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Born in the U.S.A.: Bruce Springsteen and the American Tradition (Music Culture) [Paperback]

Jim Cullen , Daniel Cavicchi
4.1 out of 5 stars  See all reviews (10 customer reviews)

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Book Description

June 14, 2005 Music Culture
Moving beyond the biographical and journalistic approaches of most writing on Bruce Springsteen, Born in the U.S.A. was the first major work of cultural criticism to situate Springsteen's work in the broader sweep of American history--the heir of Walt Whitman and Woody Guthrie, Abraham Lincoln and Martin Luther King. Springsteen is an influential chronicler of our society, says Jim Cullen, a "good conservative" who preserves the traditional values of hard work, inclusive families, and genuine concern for the less fortunate. In the new edition to this landmark work, Cullen also discusses new currents in Springsteen's music since 9/11, notably his 2002 album The Rising. This Wesleyan edition includes a new foreword, introduction, and afterword. Must reading for any serious fan--or anyone who has ever been curious about what all the fuss has been about.

Frequently Bought Together

Born in the U.S.A.: Bruce Springsteen and the American Tradition (Music Culture) + Racing in the Street: The Bruce Springsteen Reader + Magic in the Night: The Words and Music of Bruce Springsteen
Price for all three: $48.42

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Editorial Reviews

From Booklist

There already exists a surfeit of Spingsteen books, but maybe this tome, arriving as he rapidly approaches spent-force status, is the cornerstone of a subgenre devoted to assessing his precise position in rock history. The issue of a former Rolling Stone editor, it displays the usual good and bad features of such spawn. Depth and documentation are excellent: quotes attributed, dates given, references traced. The writing is, uh, expressive. The typical RS tendency to find complexity everywhere is either a strength or a weakness, depending on your attitude; this time, at least, it is exercised relatively gently. No doubt Springsteen is a complex man; his lyrics and utterings suggest as much. But is he, as Cullen asserts, more important than Walt Whitman? Does he really offer "an unusually vivid picture of manhood" ? To those who enjoy this sort of minute intellectualization about a music that is often as much about rhythm as lyric content, Cullen's book is highly recommended. Other pop fans may find it valuable if occasionally numbing. Mike Tribby --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews

Cullen's study of Bruce Springsteen is a full-fledged cultural critique, examining how ``the Boss's'' music has been influenced by the society around him. The author covers a lot of ground but rarely spreads himself thin. Harvard historian Cullen's perspective is initially historic, using Reagan's evocation of the song of the title during his 1984 reelection bid. While Springsteen is no Republican, Cullen maintains that he is a ``republican'' in the Jeffersonian and Lincolnian sense of believing in the ideals of representative democracy. Widening his focus, Cullen follows the well-traveled link between American government and the works of Emerson, Twain, and Steinbeck to suggest Springsteen as the heir to this tradition. A close reading of the lyrics of ``Thunder Road'' serves as an example. Cullen treats Springsteen's relationship with the Vietnam War and its veterans (having lost a friend in the war, Springsteen deprived himself of sleep to earn a 4-F classification but has since worked extensively with veterans). More sociological sections of the book look at Springsteen's preoccupation with working-class values and his own strong work ethic, demonstrated by his legendary four- to five-hour live shows. The book's final sections look at Springsteen's development from a ``boy culture'' singer of male bonding to a mature husband and father--these latter roles brilliantly mined on his album Tunnel of Love--and the lapsed Catholicism of this self-described ``failed altar boy.'' Cullen quotes Jesuit novelist and sociologist Rev. Andrew Greeley, who claims that Tunnel of Love may be more significant from a Catholic perspective than a papal visit to the US. Cullen is perhaps overly idealistic in his historical depictions (Lincoln was certainly less of an egalitarian than Cullen would seem to believe), but his parting words, ``When I listen to Bruce Springsteen, I remember how to be an American,'' finally ring true. (8 pages b&w photo, not seen) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 288 pages
  • Publisher: Wesleyan (June 14, 2005)
  • Language: English
  • ISBN-10: 0819567612
  • ISBN-13: 978-0819567611
  • Product Dimensions: 5.5 x 0.8 x 8.5 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #1,384,968 in Books (See Top 100 in Books)

More About the Author

Jim Cullen was born in Queens, New York, and attended public schools on Long Island. He received his B.A. in English from Tufts University, and his A.M. and Ph.D. degrees in American Civilization from Brown University. He has taught at a number of colleges and universities, including Harvard, Brown and Sarah Lawrence College. He is currently chair of the History Department at the Fieldston School in New York City and a book review editor at the History News Network. He is married to historian Lyde Cullen Sizer and has four children.

Jim is the author of a dozen books, which include "Sensing the Past: Hollywood Stars and Historical Visions" (Oxford University Press, 2013), "The American Dream: A Short History of an Idea that Shaped a Nation" (Oxford, 2003) and "Born in the USA: Bruce Springsteen and the American Tradition" (HarperCollins, 1997). His next book, "A Brief History of the Modern Media," is slated for publication by Wiley-Blackwell in 2014.

Customer Reviews

4.1 out of 5 stars
(10)
4.1 out of 5 stars
Most Helpful Customer Reviews
10 of 11 people found the following review helpful
5.0 out of 5 stars Interesting Interpretations March 26, 2000
By A Customer
Format:Paperback
This is the kind of book that makes you think; sure, some of the conclusions are far fetched, but at least Jim Cullen offers an interesting and original perspective. Cullen firmly places Springsteen in an American tradition; puts the man and his music in a broader perspective, and he does this convincingly. The book is obviously a continuation of the article on Springsteen he published before, read this first. To say that his comparisons and his analyses are tenuous is easy; you really need to read the book carefully to be able to appreciate Cullen's interpretations, that is what they are, interpretations. Cullen doesn't seem to pretend otherwise and rightfully so because the assumptions he makes cannot be empirically proven, they don't have to be, art cannot be dissected mathematically. Therefore, if you are a more experienced reader, preferably in academic writings, AND a fan of Bruce Springsteen, this book is food for thought and well worth the money.
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9 of 10 people found the following review helpful
5.0 out of 5 stars Highly Recommended November 2, 1999
Format:Paperback
Whether you're a fan of springsteen's or a student of american history, this is a must-read. This book is by no means a biography, it is a study of his work and its' meaning and context. I have no idea what this fella from spain is talking about calling these essays overblown and that Cullen has no right to compare someone of springsteen's stature to whitman. Cullen does an excellent job of discussing his theses - two of the most intriguing being how springsteen's viewpoints on parenthood and women grow and mature throughout his body of work (how many other rock stars work have that degree of sophistication?). Well-written, well-executed, anove all, SMART. More books about like this - serious studies on a musician's work and not his/her life and lifestyle - should exist.
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6 of 7 people found the following review helpful
Format:Paperback
Jim Cullen's book carries a weighty premise: Bruce Springsteen is the cultural heir of Emerson, Whitman, Lincoln, and The American Kings (Martin Luther King and Elvis Presley). Cullen divides Springsteen's themes into useful categories and explores them in the context of America's great artists, thinkers, and cultural movements. Although it reads a little like a dissertation in places, I found Cullen a credible Springsteen expert. His discussions illuminated dimensions of Springsteen's work for me, as well as provided interesting but arguable perspectives on other American artists and cultural figures. This isn't a pop biography, but it rewards the thoughtful reader.
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Most Recent Customer Reviews
5.0 out of 5 stars A Great Read
I highly recommend Geoffrey Hine's book on Born in the U.S.A. I had forgotten how good this album is. Read more
Published on October 11, 2005 by Paul D. Evans
4.0 out of 5 stars Promising and interesting, but a little too light.
Both a recent convert to the Springsteen synod of the First Church of Rock n' Roll and a rogue scholar pursuing the aims of Deweyan democratic community, I have considered the... Read more
Published on June 1, 2003 by John H. Teeple
5.0 out of 5 stars HIGHLY RECOMMENDED
Whether you're a fan of springsteen's or a student of american history, this is a must-read. This book is by no means a biography, it is a study of Springsteen's work and its'... Read more
Published on November 16, 2002 by adam david
2.0 out of 5 stars Unintentionally hilarious take on intentionality
While there is no doubt that Cullen knows his Springsteen, he makes such a bumptious move to assume intentionality on the part of Springsteen that it is difficult to read this book... Read more
Published on March 23, 2000
2.0 out of 5 stars Overblown analysis of Springsteen's work
This book seems like a college term paper extended to book length. Although the central theme is Springsteen's work, the book seems to almost wander randomly around American... Read more
Published on April 20, 1999
4.0 out of 5 stars An inspiring analysis of "The Boss'" significance
Mr. Cullen has done an often inspiring job of revealing the layers of depth beneath the iconic surface of this fascinating "pop star. Read more
Published on February 12, 1998
5.0 out of 5 stars Thought provoking & interesting overview of the Boss's work.
Jim Cullen has taken the time and effort to articulate what the true Springsteen fan has known for years. Read more
Published on December 6, 1997 by eaglewpb@msn.com
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