That summer, friend Ralph Merritt asked Adams if he would be interested in creating a photographic record of a little-known government facility in the Owens Valley, on the east side of the Sierra Nevada. ÒI cannot pay you a cent,Ó Merritt told Adams, Òbut I can put you up and feed you.Ó Merritt was director of the Manzanar War Relocation Center, a collection of hundreds of tar-paper barracks hastily built to house more than 10,000 people, behind barbed wire and gun towers. All were of Japanese Ancestry, but most were American citizens, forcibly removed from their homes to ten relocation centers across the country by presidential order. The resulting effort was the book Born Free and Equal: The Story of Loyal Japanese Americans published by U.S. Camera in 1944 under the direction of the War Relocation Authority.
While at Manzanar, Adams met Toyo Miyatake, the official camp photographer, interned with his wife and children. A student of the great photographer, Edward Weston, Miyatake had established his own respected professional photography studio in Los Angeles before the war. In the introduction to this book, MiyatakeÕs son, Archie, who was then 16-years old, recalls the visit made so long ago.
In 1965, Adams wrote in a letter to Dr. Edgar Brietenbach at the Library of Congress: Ò . . . I think this Manzanar Collection is an important historical document and I trust it can be put to good use. . . Ó With the goal of realizing that Ògood use,Ó Spotted Dog Press presents Born Free and Equal to new generations of Americans who may come to a better understanding of a distant incident in our recent history that should not be forgotten.
