- Sorry, this item is not available in
- Image not available
- To view this video download Flash Player
|Listen Instantly with||Album|
|Other Formats & Versions||Amazon Price||New from||Used from|
|1. Thunder Road - Bruce Springsteen|
|2. Tenth Avenue Freeze-Out|
|3. Spirit In The Night|
|4. Lost In The Flood|
|5. She's The One|
|6. Born To Run|
See all 9 tracks on this disc
|1. The Journey|
|2. Third Album Pressure|
|3. "Born To Run"|
|4. A New Band|
|5. The Studio|
|6. The Mix|
See all 10 tracks on this disc
|1. Thunder Road|
|2. Tenth Avenue Freeze-Out|
|5. Born To Run|
|6. She's The One|
See all 8 tracks on this disc
The meat of the bonus material is the London show. A mythology has built around it that the band were so disorientated by travel and culture shock and Bruce so enraged by label-generated hype that they gave one of the worst performances of their career. Primitively shot by today's standards, the footage captures the brilliance of the relatively new band's ensemble playing. Highlights include a "Thunder Road" accompanied only by keyboards that opens the show, fiery solos on "Kitty's Back," a dynamic "Saint in the City," and a number of songs that have long since been retired. It's certainly notable how pensive and joyless Springsteen appears when compared to his later, animated stadium persona, but it's also fun to see the far greater role as foil played by Clarence Clemons. As he now testifies in the sleeve notes, putting lie to the myth, on that night they had "gone for broke," and as this writer can bear witness, the British audience exalted the show as the arrival of the greatest live performer of his generation. --Rob Stewart
The Wild, the Innocent, and the E Street Shuffle (1973)
After a folk-rockish debut album that bubbled with ideas and dense lyrical play, this is where Springsteen began to find his voice as a rocker and as a songwriter. The prisoner-of-love romanticism of "Rosalita" and "Incident on 57th Street" hinted at what was coming, and this early version of the E Street Band--jazzier and more spare than later versions, thanks largely to David Sancious's piano--sounds great, if a little ragged, these many years later.
Born to Run (1975) and Darkness on the Edge of Town (1978)
These two records, which belong on any compilation of the top 100 rock albums of all time, sketched the themes that he would spend his whole career chasing, and defined the expectations fans would bring to his records ever after. The first chords of "Born to Run" sounded like freedom itself the first time I heard them on the radio, and the album lived up to them. "Thunder Road" is still the greatest rock & roll love song anyone's ever written. The record sounded so big and impassioned and propulsive it was easy to miss the dread running underneath it. Darkness... put the dread front and center. There are more of his best songs here than anywhere else, even if the sound is muddy and leaden at times.
After The River (the best record that didn't make this list) and the ensuing tour answered his rock & roll prayers--he was a big star now, not just a perennial critics' favorite--Springsteen holed up in a rented house on the Jersey shore, where he wrote these songs and sang them into a four-track recorder in his living room. The tape was supposed to be a demo for the band, but after several false tries he concluded that the tape he'd been carrying around in his pocket was the record. Quiet and bleak, Nebraska nonetheless grabbed you by the collar and made you listen as surely as his rock & roll records ever had.
Tunnel of Love (1987)
The glare and hubbub surrounding the Born in the USA tour (the tour was great--the record itself overrated) made him pull back again, this time to write a cycle of songs about love and fear and self-doubt. After this, Springsteen's first marriage broke up, and he started a family with Patti Scialfa, disappearing for the better part of 10 years, notwithstanding the pair of not-bad, just-disappointing albums he released in 1992, Human Touch and Lucky Town.
The Ghost of Tom Joad (1995)
Some call it Nebraska II, but his second acoustic album was not a repeat of his first--the characters and settings had changed, and their circumstances were more expressly desperate, and social--though it did share the same interest in what happens to people whose isolation or marginal status renders them invisible.
The Rising (2002)
Everybody, including Springsteen, seemed to think it was a record about 9/11, but the subject was broader--death and loss as seen from more than halfway down life's road. Dave Marsh nailed it: "A middle-aged man confronts death and chooses life" Brendan O'Brien's production sounds great.
This album really defined Bruce Springsteen as a major force in rock and roll. Jimmy Iovine's implementation of the wall of sound brought Springsteen's artistry forth into the... Read morePublished 1 month ago by Boy from Brooklyn
There has been a lot of great tunes out there in rock. However, there are few great albums, the collections of cohesively solid songs which are terrific alone, and better... Read morePublished 3 months ago by A.Trendl HungarianBookstore.com
I am. Die hard fan since 1978. I pretty much love anything Thrill Hill puts out. This compilation of music and concert from Hammersmith Odeon is a piece of music history that... Read morePublished 4 months ago by Gypsy yogini
Watched the Rock and Roll Hall of Fame concert with the E Street Band. This album shows the reason why they are in the Rock n Roll Hall. Classic Bruce and the E street band live. Read morePublished 6 months ago by Gregory A. Hoggatt
Without a doubt my favorite album of all time. I can listen to this over and over again. This is "The Boss" at his best.Published 6 months ago by jbberry76