Boots [ORIGINAL RECORDING REISSUED] [ORIGINAL RECORDING REMASTERED]

Nancy Sinatra

Product Details

• Audio CD (February 21, 1995)
• Original Release Date: 1966
• Number of Discs: 1
• Format: Original recording reissued, Original recording remastered
• Label: Sundazed Music Inc.
• ASIN: B000003GYH
• In-Print Editions: MP3 Download
• Average Customer Review: 4.5 out of 5 stars See all reviews (20 customer reviews)
• Amazon.com Sales Rank: #60,889 in Music (See Bestsellers in Music)

Editorial Reviews

Product Description
1995 reissue on Sundazed of her 1966 debut for Reprise with four single sides as bonus tracks: the B-sides 'The City Never Sleeps At Night' & 'Leave My Dog Alone', the A-side 'In Our Time' and 'These Boots Are Made For Walkin'' (Mono Single Version). 'Boots', which reached #5 in the U.S., alsofeatures the #1 smash 'These Boots Are Made For Walkin'' & the chart hit 'So Long, Babe'. Also featured here is the original cover art. 15 tracks total. Standard jewel case.

Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful:

4.0 out of 5 stars Are you ready, boots?, June 8, 2004

By	Johnny Heering "trivia buff" (Bethel, CT United States) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Nancy Sinatra was signed to Reprise Records mainly because her father owned the record label. After a whopping eleven flop singles, Nancy was given "one more chance", with the understanding that she would be dropped by the label if her next record didn't sell. Having nothing to lose, she hooked up with maverick producer/songwriter Lee Hazlewood at her next recording session. The resulting record, "So Long, Babe", wasn't a major hit, but it sold enough copies to save Nancy's job. Then the next record that Lee cooked up for Nancy, "These Boots Are Made For Walkin'", was a major smash and turned her career around. What comes next after a Number One hit single? An album, of course! Nancy first album was centered around that hit (and the sexy cover didn't hurt sales, either). I guess Lee was a little short on material, because over half the album was covers of other people's hits. Artists covered include The Rolling Stones, The Beatles, Bob Dylan, The Knickerbockers and The Statler Brothers. You know, all the usual suspects. The covers are actually pretty fun, thanks to interesting arrangements by Hazlewood. The CD includes four bonus tracks. "The City Never Sleeps at Night" was the b-side of "These Boots Are Made For Walkin'". "In Our Time" was a relatively unsuccessful single, and "Leave My Dog Alone" was it's b-side. The mono single version of "These Boots Are Made For Walkin'" closes out the album. Recommended to all of Nancy's fans.

12 of 12 people found the following review helpful:

5.0 out of 5 stars One of these days these boots are gonna walk all over you!, July 1, 2002

By	Daniel J. Hamlow (Narita, Japan) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

In 1995, when Sundazed Records decided to reissue Nancy Sinatra's first four albums, it took me a few hours to search for my eyeballs, which had fallen out of my sockets in amazement. After all, I only had The Hit Years, which I somehow felt didn't do her justice. My assessment turned out accurate when I bought those first four albums. Of the four, Boots wins first place, though two others come very close. Maybe it's because Boots is more pop before she veered off into the easy listening direction with Nancy In London and Sugar, not that I minded that. The inner liner notes and the pictures of her on the CDs were added bonuses.

She's quite the vagabond in "I Move Around," having moved to California, New York, and other places. And her classic signature tune, "These Boots Are Made For Walkin'" is included twice in here, once in a stereo version, the other in the original mono single version. This is definitely on my Top 100 songs list. Besides, with this song being covered by the likes of Geri Halliwell, KMFDM, Megadeth, and Sam Phillips, I can't be wrong on how classic this is.

I find her covering more than just one cover song per album reminiscent to what Bonnie Tyler did on her early albums, and I didn't mind that. She covers two Beatles songs: "Day Tripper" and "Run For Your Life," Bob Dylan's "It Ain't Me Babe" from Another Side, The Statler Brothers' "Flowers On The Wall," and the Rolling Stones' "As Tears Go By." All are done admirably, especially the Stones song.

"Flowers On The Wall" is a cocooners' delight. In addition to the counting flowers, she plays solitaire with 51 cards, smokes cigarettes and watches Captain Kangaroo. I can dig it--if I had my way, I wouldn't want to go outside anyway.

"If He'd Love Me" shows how well Nancy can sing a ballad as well as upbeat pop. "Leave My Dog Alone" is an open statement against narrow-minded people who believe in conformity in the community or society. The people got to her by harassing her pets. First her dog: "All he ever did was wag his tail, people, why did you have to throw my dog in jail." Then her cat: "He never said not a bad word, no not him. Why'd you throw him in the river, you know he can't swim." The bottom message to the people is: "Let me be the way I wanna be." You tell'em, Nance!

OK, what else? "In Our Time" is a time capsule update of what's hip and what wasn't hip anymore. Girls became smokers "Some take trips but never move" is clearly a reference to the drug culture. The line I like was "Mickey Mouse ain't no kid/since he read the wizard of id/He's trying to figure out what it did." "If you're 20, then you're old." 20? Yeesh!

I enjoy her stuff, so I don't have to worry about those boots walking all over me.

9 of 9 people found the following review helpful:

5.0 out of 5 stars A masterpiece, February 5, 2003

By A Customer

"These Boots" always seemed like a funny novelty song; so, like many others, I discarded Nancy Sinatra as a one-hit wonder who cashed in on that famous relative. But this album is a pop masterpiece that is totally evocative of its era. It only could have been recorded in 1966. It's a wondrous mishmash of musical currents: loungy bossa nova, bright Memphis horns, David Rose-style bump-and-grind, easy listening choruses, catchy bumblegum pop, and bold Vegas showstopping. And it all works! The mostly forgotten Lee Hazlewood, who produced the album, was a genius who had a finely tuned ear for commercial music. He crafted Nancy's wholly fabricated tough-chick image to ride on top of his brilliant arrangements. This is one of the most listenable albums of the '60s. When it plays I feel I'm cruising down the Sunset Strip in a convertible ogling mini-skirted girls in front of the Whisky Au Go Go.