Boots [Original recording reissued, Original recording remastered]

Nancy Sinatra | Format: Audio CD

Product Details

• Audio CD (February 21, 1995)
• Number of Discs: 1
• Format: Original recording reissued, Original recording remastered
• Label: Sundazed Music Inc.
• ASIN: B000003GYH
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Music
• Average Customer Review: 4.7 out of 5 stars  See all reviews (32 customer reviews)
• Amazon Best Sellers Rank: #10,068 in Music (See Top 100 in Music)
  • #7 in Music > Indie Music > Pop > Traditional & Vocal Pop
  • #9 in Music > Indie Music > Pop > Pop Rock
  • #47 in Music > Pop > Oldies > Baroque Pop

Track Listings

1. As Tears Go By

2. Day Tripper

3. I Move Around

4. It Ain't Me Babe

5. These Boots Are Made For Walkin'

6. In My Room

7. Lies

8. So Long, Babe

9. Flowers On The Wall

10. If He'd Love Me

11. Run For Your Life

12. The City Never Sleeps At Night

13. Leave My Dog Alone

14. In Our Time

15. These Boots Are Made For Walkin' (Mono Single Ver)

Editorial Reviews

Includes These Boots Are Made for Walkin' (here in album and original mono single mixes), plus the hit So Long, Babe and those go-go boots!

Most Helpful Customer Reviews

28 of 28 people found the following review helpful

4.0 out of 5 stars Are you ready, boots? June 8, 2004

By Johnny Heering

Format:Audio CD

Nancy Sinatra was signed to Reprise Records mainly because her father owned the record label. After a whopping eleven flop singles, Nancy was given "one more chance", with the understanding that she would be dropped by the label if her next record didn't sell. Having nothing to lose, she hooked up with maverick producer/songwriter Lee Hazlewood at her next recording session. The resulting record, "So Long, Babe", wasn't a major hit, but it sold enough copies to save Nancy's job. Then the next record that Lee cooked up for Nancy, "These Boots Are Made For Walkin'", was a major smash and turned her career around. What comes next after a Number One hit single? An album, of course! Nancy first album was centered around that hit (and the sexy cover didn't hurt sales, either). I guess Lee was a little short on material, because over half the album was covers of other people's hits. Artists covered include The Rolling Stones, The Beatles, Bob Dylan, The Knickerbockers and The Statler Brothers. You know, all the usual suspects. The covers are actually pretty fun, thanks to interesting arrangements by Hazlewood. The CD includes four bonus tracks. "The City Never Sleeps at Night" was the b-side of "These Boots Are Made For Walkin'". "In Our Time" was a relatively unsuccessful single, and "Leave My Dog Alone" was it's b-side. The mono single version of "These Boots Are Made For Walkin'" closes out the album. Recommended to all of Nancy's fans.

18 of 18 people found the following review helpful

5.0 out of 5 stars One of these days these boots are gonna walk all over you! July 1, 2002

By Daniel J. Hamlow HALL OF FAME

Format:Audio CD

In 1995, when Sundazed Records decided to reissue Nancy Sinatra's first four albums, it took me a few hours to search for my eyeballs, which had fallen out of my sockets in amazement. After all, I only had The Hit Years, which I somehow felt didn't do her justice. My assessment turned out accurate when I bought those first four albums. Of the four, Boots wins first place, though two others come very close. Maybe it's because Boots is more pop before she veered off into the easy listening direction with Nancy In London and Sugar, not that I minded that. The inner liner notes and the pictures of her on the CDs were added bonuses.

She's quite the vagabond in "I Move Around," having moved to California, New York, and other places. And her classic signature tune, "These Boots Are Made For Walkin'" is included twice in here, once in a stereo version, the other in the original mono single version. This is definitely on my Top 100 songs list. Besides, with this song being covered by the likes of Geri Halliwell, KMFDM, Megadeth, and Sam Phillips, I can't be wrong on how classic this is.

I find her covering more than just one cover song per album reminiscent to what Bonnie Tyler did on her early albums, and I didn't mind that. She covers two Beatles songs: "Day Tripper" and "Run For Your Life," Bob Dylan's "It Ain't Me Babe" from Another Side, The Statler Brothers' "Flowers On The Wall," and the Rolling Stones' "As Tears Go By." All are done admirably, especially the Stones song.

"Flowers On The Wall" is a cocooners' delight. In addition to the counting flowers, she plays solitaire with 51 cards, smokes cigarettes and watches Captain Kangaroo. I can dig it--if I had my way, I wouldn't want to go outside anyway.

"If He'd Love Me" shows how well Nancy can sing a ballad as well as upbeat pop. "Leave My Dog Alone" is an open statement against narrow-minded people who believe in conformity in the community or society. The people got to her by harassing her pets. First her dog: "All he ever did was wag his tail, people, why did you have to throw my dog in jail." Then her cat: "He never said not a bad word, no not him. Why'd you throw him in the river, you know he can't swim." The bottom message to the people is: "Let me be the way I wanna be." You tell'em, Nance!

OK, what else? "In Our Time" is a time capsule update of what's hip and what wasn't hip anymore. Girls became smokers "Some take trips but never move" is clearly a reference to the drug culture. The line I like was "Mickey Mouse ain't no kid/since he read the wizard of id/He's trying to figure out what it did." "If you're 20, then you're old." 20? Yeesh!

I enjoy her stuff, so I don't have to worry about those boots walking all over me.

12 of 12 people found the following review helpful

5.0 out of 5 stars A masterpiece February 5, 2003

By A Customer

Format:Audio CD|Amazon Verified Purchase

"These Boots" always seemed like a funny novelty song; so, like many others, I discarded Nancy Sinatra as a one-hit wonder who cashed in on that famous relative. But this album is a pop masterpiece that is totally evocative of its era. It only could have been recorded in 1966. It's a wondrous mishmash of musical currents: loungy bossa nova, bright Memphis horns, David Rose-style bump-and-grind, easy listening choruses, catchy bumblegum pop, and bold Vegas showstopping. And it all works! The mostly forgotten Lee Hazlewood, who produced the album, was a genius who had a finely tuned ear for commercial music. He crafted Nancy's wholly fabricated tough-chick image to ride on top of his brilliant arrangements. This is one of the most listenable albums of the '60s. When it plays I feel I'm cruising down the Sunset Strip in a convertible ogling mini-skirted girls in front of the Whisky Au Go Go.