's Prayer - inspired by Dante's The Divine Comedy (a vernacular poem in 100 cantos), Loreena thinks about the human condition and how we all want to believe there is a place better than our own. An almost sorrowful and yet hopeful melody. Italian poet, Dante (1265-1321) gave an explanation of what happens after we die and this question is still just as controversial today. Perhaps she was inspired by: "Temo di perder viver tra coloro, che questo tempo chiameranno Antico." (I fear I will lose life among those who will call this time ancient." She sings "Please remember me." She also speaks of "Beyond the ice and the fire." The innermost pit of hell is for Dante, ice. The dark woods implies the present state of mankind and when you think about this while listening, the words suddenly become more meaningful. I found this CD to be an expression of continuing knowledge. Knowledge from the past flows through Loreena McKennitt's consciousness and turns into music. It is an evolution of travel and contemplation. Through her experiences, music evolves into moments of pure beauty. ~The Rebecca Review
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