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Booking and Tour Management for the Performing Arts
 
 
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Booking and Tour Management for the Performing Arts [Paperback]

Rena Shagan (Author)
4.7 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

July 1, 2001
A reference guide for booking and tour management in the performing arts. Each chapter explains in detail a key element of the booking and touring process, revealing how to turn a single booking into a tour, prepare a sound budget for touring, target prospective bookings, and create promotional materials that sell. This third edition has been updated to include a chapter discussing the revolutionary new ways that performers, managers and presenters are using Internet to transform the business of booking live performing events. Special chapters by outside experts provide information about what presenters need from artists; the technical aspects of touring; the unique demands of touring abroad; and touring through the eyes of the artist. The volume includes a Tour Manager's Resource Kit and numerous other ready-to-use sample materials, including a contract, letter of agreement, technical information questionnaire, performance checklists, calendars, schedules, tour budget model, technical glossary, and more.

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Editorial Reviews

From the Publisher

On the Road Again: A Favorite Tool of Enterprising Performing Artists Returns to Books Shelves and Touring Buses

The young Martha Graham would have probably loved it, and so would have the Beatles before they met George Martin. BOOKING & TOUR MANAGEMENT FOR THE PERFORMING ARTS by Rena Shagan has guided generations of solo artists and performing groups of all types on the road to success. Written by a veteran of the booking and touring business, this classic reference tool has now completely been updated to provide performers, tour organizers and agents with everything they need to book performances, build tours, and become welcome performers at the myriad performing spaces throughout the United States and abroad.

Whether your group requires two oversized touring buses, or even if you have never ventured across the border of your home base, BOOKING & TOUR MANAGEMENT will enable performers and group managers to make the smart decisions that are necessary to guarantee a successful road show, from identifying frequently overlooked expenses, choosing the right insurance, and creating realistic budgets to assuring their group’s safety and well-being on the road and on stage. Packed with a Tour Manager’s Resource kit, checklists, calendars, schedules and tour budget models for groups and tours of all sizes, this classic resource book leaves nothing to chance.

From the Inside Flap

“Rena Shagan earns an A for her "show and tell" handbook on touring the performing arts. More than a primer on the basics—this expanded edition draws on the savy experience of pros to explore the future role of booking and tour management. As a desk reference or college text, this book holds a place in my library.”
—Ken Crossley, Presenter and Theatre Management Instructor, Brigahm Young Univesity

“A thorough, accessible, and helpful how-to of the performing arts industry that de-mystifies touring. From important nuts-and-bolts examples to thoughtful and honest discussions of the importance of long-term relationships in the arts world, Shagan brings to the fore years of her own valuable experience and key interviews and contributions by presenters, managers, and technical staff. Her book is invaluable resource for artists just starting to contemplate touring, and full of "a-ha" moments for those who've toured for years.”
—Margaret Lawrence, Director of Programming, Hopkins Center, Dartmouth College


Product Details

  • Paperback: 288 pages
  • Publisher: Allworth Press; 3 edition (July 1, 2001)
  • Language: English
  • ISBN-10: 1581150954
  • ISBN-13: 978-1581150957
  • Product Dimensions: 9 x 6 x 0.6 inches
  • Shipping Weight: 14.1 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #444,395 in Books (See Top 100 in Books)

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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

25 of 25 people found the following review helpful:
5.0 out of 5 stars A terrific resource for the touring classical musician, November 8, 1999
By 
Gwyn Roberts (Pennsylvania, USA) - See all my reviews
This is the only book I've found that addresses the questions of management, booking, publicity, contract negotiation, budgeting, and market trends for those of us working in classical music. It's extremely helpful, clearly written, and comprehensive. What a relief to get answers to these questions without having to wade through lots of irrelevent stuff about club dates and laser light shows! For once, the tone is right, the resources cited are appropriate, and the timetables are tailored to the classical music marketplace. The author, a former dancer, spends quite a lot of her time addressing the concerns of touring dance companies, but there's plenty of information for chamber musicians, theater companies, touring recitalists, and instrumental and vocal soloists seeking engagements with orchestras or opera companies. Now, if there were only a book like this that focused entirely on the details of creating promotional materials...
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29 of 30 people found the following review helpful:
4.0 out of 5 stars Don't mistake this for a commercial music biz book., September 26, 2000
If you're handling tours for theater groups, dance troupes, folk singers doing the NACA circuit or classical musicians you'll find everything you need in this book.

If you're in a band playing clubs this isn't the book for you. Don't expect to find any advice on dealing with club owners or doing in-stores here. I've seen local rock bands buy this book thinking that it was going to give them tips for doing a club tour because they misunderstood the term 'Performing Arts'.

I would, however, recommend the book to anyone that's interested in becoming a tour manager for bands or is just getting started as one. There's some very useful information that you can adapt to the commercial music biz.

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4 of 8 people found the following review helpful:
5.0 out of 5 stars How to arrange everything from transport to payday schedules, November 11, 2001
This review is from: Booking and Tour Management for the Performing Arts (Paperback)
Rena Shagan's Booking & Tour Management For The Performing Arts tells how to turn a booking into a tour, how to set up the budgets and target prospects, and how to arrange everything from transport to payday schedules. Chapters on what presenters need from artists make the essential link between artist and businessman.
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Inside This Book (learn more)
First Sentence:
The marketplace for the performing arts in the country is enormous. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Local Manager, United States, Home Phone, Office Phone, Association of Performing Arts Presenters, San Francisco, Ann Arbor, John Gingrich, Company Manager, Mid-America Arts Alliance, Musical America, New England, Chamber Music America, Janet Cowperthwaite, Ivan Sygoda, Los Angeles, Narrated Performance, Susan Farr, The Acting Company, Chris Komar, Company Availability Other Presenters Fees, Jackie Davis, Mary Shearer, Merce Cunningham Dance Company
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