Boredom (New York Review Books) [Paperback]

Alberto Moravia (Author), Angus Davidson (Translator), William Weaver (Introduction)

Book Description

Series: New York Review Books | Publication Date: September 1999

The novels that the great Italian writer Al berto Moravia produced in the years following the World War II represent an extraord inary survey of the range of human behavior in a fragmented modern society. Boredom, the story of a failed artist and pampered son of a rich family who becomes dangerou sly attached to a young model, examines the complex relations between money, sex, an d imperiled masculinity. This powerful and disturbing study in the pathology of mode rn life is one of the masterworks of a writer who, as Anthony Burgess once rema rked, was always trying to get to the bottom of the human imbroglio.

Editorial Reviews

From Library Journal

Moravia's 1960 novel was embraced by critics as one of his finest. It relates the story of a failed artist who becomes infatuated with a young model. Typical of his fiction, this book examines humankind's relationship to power, sex, and money with cold displacement.
Copyright 1999 Reed Business Information, Inc.

Review

In its moral and artistic economy, [Boredom] is perhaps the most successful of all Moravia's works.... No one has depicted a series of carnal acts, frenzied yet cold in their automatism-nudity, desire and its outlet-with such complete lack of complacence, such impassive truthfulness -- Nicola Chiaromonte,Partisan Review

See all Editorial Reviews

Product Details

• Paperback: 320 pages
• Publisher: New York Review of Books (September 1999)
• Language: English
• ISBN-10: 0940322285
• ISBN-13: 978-0940322288
• Product Dimensions: 8 x 5.1 x 0.6 inches
• Shipping Weight: 11.7 ounces
• Average Customer Review: 4.6 out of 5 stars  See all reviews (9 customer reviews)
• Amazon Best Sellers Rank: #2,038,045 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

22 of 24 people found the following review helpful:

4.0 out of 5 stars Strange.......disturbing......different, June 8, 2004

By 

Shaimaa Fayed "Shaimaa Fayed" (Cairo, Egypt) - See all my reviews
(REAL NAME)   

This review is from: Boredom (New York Review Books) (Paperback)

"Boredom" was my first encounter with Italian neorealism...the theory that holds "consciousness does not constitute reality". In other words, reality is extramental, the way we perceive objects and people, and the relationship we develop with them, does not change the reality of these objects or people. As one website explained, "a man remains the same man, even though he becomes an uncle (exteriority of relationship). Knowledge is nothing other than an external relationship; its nature consists in making an object present to a subject. But in this relationship both object and subject remain what they were." So, basically, a cup is just a cup regardless of the purpose for which I use it. It stands in and of its own. Everything stands in and of its own. But our relationship to things is just our perception, our consciousness, it is not reality itself. We are outside of reality.

We see the crucial significance of this philosophy in Moravia's "Boredom." The novel is rather an unusual one....it is a disturbing psychological study. It traces the inner thoughts and emotions of Dino, the painter who suffers "artistic sterility from boredom." Here, it is important to realise what boredom means for Dino. Boredom is more than just "ennui"...it is his inability to develop a relationship to the world around him. He feels a complete emptiness, apathy, disconnection with the world at large. He suffers from what we would term in this modern day and age a kind of depression, the kind that is so acute that it does not manifest itself in sadness, but rather in a complete indifference to life. The novel barely has a plot. In fact, there are only a handful of interacting characters in the book. Most of the novel takes place in the protagonist's head, as we witness his growing obsession with a bizarely amoral and impassive young model.

Everything in "Boredom" is described in such a cold, detached, neorealist manner. Sex, which is a core concern in the book, is acted out with the same cold automatism as with picking up a glass of water or blinking your eyes. This is one thing which makes the novel quite fascinating. It would seem to a regular person, for example, that there could not possibly exist a human being as elusive and as devoid of emotions as Cecilia, the sexual machine, and yet Dino goes to such lengths to describe her, and describe his dead-pan conversations with her, that we come to believe she is real. And indeed we come to feel his suffering as he struggles to possess her, but fails over and over again. It is a disturbing novel, and one can not help but feel pity for Dino's plummet into desperation. There will be many moments of recognition in the book as we recall the times we ourselves have fallen victim to weakness, to temptation, and perhaps even to quasi-obsession.

I definitely think this novel is worth picking up, if only for its eccentricity. It is is so cold, so realist, so bland, that it is fascinating. And it will touch you more than you think. It will stay with you, and it will leave you touched. N.B: This novel is sometimes published under another name..."The Empty Canvas."

13 of 15 people found the following review helpful:

5.0 out of 5 stars Moravia's musings., August 16, 2003

By 

khaines (San Francisco) - See all my reviews

This review is from: Boredom (New York Review Books) (Paperback)

It's difficult to say much about this novel, because its premise is age-old and predictable; so I'll simply tell you why you should read it: Moravia's genius comes by way of depicting intangibles such as love and fear with the same type of detail and insight that he would utilize if he were merely describing the apple on your kitchen counter.

Individual thoughts might reel on for pages, but you'll follow with ease as the narrator muses in the same way that you might as you walk to the park and daydream about grocery lists or failed loves or the full moon you mean to reference in your last letter to your grandmother.

The prose is simple. The characters are painful to know, difficult to like, and incredibly crafted mirrors of the person who turns the pages.

9 of 11 people found the following review helpful:

4.0 out of 5 stars Preoccupied With Boredom, April 14, 2005

By 

Jaylyn (Philadelphia) - See all my reviews

This review is from: Boredom (New York Review Books) (Paperback)

It's hard to live the bohemain life of the starving artist when you're mother is loaded with money and even if you're able to break away, you're still completely talentless.

This is the story of Dino, a man emotionally and physically detatched from all life has to offer. Pretending, even trying to fool himself, that he doesn't need his mother to live, he tries to live as an artist and with no inspiration or drive he stares into a blank canvas, perhaps a metaphor for his life.

You would think that he is just waiting for the lifestyle he craves to be handed to him as everything else is handed to him, that his obsession with boredom is simply just an excuse, until Cecilia enters the story.

Completely on the opposite end of the spectrum, Cecilia lives in poverty with an ill father, Cecilia cannot be conquered by Dino by way of boredom. He wants to be the user, to use her body and her emotions and detatch himself from her, but is curious to find she is also as equally detatched from the world, which leads Dino into a dangerous spiral to make her feel at least something for him. Not entirely out of love as much as a game to make the other feel something first, a game that he seems to be playing all by himself.

This misses one star because I'm not entirely sure if I even liked the story, but the writing was good and kept drawing me back to the book. This is a book worth checking out, perhaps at your local library.