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Born into Trouble as the Sparks Fly Upward
 
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Born into Trouble as the Sparks Fly Upward

Silver Mount Zion
4.4 out of 5 stars See all reviews (29 customer reviews) More about this product

List Price: $16.98
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Product Details

  • Audio CD (October 23, 2001)
  • Original Release Date: October 23, 2001
  • Number of Discs: 1
  • Label: Constellation
  • ASIN: B00005Q62R
  • Also Available in: Vinyl  |  MP3 Download
  • Average Customer Review: 4.4 out of 5 stars See all reviews (29 customer reviews)
  • Amazon.com Sales Rank: #120,792 in Music (See Bestsellers in Music)

Listen to Samples

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1. Sisters! brothers! small Boats of Fire Are Falling from the Sky!
2. This Gentle Hearts Like Shot Birds Fallen
3. Built Then Burnt (Hurrah! hurrah!)
4. Take These Hands and Throw Them in the River
5. Could've Moved Mountains
6. Tho You Are Gone I Still Often Walk W/You
7. C'mon Comeon (Loose an Endless Longing)
8. Triumph of Our Tired Eyes

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Customer Reviews

29 Reviews
5 star:
 (20)
4 star:
 (3)
3 star:
 (5)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (29 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
30 of 32 people found the following review helpful:
5.0 out of 5 stars "Please believe.", May 9, 2003
"A tiniest worried symphony." This is music for the death of an great ideal, and the question of whether or not it can rise again -- a painfully sad work for a world there seems no possible restoration for. I'm not sure whether the music gives me hope or takes hope away -- it is easier to think the former though, since the sorrowful initial themes eventually rise into something more defiant and strong by the end. This makes for extremely intense music and not something I am able to listen to often.

A Silver Mount Zion Memorial Orchestra & Tra-La-La Band comes closer to their formal connection with Godspeed You! Black Emperor with their second release. The original trio that comprised the band is here joined by three others, doubling the lineup, not to mention the guests on drums, trumpet, and trombone. The songs are still mainly centered around strings, however the orchestration is now much more dense (as opposed to the stark _He Has Left Us Alone but Shafts of Light Sometimes Grace the Corners of Our Rooms_). Like GY!BE, they are able to build to huge, rushing crescendos and sonically I suppose they are not so different. However, the overall tone of the music makes it an ENTIRELY different experience. I must quote another reviewer who said it very well: "There is strength in Godspeed's wordless soft/loud anthems. Here there is vulnerability, fear, and faith in secret beauty and tiny resistance."

"Sisters! Brothers! Small Boats of Fire Falling from the Sky!" and "Could've Moved Mountains..." are layers and layers of crisscrossing violins and guitars and other instruments sawing at each other for a tragic melody, both glacially shifting and hypotizingly textured. "Build then Burnt (Hurrah! Hurrah!)" is a slow, sad dirge. "C'Mon Come On (Loose an Endless Longing)" is the first hint of optimism, but it is obscured by various other layers. These eventually peel away On "The Triumph of Our Tired Eyes" Efrim's vocals are unpleasant, off-key, and cracked -- but I find a strange poignancy to his radical, desperate socio-political rants using such a voice. His voice and ugly broken guitar distortion on this track are joined by florid strings and luminous guitars, a light crescendo that swells to a heavenly end. "Take These Hands and Throw Them in the River" is a pulsating atonal trance with tortured vocals wailing over it. It ends with calming nature sounds, a soothing reprieve after the clamorous first part -- however even this peace seems threatened somehow (hinted at by the dog barking and the bassy background noise). The childish voice giving a strangely poetic monologue on "This Gentle Heart's like Shot Bird's Fallen" is a weird but compelling touch.

Without a doubt this is some of the most beautiful and powerful music ever (subjectively speaking, of course). Up there with the most godly pointillist tapestry of King Crimson, the highest heavenly gateway of Tool, or Opeth's latest album. HIGHEST RECOMMENDATION.

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10 of 10 people found the following review helpful:
5.0 out of 5 stars Another stirring disc from the mighty Kranky Records, November 26, 2001
By Bianchi Joe (Austin, TX United States) - See all my reviews
To know SMZ is to love them; an offspring of the incomparable Godspeed You Black Emperor, this consortium of musicians extends that group's vision without being derivative. The quiet, whispered vocals harken back to "He Has Left Us Alone..." but the comparison really ends there. This album feels more completely realized, somehow. It's somewhat more melodic, I guess, and the songs play the tension-and-release game with an even more dramatic effect. But mostly it's those beautiful GYBE strings and the sustained guitar against the plaintive, haunting piano that renders this clearly a work of art. Since buying GYBE's "Skinny Fists," I have voraciously gobbled up virtually every record and side project they've produced. This disc is clearly one of the best of the whole "post-rock" genre, and stands as a monument to the power of these Montreal geniuses.
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12 of 13 people found the following review helpful:
5.0 out of 5 stars Godspeed you sensative anarchists!, October 27, 2001
By Adriano (Berkeley, CA United States) - See all my reviews
I'm totally seduced by the musical dynamics and quiet rage of this album. "Born Into Trouble..." differs from their first album in so far as it expands the "Silver" sound. Shimmering reverb, delicate loops, and echoing beats deepen the tiny orchestra soundscape. I know a lot of Godspeed You Black Emperor! fans who are turned off by Silver Mt. Zion's use of vocals, but I'm totally entralled by the mix of populist religiousity and radical politics in their lyrics. In the Silver Mt. Zion world angels guard Black Bloc anarchists and empty streets and industrical wastelands are the foundations of a separatist church. On the first album they "kill first the bankers" while "the wind calls out my grandfather's name". On this album there is more desparation. The liner insert is a meditation on "The Failure of One Small Community in Achieving its own Ill-Defined Dreams And/Or Goals." There is strength in Godspeed's wordless soft/loud anthems. Here there is vulnerability, fear, and faith in secret beauty and tiny resistance. I hope I haven't foreclosed on my membership in Godspeed's tiny army by writing this review. Maybe my faith in multiaxial resistance is naive.
For those uninterested in the Godspeed/Fly Pan Am/Silver Mt. project I'll summarize with comparisons: this is Mogwai and Gorecki with a crypto-revolutionary consciousness.
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Most Recent Customer Reviews

4.0 out of 5 stars Strength in frailty
Probably the minimal orchestral rock units most consistent (ie: restrained) disc. Vocals are worked with, rather then against in a fashionable overview of this desperate idealism... Read more
Published 7 months ago by IRate

4.0 out of 5 stars Stunning, not perfect
When he sings "Musicians are cowards" perhaps you'll feel as i did when i first heard it: that this is one of the most beautiful moments in a song ever. Read more
Published 12 months ago by Matthew D. Haller

5.0 out of 5 stars Some of their best music
The music on this album might be the best flowing of all ASMZs releases. The tracks are almost all linked together to give the listener a very smooth listening experience. Read more
Published on July 2, 2006 by Logan Seguin

5.0 out of 5 stars Musicians are Cowards!
So screams Efrim in the closing track of "Born Into Trouble as the Sparks Fly Upward," closing an immaculately desgined and created album. Read more
Published on May 10, 2006 by Scott Louis

5.0 out of 5 stars Close to my heart.
This is probably my favorite Silver Mt Zion album, the other two registered within my brain being their debut "God Has Left Us Alone... Read more
Published on June 14, 2005 by Jason

3.0 out of 5 stars Yeah, It's Alright
When I first got this album I was mildly obsessed with it but I abstained from writing a review with the hopes that someday I could view it a little more objectively. Read more
Published on May 13, 2005

5.0 out of 5 stars In many ways, tops their first album
The most obvious thing about this album (aside from the expanded name and band) is that the group is moving further away from godspeed's sound. Read more
Published on April 25, 2005 by Lee L.

2.0 out of 5 stars Dishonesty is luxury
What's the point of this album? I started with a rhetorical question, and the music here sounds just like that; rhetorical and sophomoric. Silver Mt. Read more
Published on June 7, 2004 by Dusan Zaric

5.0 out of 5 stars Alienation on the half-shell
A casual perusal of the liner notes reveals that the lads are pretty hacked off.

As in, like, primal alienation.

Justifiably so?

No. Read more

Published on June 1, 2004 by Jan P. Dennis

3.0 out of 5 stars A Good Start, But Look to the Master
It always amazes me to read other's reviews and refrences when it come's to the Post Rock genre. This record hints at the abyss and even begins to touch my soul with its soaring... Read more
Published on April 3, 2004 by corbotron

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