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This story will have resonance with those who know the theology of rock music from the '60s and '70s -- why Dylan or the Stones were so "important" to so many people. If you know what I'm talking about, you will enjoy this tale of serious fandom.
In the interest of full disclosure I must admit I know a couple of people written about in the book -- their reaction to it was a good deal more ambivalent than mine, and I'm sure the author did get some things wrong. After all he wasn't there, and they were.
But if you are at all interested in this topic (there must be a few out there) by all means buy this book.
P.S. I'm happy to see from the last (and only!) comment that Scandinavia remains a bastion of serious pop music fanatics.....
Which is, I guess, my one point of reservation here. The bootleg scene has changed so massively and, perhaps, immeasurably, during the past ten years that _Bootleg_ begins to read as more of a pure history book on days long past than as a record of something vibrant. The advent of CDRs, in particular, has totally changed the dynamic in which bootleg recordings are distributed and manufactured. A 21st century update which recognizes the birth of these trends would be very appreciated.
To put it briefly, its also a story of ways controlling the market, using copyrights and blank tape fees to take not the slice of a pie but the whole cake. Read it yourself if you got interested.