Amazon.com Review
Fifteen-year-old Liza is the antithesis of the stereotypical teenager. Buttoned-down and straight-laced, Liza thinks carefully before she speaks, jogs regularly, and doesn't waste her valuable time on tantrums or tears. "If you don't plan, you'll get taken by surprise, and I don't want that to happen to me. I want to plan for everything so that I can have a good, successful life." But the one thing that Liza could never have planned on was her mother Rebecca getting breast cancer. With her mom's diagnosis, Liza is abruptly launched into a world without rules or meaning. Her characteristic sense of responsibility shot, Liza flunks driver's ed, forgets to fact check an important school newspaper article, and gets drunk for the first time. Suddenly, she begins to understand how her mother must feel, having to take life as it comes, and not being able to control every outcome. "Maybe I never understood anything.... Everything I knew--about Mom and Dad, about myself... has been wrong. It makes me feel stupid for the first time in my life. I'm not as smart as I thought I was. That's clear."
Young-adult author Ruth Pennebaker has penned her best book to date. Writing in a way that is wholly accessible to teens, her characterization of Liza is complex and solid. Though this is mainly Liza's story, a smattering of paragraphs are written in Rebecca's voice, giving the novel an added bittersweet quality--especially when the reader discovers that Pennebaker herself is a cancer survivor. Both Sides Now is a commendable addition to a small group of titles recently published about mothers, daughters, and cancer that includes Joan Abelove's Saying It Out Loud and Karin Cook's What Girls Learn. (Ages 12 to 18) --Jennifer Hubert
From Publishers Weekly
Pennebaker's (Don't Think Twice) bittersweet novel about a 15-year-old's attempt to cope with her mother's breast cancer combines convincing characters and near-perfect pacing. When her mother's follow-up exam reveals that her cancer has returned, Liza follows the example of her positive-thinking father who tells Liza and her younger sister, Jane, that everything will be fine and that they must all be strong. Readers will quickly see what Liza, the narrator, cannotAthat she uses what she calls her optimism to hide her fears and feelings, even from herself. But Liza's behavior shows the effects of the strain. She flunks driver's training and, worse, neglects to edit a controversial article for the school paper (which results in the resignation of her favorite teacher). Pennebaker skillfully builds the tensions in her plot, so that readers can practically pinpoint the moment that Liza will have her meltdown. From this moment of crisis Liza begins to learn to express her emotions. She begins to appreciate her mother's quiet strength, realizing that her mother is not, after all, weak or overly sensitive or high-strung. Liza's mother periodically weighs in with short narratives, chronicling her own search for a voice and her gradual acceptance of her disease. Through these passages, readers hear another perspective on the characters and realize how truly complex they are. Moving and realistic, this taut novel trades a happy ending for one both honest and empowering. Ages 12-up. (June)
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