Steadfast readers recoil from the term
bookworm, not wanting to be aligned with insects that destroy the books they feed on. But artist Purcell is fascinated by the patterns paper-eating insects create. Renowned for her provocative improvisations on the collections of natural history museums and the obsessions of private collectors, Purcell makes images and collages that reveal the taboo beauty of dissolution and decay. In 125 startlingly complex works of many strata, extraordinary textures, luminous colors, and unforeseen juxtapositions, Purcell considers the vulnerability of books to the transforming powers of water, fire, gravity, organisms, and time. And she channels the aura of mystery and sanctity surrounding objects taken from tombs, shipwrecks, and abandoned buildings. Ruins were sublime to the Romantics, and Purcell concurs, achieving a Joseph Cornell-like magic, albeit more worldly. With a suitably sophisticated essay by Sven Birkerts and Purcell's own delightfully revealing introduction, this inquiry into the life cycle of objects, the metamorphosing powers of nature, and the timelessness of art is a mind-expanding experience.
Donna SeamanCopyright © American Library Association. All rights reserved
About the Author
Rosamond Purcell is known for her collaborations with Stephen Jay Gould, often in conjunction with natural history museums, including
Illuminations, Finders Keepers and
Strange Cases. The official photographer of the Mutter Collection, her work has been exhibited at major museums nationwide, and is in the permanent collections of the Museum of Fine Arts, Boston, The Philadelphia Museum of Art, The National Academy of Science, and The Victoria and Albert in London, among many others.