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Most Helpful Customer Reviews
12 of 15 people found the following review helpful:
5.0 out of 5 stars
One of the best,
By A Customer
This review is from: Boss Tenor (Audio CD)
Late night, low light. Sip your drink, sink in your chair. Alone. Befriended. You can't beat this record. You simply can't. Each and every song is a stern rebuke to the Kenny Gs of the world. Flows and flows and sooths. A great companion to this is 'Jug'.
4 of 5 people found the following review helpful:
5.0 out of 5 stars
Gene is back!,
By Bomojaz (South Central PA, USA) - See all my reviews
This review is from: Boss Tenor (Audio CD)
After a two year "forced layoff" (the usual culprit for Gene: drugs), this marked his return album (6/16/60), which would be the first in a long string of albums (22) over the next two years. And it's a terrific one. The great Tommy Flanagan is aboard on piano ("The first time I ever played with him," Flanagan recalled), and the rhythm section is solid (Doug Watkins-b; Art Taylor-d; Ray Barretto-conga).
Tempos vary, as does the material. HITTIN THE JUG is a slow blues with good down-home Ammons. BLUE AMMONS is another blues, this time medium tempo. CONFIRMATION, the bop standard, is taken up and features some very relaxed Ammons. MY ROMANCE is taken a tad too slow and could use the double-time chorus, which is missing here, that Gene often employed when doing very slow ballads like this. Flanagan is excellent - I wish there was more of him solo-wise. This is a good return date for Ammons. Definitely worth checking out.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Jug in Velvet,
By
Amazon Verified Purchase(What's this?)
This review is from: Boss Tenor (Audio CD)
Gene Ammons' tone never sounded so velvety. His trademark tone-shadings are highly in evidence on this outing. As other reviewers have noted, this album is perfect for late-night listening sessions, with its dark hues and moody song selection. A special note: if you can get the XRCD version it has especially good sound quality and the instruments are particularly 3-dimensional. A classic straight-ahead jazz album!
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