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At 18, she fulfilled her lifelong ambition of decamping to New York City. `Since I was little I knew I would end up there,' she says, `Every day is a pleasure there. Every single day I walk out of the door is a good day. I like everything about it. New York totally rewards me for my love of it.'
Lana Del Rey's direct influences were visual as well as musical; David Lynch, soundtracks for `50s black and white movies, the whirring sound of the Ferris at Coney Island, fame itself. She lived in a New Jersey trailer park and decked her homestead in flags, streamers and seasonally inappropriate Christmas lights. `All the things I love,' she notes. This was Lana's world now and it needed to sparkle.
She intends to work with hip-hop heavyweights, with the future-perfect foot soldiers at the coal face of exciting pop. `I know it is going to take a lot of work to get there. But that's OK when you have people around you who believe in you. The record is going to be gorgeous. That much we know. Whether or not it will work? That much we don't know.'
As for the inevitable stardom that will come her way? That is something Lana Del Rey does not fear. `I know a lot of different people. When they are drunk, in the dark of the night they all want the same thing. They all want to be famous. It's innately human to want other people to bear witness to your life. It's important for people to be watched. They don't want to be alone. I don't want to be alone.'
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Most Helpful Customer Reviews
60 of 71 people found the following review helpful:
4.0 out of 5 stars
4.5 stars... "Every Time I Close My Eyes, It's Like a Dark Paradise",
By
This review is from: Born to Die (Audio CD)
Lana Del Rey went viral seemingly overnight last summer with her "Video Games" video clip, subsequently followed by the "Blue Jeans" clip, and from pretty much out of nowhere in a matter of 6 months, she played at Saturday Night Live recently. There has been discussion whether Lana's rapid rise has or hasn't been carefully orchestrated by her label Interscope, but now that the album is finally out, let's put aside all hype and suspiscion, and focus on the music."Born To Die" (12 tracks; 50 min.) can be divided in 3 sections. The first 4 tracks are slow-burners, pretty much in the vein of "Video Games" but check out in particular "Off To the Races", an album highlight. The middle section of the album (tracks 5 though 8) brings slightly faster tracks, and shines thoughout. "Diet Mountain Dew" is delightful, with playful lyrics like "Diet Mountain Dew baby New York City/Can we hit it low now down and gritty". Likewise with "National Anthem" (not to be confused with Radiohead's "The National Anthem"). After a brooding "Dark Paradise" (see my review title), comes "Radio", by far the most readily accessible track on this album (chorus: "Now my life is a sweet cinnamon/like a f**king dream I'm living in"). The last third album slows back down, and contains several other highlights such as "Million Dollar Man" (which reminds me of early Fiona Apple, think Never Is a Promise/The Child Is Gone/Pale September). The album ends appropriately with the self -explaining "This Is What Makes Us Girls". In all, this is quite the album. Mostly dark, brooding, biting, yet funny and playful at times. Definitely not for anyone in a hurry. I can't imagine this album will be a mainstream success (this is MILES away from Adele's "21"), but I could be wrong and I hope I am. Much has been made of Lana's maligned SNL appearance (which was really not all that bad), and I personally can't wait to see her bringing these songs in concert. This album proves that Lana is the real deal, period, forget all the hype and everything else. HIGHLY RECOMMENDED!
7 of 7 people found the following review helpful:
4.0 out of 5 stars
Lana Del Rey's Avant-Garde "Born to Die",
By Rich Vergo (The Jersey Shore) - See all my reviews
This review is from: Born to Die (Audio CD)
For all the critics who blasted Lana Del Rey's SNL vocal performance, missed the point: it's about songwriting, stupid. As it was for Dylan, who also has an underwhelming singing voice, Del Rey's songs are about to change the direction of pop music. Lyrically expressive and experimental with music composition that fuses the 40's, 50's, 60's and present day sounds into dark, moody, atmospheric experiences; and wrapped in a package of modern hip beats that takes her songwriting to fascinating art pop heights.Every song presents an intriguing angle or point of view that makes one drawn deeper into its musical arrangement. Haunting melodies are sung with surprising twists that stay with a listener for days after hearing them. The true testament to a well written song is when other artists cover it. We just might see that happen in the future with some of Lana's music, where better vocalists can interpret her superbly written melodies for a more thrilling experience. In the meantime, Del Rey's "Born to Die" album is about to change the present day notion of what pop music should sound like.
8 of 9 people found the following review helpful:
5.0 out of 5 stars
Perfection!,
This review is from: Born to Die (Audio CD)
dark.sultry. powerful. crazy. smart. funny. and brilliant! The best album of the year without a doubt. Go go get it!
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