6 of 6 people found the following review helpful:
5.0 out of 5 stars
Fascinating views of Sodom from antiquity to the present., September 22, 1999
By A Customer
This is an absorbing, well-written book that should appeal to anyone who wants a full understanding of Sodom in all of its manifestations, from antiquity to the present. Organized into three sections, the first section, "Sodom: A Circuit-Walk," is autobiographical and deserves the highest praise for the frankness and thoughtfulness of its expression. The anthology section, which follows, is of generally high interest, covering as it does incidents, accounts, and attitudes of many different historical eras. All of the excerpts are instructive in one way or another and always interesting. Some are appalling, some quite moving, others hysterical in tone and occasionally horrifying, as in the Marquis de Sade excerpt from "The One Hundred and Twenty Days of Sodom." The last section, "Sodom: Looking Back," was too brief and left me begging for more. Let us hope the author will take up where he left off in a sequel to this book, which I consider a landmark effort in understanding Sodom and its affects on social mores and sexual attitudes down through the centuries.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
"The anthology rests with a Sodom rumor", September 22, 2007
This review is from: The Book of Sodom (Paperback)
The stunning cover photo by Humphrey Spender, 1938's "Newcastle United Football Changing Room," sums up this anthology: a naked, buff athlete is puffing a cigarette lit up by a demonic, shadowed black clad figure behind whom hang white jerseys, as if the latter figure's detached wings, lurking in the otherwise Stygian gloom. Paul Hallam, in his early forties when he compiled this grab-bag of material relating to Sodom, explains in his opening essay "A Circuit-Walk" his fascination not so much with the supposed sin of sodomy attributed falsely but powerfully to the inhabitants who lusted after "strange flesh," but the place of the sin. Hallam's lengthy introduction surveys the acceptance of his own marginal identity as a youth in Nottinghamshire, blended into his own secondhand searches for theological tracts, socialist harangues, and literary forays into the Cities of the Plain. Out of these random encounters in text he has amassed his own collection to commemorate the place that haunts so many denizens of the urban fringes today. As Hallam notes, "the anthology rests with a Sodom rumor." What the actual sin is-- it's left up to us.
Along with the expected entries from Proust, the gleefully depraved celebrations from court transcripts, louche lotharios, and the infamous libertine Lord Rochester, Sade (the selection I found rather limp, if from 120 Days of Sodom), Apollonaire, and 18c London trials of the torture of accused "sodomites," there are a few unexpected and fresher entries. The bulk of the selections concern what we moderns term homosexual activity. But, an evocative few pages from Michel Tournier's novel "The Four Wise Men" show the heterosexual side to the survivors of Sodom driven underground, while John Milton gets a brief entry for his précis of a drama on the cities' fate; Voltaire opines on asphalt and the Dead Seas, while Jonathan Spence's book on the Jesuit missionary to China Matteo Ricci is employed to astute use to emphasize the Catholic fear of non-normative sex in the Middle Kingdom. Joao Trevisan's Brazilian forays play off Sir Richard Burton's earlier speculations on the "Sotadic Zone," while John Cleland in an often-deleted homosexual chapter from "Fanny Hill" and the medieval theologian "Peter the Cantor" gets his early digs in against the sins of Gomorrah.
Most of the entries, as I mentioned, concern same-sex relations or the accusation of such, but once in a while, Hallam remembers to include the wider applications of Michel Foucault's memorable mention of "sodomy, that utterly confused category." I would have liked more substantial inclusion of not only theological or literary, but historical, travel, and critical texts. Not to mention more and more eclectic erotica!
The forlorn place itself gains but a desultory visit, if too brief an excursion in a snippet from Andrew Lumsden for a gay newspaper. It leaves you wanting much more from the actual site, or the supposed one--nobody's quite too sure at least as of the 1993 copyright date; perhaps Charles Pellegrino's controversial 1994 "Return to Sodom & Gomorrah" could update us? The best entry for me, alongside Tournier's dreamlike and rather sexy, if austere, scenario, is the symbolist tale from 1883, "The Grape-Gatherers of Sodom" by "Rachilde" (Marguerite Eymery), which powerfully and vividly captures the decadence and the debauchery that led to the calumny given this blasted terrain of sulphur and bitumen, boiling pitch and burning desire.
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